Review Article
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Sosyal ve Politik Hareketlerin Tarih Boyunca Sanatla Kesişimi

Year 2025, Issue: 8, 26 - 35, 26.03.2025
https://doi.org/10.62425/at.1484796

Abstract

Bu makale, sosyal ve siyasi hareketler ile sanat arasındaki ilişkiyi incelemekte ve sanatın günün mücadelelerine katılmak için nasıl kullanıldığının izini sürmektedir. Makale, sanatın dini ve kültürel inançları ifade etmek için kullanıldığı eski uygarlıklarda sanatın rolünü incelemektedir. Ardından Rönesans, Protestan Reformu, Fransız Devrimi ve Romantik Akım'ın sanat üzerindeki etkisini inceliyor ve sanatçıların eserlerini zamanlarının siyasi ve sosyal meseleleri hakkında yorum yapmak için nasıl kullandıklarını vurguluyor. Makale, 20. yüzyıla geçerken modernizmin yükselişini ve sosyal ve siyasi hareketlerle olan ilişkisini incelemektedir. Makale ayrıca Black Lives Matter gibi çağdaş sosyal ve siyasi hareketlerin günümüz sanatını nasıl şekillendirdiğini ve sanatçıların eserlerini toplumsal cinsiyet eşitsizliği, cinsel taciz, polis şiddeti ve çevresel sürdürülebilirlik konularını keşfetmek için nasıl kullandıklarını inceliyor. Veriler kitaplardan, dergi makalelerinden ve çevrimiçi kaynaklardan elde edilmiştir. Veriler, betimsel olarak sunulmak üzere sanat tarihçisi yöntemi kullanılarak nitel olarak analiz edilmiştir. Makale, toplumsal ve siyasi hareketler ile sanat arasındaki ilişkiye dair kapsamlı bir genel bakış sunarak ve sanatın içinde yaşadığımız dünyayı şekillendirme ve yansıtma konusundaki kalıcı gücünü vurgulayarak sonlandırılmıştır.

References

  • Adeloye, A. A., Kayode, T. D. & Akınlawon, T. K. (2024). The Impact of Technology on the Production and Consumption of Contemporary Art. Art Time, 6(1), 7-12. DOI: 10.5281/zenodo.10894497
  • Adeloye, A. A., Odewole, P. O. & Afolabi, B. E. F. (2023).The Role of Women in Art World Throughout History. Art Time, 5(1), 30-37. DOI: 10.5281/ zenodo.10894497
  • Biesenbach, K. (2012). Ai Weiwei: According to What? Prestel.
  • Bradley, W. and Esche C. (2007). Art and Social Change: A critical reader. Harry N. Abrams.
  • Bürger, P. (1984). Theory of the Avant-Garde. University of Minnesota Press.
  • Burke, P. (2005). Culture and society in Renaissance Italy, 1420-1540. Scribner.
  • Butler, C. (2012). Postmodernism: A Very Short Introduction. Oxford University Press.
  • Donatella, D. P. & Mario, D. (2016) The Oxford handbook of social movements. Oxford University Press.
  • Duberman, M. B. (2009). Black Mountain College: An exploration in community. Northwestern Unnniversity Press.
  • Gay, P. (2010). Modernism: The Lure of Heresy. W. W. Norton & Company.
  • Karmel, P. (2020) .Abstract art: A global history. Thames and Hudson.
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The Intersection of Social and Political Movements with Art Through History

Year 2025, Issue: 8, 26 - 35, 26.03.2025
https://doi.org/10.62425/at.1484796

Abstract

This article explores the relationship between social and political movements and art, tracing the ways in which art has been used to participate in the struggles of the day. The article examines the role of art in ancient civilizations, where art was used to express religious and cultural beliefs. It then examines the impact of Renaissance, Protestant Reformation, French Revolution, and the Romantic Movement on art, highlighting how artists used their work to comment on the political and social issues of their time. Moving into the 20th century, the article explores the rise of modernism and its relationship with social and political movements. The article also examines how contemporary social and political movements such as Black Lives Matter are shaping art today, with artists using their work to explore issues of gender inequality, sexual harassment, police brutality, and environmental sustainability. Data was sourced from books, journal articles as well as online sources. Data was qualitatively analyzed using art historian method to descriptively present the data. The article concluded by providing a comprehensive overview of the relationship between social and political movements and art and emphasizing the enduring power of art to shape and reflect the world in which we live.

