Year 2019,
Volume: 7 Issue: 2, 223 - 237, 28.06.2019
Gözde Altıparmakoğlu Sakarya
,
Gülru Mutlu Tunca
References
- [1] Searle, J. R., “Las Meninas and the Paradoxes of Pictorial Representation”, Critical Inquiry, Vol. 6, No. 3, p. 478 (1980).
- [2] Foucault, M., “The Order of Things, An Archaeology of the Human Sciences”, Routledge, London and New York, p.28, 29, 37. (1970).
- [3] Clickspring Design, n.d, [http://www.clickspringdesign.com/site/index.php/ntv/] Access Date: (10.02.2014)
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- [7] Mutlu, G., “Bibliotheque Nationale de France, Paris: The Interpretation of Architectural Space As Void”, unpublished Master Thesis, METU, Ankara, p.82, (2001).
- [8] Vidler, A., “The Architectural Uncanny: Essays in the Modern Unhomely”, Cambridge, Mass.:MIT Press, p.220, (1992).
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- URL 1: http://www.mannaexpressonline.com/dont-get-caught-in-satans-web/
- URL 2: http://www.arkitera.com/haber/22768/stonehenge-de-buyuk-kesif
- URL 3: https://www.museothyssen.org/en/collection/artists/picasso-pablo/man-clarinet
- URL 4: https://www.khanacademy.org/humanities/art-1010/early abstraction/cubism/a/braque-the-portuguese
THE “ORDER OF THINGS"IN MEDIA CUBE: TRANSPARENCY AS A DESIGN TOOL IN NTV NEWS STUDIO
Year 2019,
Volume: 7 Issue: 2, 223 - 237, 28.06.2019
Gözde Altıparmakoğlu Sakarya
,
Gülru Mutlu Tunca
Abstract
In this study, the
design of NTV News Studio, which is qualified as a revolution with respect to
news studios is analyzed as architectural. The new news studio of NTV brings a
different and innovative approach to traditional studio designs. The purpose of
this study is to determine the innovations brought by NTV News Studio and
probing the reasons for its being qualified as a "revolution". In
this context, employing a methodology benefiting from the interpretations by
Michel Foucault in his book “Order of Things” about how Diego Velazquez‘s
painting Las Meninas has changed a conventional order, the order of NTV News
Studio has been analyzed.
References
- [1] Searle, J. R., “Las Meninas and the Paradoxes of Pictorial Representation”, Critical Inquiry, Vol. 6, No. 3, p. 478 (1980).
- [2] Foucault, M., “The Order of Things, An Archaeology of the Human Sciences”, Routledge, London and New York, p.28, 29, 37. (1970).
- [3] Clickspring Design, n.d, [http://www.clickspringdesign.com/site/index.php/ntv/] Access Date: (10.02.2014)
- [4] Kepes, G., “Language of Vision”, Courier Dover Publications, p.77 (1944).
- [5] Rowe C. and Slutzky R., “Transparency: Literal and Phenomenal”, Birkhauser, Basel, Switzerland, p. 24, 25, 26, 27, 28, 34, (1997).
- [6] Eroğlu, Y., “Mimarlık ve Şeffaflık”, unpublished Master Thesis, Istanbul Technical University, Istanbul, p.44, (2003).
- [7] Mutlu, G., “Bibliotheque Nationale de France, Paris: The Interpretation of Architectural Space As Void”, unpublished Master Thesis, METU, Ankara, p.82, (2001).
- [8] Vidler, A., “The Architectural Uncanny: Essays in the Modern Unhomely”, Cambridge, Mass.:MIT Press, p.220, (1992).
- [9] Postman, N., “The News" Conscientious Objections”, Alfred A. Knopf Inc.; 1 edition, p.71, (2001).
- [10] Zevi, B., “Architecture as Space”, Da Capo Press, p.40, (1993).
- URL 1: http://www.mannaexpressonline.com/dont-get-caught-in-satans-web/
- URL 2: http://www.arkitera.com/haber/22768/stonehenge-de-buyuk-kesif
- URL 3: https://www.museothyssen.org/en/collection/artists/picasso-pablo/man-clarinet
- URL 4: https://www.khanacademy.org/humanities/art-1010/early abstraction/cubism/a/braque-the-portuguese