Retraction
Year 2024,
Volume: 10 Issue: 20, 209 - 209, 16.07.2024
This is a retraction to: LEO BROUWER’İN ESERLERİNDEKİ ULUSLARARASI DÜZEYİN İNCELENMESİ https://dergipark.org.tr/en/pub/amader/issue/83447/1399313
Retraction Note
Geri Çekme
Abstract
Bu çalışma, Kübalı gitarist ve besteci Leo Brouwer’in, hayatından
bazı kesitleri ayrıca bestecilik kariyerinde eserlerinde kullandığı geleneksel
Afro-Küba tınılarını klasik gitarda uluslararası düzeye nasıl taşıdığını
incelemek amacıyla yapılmıştır. Bu doğrultuda gelecek nesillerin onun
yaşamını ve eserlerini tanıması, ayrıca günümüz müzisyenlerinin de
faydalanabileceği bir kaynak oluşturması ve yeni çalışmalara öncülük etmesi
amaçlanmıştır. Leo Brouwer’in profesyonel anlamdaki meslek yaşamı tarihsel
süreçleriyle aktarılmış olup, dönemsel olarak bestelediği bazı eserleri
incelenmiştir. Besteciliği ile ilgili önemli detaylara yer verilerek, sanatsal
bakış açısı hakkında değerlendirmeler yapılmıştır.
Anahtar Kelimeler: Afro Küba, Besteci, Klasik Gitar, Leo Brouwer.
Keywords
References
- Century, Paul Reed. (1991). The principles of pitch organization in Leo Brouwer’s atonal music for guitar, Unpublished Ph.D. Dissertation, University of California at Santa Barbara.
- Dausend, Michael Gerd. (1990). Structure is a fundamental element of my work: An interview with Leo Brouwer, (R. Augustine transl.), Guitar Review, No. 82 (Summer), pp. 10–16.
- Dumond, A. and Denis, F. (1988). Entretiens avec Leo Brouwer, Les Cahiers de la Guitare (4e Trimestre), pp. 12–20.
- Hakes, John. (1982). Leo Brouwer: Early influences in Tres Apuntes, Soundboard, No. 2 (Summer), pp. 129–131. Kilvington, Chris. 1989. Step by Step: An analysis of the techniques employed by both hands in six bars of Leo Brouwer’s Elogio de la danza, Classical Guitar (August), pp. 14–15.
- Kronenberg, Clive. (1998). Masters research files: Discussions with Leo Brouwer, and notes from his composition classes, Nürtingen Guitar Festival, Germany.
- Kronenberg, Clive. (2000) Cuban artist Leo Brouwer and his works for solo guitar – from pieza sin titulo to elogio del la Danza: a contextual-analytical study, unpublished M.Mus. Dissertation, University of Cape Town.
- Kronenberg, Clive. (2004) Let us play for our children: a reappraisal for the guitar tutor, Guitarra Magazine, Issue 15,
- Kronenberg, Clive. (2004) The value of culture in revolutionary Cuba, UNISA Latin American Report, Vol. 20, No.2, pp. 24– 45. Kronenberg, Clive. (2005) Illustrations of cultural universalism in Cuba Vol. 21, No.2, pp. 56–75. McKenna, Constance. (1988). An Interview with Leo Brouwer, Guitar Review, No. 75 (Fall), pp. 10–16. Moore, Robin. (1994). Representations of Afrocuban expressive culture in the writings of Fernando Ortiz, Latin American Music Review. Vol. 15, No. 1 (Spring/Summer), pp. 32–53. Walters, Gareth (1984). Leo Brouwer, Classical Guitar (September), pp. 17–19.
Year 2024,
Volume: 10 Issue: 20, 209 - 209, 16.07.2024
This is a retraction to: LEO BROUWER’İN ESERLERİNDEKİ ULUSLARARASI DÜZEYİN İNCELENMESİ https://dergipark.org.tr/en/pub/amader/issue/83447/1399313
Retraction Note
Abstract
References
- Century, Paul Reed. (1991). The principles of pitch organization in Leo Brouwer’s atonal music for guitar, Unpublished Ph.D. Dissertation, University of California at Santa Barbara.
- Dausend, Michael Gerd. (1990). Structure is a fundamental element of my work: An interview with Leo Brouwer, (R. Augustine transl.), Guitar Review, No. 82 (Summer), pp. 10–16.
- Dumond, A. and Denis, F. (1988). Entretiens avec Leo Brouwer, Les Cahiers de la Guitare (4e Trimestre), pp. 12–20.
- Hakes, John. (1982). Leo Brouwer: Early influences in Tres Apuntes, Soundboard, No. 2 (Summer), pp. 129–131. Kilvington, Chris. 1989. Step by Step: An analysis of the techniques employed by both hands in six bars of Leo Brouwer’s Elogio de la danza, Classical Guitar (August), pp. 14–15.
- Kronenberg, Clive. (1998). Masters research files: Discussions with Leo Brouwer, and notes from his composition classes, Nürtingen Guitar Festival, Germany.
- Kronenberg, Clive. (2000) Cuban artist Leo Brouwer and his works for solo guitar – from pieza sin titulo to elogio del la Danza: a contextual-analytical study, unpublished M.Mus. Dissertation, University of Cape Town.
- Kronenberg, Clive. (2004) Let us play for our children: a reappraisal for the guitar tutor, Guitarra Magazine, Issue 15,
- Kronenberg, Clive. (2004) The value of culture in revolutionary Cuba, UNISA Latin American Report, Vol. 20, No.2, pp. 24– 45. Kronenberg, Clive. (2005) Illustrations of cultural universalism in Cuba Vol. 21, No.2, pp. 56–75. McKenna, Constance. (1988). An Interview with Leo Brouwer, Guitar Review, No. 75 (Fall), pp. 10–16. Moore, Robin. (1994). Representations of Afrocuban expressive culture in the writings of Fernando Ortiz, Latin American Music Review. Vol. 15, No. 1 (Spring/Summer), pp. 32–53. Walters, Gareth (1984). Leo Brouwer, Classical Guitar (September), pp. 17–19.
There are 8 citations in total.
Details
| Primary Language | Turkish |
|---|---|
| Subjects | Composition in Western Classical Music, Interpretation in Western Classical Music |
| Journal Section | Articles |
| Authors | |
| Publication Date | July 16, 2024 |
| Published in Issue | Year 2024 Volume: 10 Issue: 20 |
Dergimiz batı müziği (müzik), sahne sanatları, Türk sanat müziği, müzik eğitimi, müzikoloji ve müzik ile bağlantılı multidisipliner çalışmaları kabul etmektedir.