References

  • Adeloye, A. A., Kayode, T. D. & Akınlawon, T. K. (2024). The Impact of Technology on the Production and Consumption of Contemporary Art. Art Time, 6(1), 7-12. DOI: 10.5281/zenodo.10894497
  • Adeloye, A. A., Odewole, P. O. & Afolabi, B. E. F. (2023).The Role of Women in Art World Throughout History. Art Time, 5(1), 30-37. DOI: 10.5281/ zenodo.10894497
  • Biesenbach, K. (2012). Ai Weiwei: According to What? Prestel.
  • Bradley, W. and Esche C. (2007). Art and Social Change: A critical reader. Harry N. Abrams.
  • Bürger, P. (1984). Theory of the Avant-Garde. University of Minnesota Press.
  • Burke, P. (2005). Culture and society in Renaissance Italy, 1420-1540. Scribner.
  • Butler, C. (2012). Postmodernism: A Very Short Introduction. Oxford University Press.
  • Donatella, D. P. & Mario, D. (2016) The Oxford handbook of social movements. Oxford University Press.
  • Duberman, M. B. (2009). Black Mountain College: An exploration in community. Northwestern Unnniversity Press.
  • Gay, P. (2010). Modernism: The Lure of Heresy. W. W. Norton & Company.
  • Karmel, P. (2020) .Abstract art: A global history. Thames and Hudson.
  • Kavaler, E. (2012). Renaissance Gothic: Architecture and the arts in Northern Europe, 1470-1540. Yale University Press.
  • Keizer, J. P. (2008). History, origin, recovery: Michelangelo and the politics of art. Universiteit Leiden.
  • Lewis, S. (2013). The impact of social and political movements on art education in the United States. Art Education, 66(2), 14-19.
  • Mattusch, C. C. (2005). The Roman Republic in art. In The Cambridge companion to the Roman Republic. Cambridge University Press.
  • McAdam, D., Tarrow, S., & Tilly, C. (2001). Dynamics of contention. Cambridge University Press.
  • Mullen, H. (2010). A companion to American cultural history. Wiley-Blackwell.
  • Paoletti, J. T., & Radke, G. M. (2011). Art in Renaissance Italy. Pearson.
  • Redford, D. B. (2003). The Oxford encyclopedia of ancient Egypt. Oxford University Press.
  • Russell, B. (2004). History of Western philosophy. Routledge.
  • Stokstad, M. (2016). Art history. Pearson.
  • Tarrow, S. (2011). Power in movement: Social movements and contentious politics. Cambridge University Press.
  • Image References
  • Image 1. https://render.fineartamerica.com/images/rendered/medi - um/framed-print/images-medium-5/tomb-of-queen-nefertari-patrick-landmannscience-photo-library.jpg?imgWI=36&imgHI=23.4&sku=CRQ13&mat1=PM918&mat2=&t=2&b=2&l =2&r=2&off=0.5&frameW=0.875
  • Image 2. https://campus-cdhk.oss-cn-hongkong.aliyuncs.com/store_manager/ photo_pre/7/70/22/9c23fa9d- b044-424b-ba72-fbdcbbb31408/high_ wm.jpg
  • Image 3. https://i.ytimg.com/vi/UOr5QtYmcyc/hq720.jpg?sqp=- oaymwEhCK4FEIIDSFryq4qpAxMIARUAAAAAGAElAADIQj0AgKJD&rs=AOn4CLDU6d1OoQFpMFGDt2ydjEyJENRwHg
  • Image 4. https://about.jstor.org/wp-content/uploads/2013/09/anglig_10313766667.png
  • Image 5. https://www.artble.com/imgs/9/b/3/416525/birth_of_venus.jpg
  • Image 6. https://upload.wikimedia.org/wikipedia/commons/thumb/b/bd/Le_Serment_des_Horaces_- _Jacques-Louis_David_-_Mus%C3%A9e_du_Louvre_Peintures_INV_3692_%3B_MR_1432.jpg/500px-Le_Serment_des_Horaces_-_Jacques-Louis_David_-Mus%C3%A9e_du_Louvre_Peintures_INV_3692_%3B_MR_1432.jpg
  • Image 7. https://uploads8.wikiart.org/images/albrecht-durer/the-four-apostles-1526.jpg!Large.jpg
  • Image 8. https://upload.wikimedia.org/wikipedia/commons/thumb/c/c0/Marble_replica_of_Michelangelo %27s_David_in_Florence.jpg/220px-Marble_ replica_of_Michelangelo%27s_David_in_Florence.jpg
  • Image 9. https://artuk.org/discover/artworks/snow-storm-hannibal-and-his-armycrossing-the-alps-117673
  • Image 10. https://www.moma.org/d/assets/W1siZiIsIjIwMTYvMDgvMTIvNHhzemt6dmZ3cV8yOF8xOTQyXzIwX0NDQ1IuanBnIl0sWyJwIiwiY29udmVydCIsIi1xdWFsaXR5IDkwIC1yZXNpemUgMjAwMHgyMDAwXHUwMDNlIl1d/28_1942_20_CCCR.jpg?sha=437cc44fca5988da
  • Image 11. https://cdn.sanity.io/images/cctd4ker/production/9188fb20623e120e13272af6bc99f666075701ac -1920x982.jpg
  • Image 12. https://encrypted-tbn0.gstatic.com/images?q=tbn:ANd9GcQl0B4qUoxpF3GnVCPNU2RWk1QsGxo8QPt5A&s
There are 35 citations in total.

Details

Primary Language English
Subjects Fine Arts
Journal Section Review Articles
Authors

Adebayo Abiodun Adeloye 0000-0001-8705-5415

Benjamin Eni-itan F Afolabi 0000-0003-3712-830X

Peter Oluwagbenga Odewole 0000-0002-0977-2993

Publication Date March 26, 2025
Submission Date May 15, 2024
Acceptance Date February 26, 2025
Published in Issue Year 2025 Issue: 8

Cite

APA Adeloye, A. A., Afolabi, B. E.-i. F., & Odewole, P. O. (2025). The Intersection of Social and Political Movements with Art Through History. Art Time(8), 26-35. https://doi.org/10.62425/at.1484796