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Göç Bağlamında Müzik ve Kimlik İlişkisi: Türk-Alman Genç Kadınlar Örneği

Yıl 2018, Cilt: 38 Sayı: 1, 179 - 197, 28.12.2018

Öz

1960 ve 1970’lerde Almanya’ya işçi olarak giden Türkiye vatandaşları, yerel ya da ulusal aidiyetlerini
koruyabilmek adına, anavatanlarının dil ve müzikleriyle bağlar kurmuşlardır. 21. yüzyılın küreselleşme
bağlamında Almanya’daki ikinci ve üçüncü kuşak Türkler, Türkiye ve Türk kültürü ile daha farklı bağlara sahiptir.
Farklılıklara rağmen, iki ülkenin kültürleri arasında yetişen Türk-Alman gençlerinin kimlik süreçlerinde müziğin
oynadığı rol, önemini korumaktadır. Bu çalışma göç bağlamında müzik ve kimlik ilişkisini Türk-Alman genç
kadınların klasik Türk müziği deneyimleri üzerinden incelemektedir. Türk-Alman gençliği hakkındaki, özellikle
genç erkeklere ve aykırı müzik tarzlarına odaklanan araştırmalardan farklı olarak bu çalışma, “görünmeyen” bir
gruba ve duyulmayan bir müzik türüne ses vermeyi amaçlamıştır. Bu amaçla 2009 yılında Berlin’deki klasik Türk
müziği korolarında, üç ay süren bir etnografik alan araştırması yürütülmüştür. İlgili korolara devam eden genç
kadınlarla yapılan derinlemesine mülakatlar ve katılımın gözlenmesi yoluyla toplanan veri, Türk-Alman genç
kadınların ulusaşırı müzik deneyimlerinde çeşitli aidiyetlerin rol oynadığını ve bu aidiyetler arasında çekişme
bulunduğunu göstermektedir. Din, dil ve ulus boyutlarıyla Türklük ve Almanlık göz önünde bulundurulduğunda
müzik, aidiyetlerin çekişmesinden hem bir kaçışa hem de bir çekişme kaynağına işaret etmektedir.

Kaynakça

  • Abadan-Unat, N. (2017). Bitmeyen göç: Konuk işçilikten ulus-ötesi yurttaşlığa. İstanbul: Bilgi Üniversitesi Yayınları.
  • Aksoy, B. (1999). Osmanlı musiki geleneğinde kadın. E. Güler (Ed.), Osmanlı: Kültür ve sanat içinde (Cilt 10, s. 788–800). Ankara: Yeni Türkiye Yayınları.
  • Aksoy, B. (2008). Geçmişin musıki mirasına bakışlar. İstanbul: Pan Yayıncılık.
  • Amit, V. (2000). Introduction: Constructing the field. In V. Amit (Ed.), Constructing the field: Ethnographic fieldwork in the contemporary world (pp. 1–19). London & New York: Routledge. Appadurai, A. (1990). Disjuncture and difference in the global culture economy, Public Culture, 2(2), 1–24.
  • Appandurai, A. (1996). Modernity at large: Cultural dimensions of globalization. Minneapolis: University of Minnesota Press.
  • Behar, C. (2005). Musıkiden müziğe Osmanlı/Türk müziği: Gelenek ve modernlik. İstanbul: Yapı Kredi Yayınları.
  • Brubaker, R., & Cooper, F. (2000). Beyond ‘identity’. Theory and Society, 29, 1–47.
  • Doubleday, V. (2007, August). The role of women and children’s amateur music making in Afghanistan and the Afghan diaspora: Considering continuity and change. Paper presented at Conference on Music in the World of Islam/Congrés des Musiques dans le monde de l’islam, Assilah.
  • Dwyer, C. (1999). Contradictions of community: Questions of identity for young British Muslim women. Environment and Planning A: Economy and Spaces, 31, 53–68.
  • Ergönül, H. (2014). Identity construction and negotiation of asylum seekers/conditional refugees in Turkey (Van): Iranian Baha’is (Doktora tezi, Yeditepe Üniversitesi Antropoloji Anabilim Dalı, İstanbul). https://tez.yok.gov.tr/UlusalTezMerkezi adresinden edinilmiştir.
  • Featherstone, M. (1993). Global and local cultures. In J. Bird, B. Curtis, T. Putnam, G. Robertson & L. Tickner (Eds.), Mapping the futures: Local cultures, global change (pp. 169–182). London: Routledge. Fitzgerald, T. K. (1993). Metaphors of identity: A culture-communication dialogue. New York: State University of New York Press.
  • Frith, S. (1996). Music and identity. In S. Hall & P. du Gay (Eds.), Questions of cultural identity (pp. 108–127). London: Sage.
  • Glaser, B. G., & Strauss, A. L. (1967). The discovery of grounded theory, strategies for qualitative research. Chicago: Aldine Publication.
  • Greve, M. (2006). Almanya’da “Hayali Türkiye’nin” müziği. İstanbul: Bilgi Üniversitesi Yayınları. Gullestad, M. (2004). Blind slaves of our prejudices: Debating ‘culture’ and ‘race’ in Norway. Ethnos, 69(2), 177–203.
  • Güray, C. (2006). Makam yapılarını yansıtan bir model önerisi için yapay zekâ tekniklerinin kullanımı (Yüksek lisans tezi, Başkent Üniversitesi, Müzikoloji Anabilim Dalı, Ankara). https:// tez.yok.gov.tr/UlusalTezMerkezi adresinden edinilmiştir.
  • Hannerz, U. (1990). Cosmopolitans and locals in world culture. Theory, Culture & Society, 7, 237–251.
  • Hannerz, U. (1997). Flows, boundaries and hybrids: keywords in transnational anthropology. Mana, 3(1), 7–39.
  • Hebdige, D. (1987). Cut ‘n’ mix: Culture, identity and Caribbean music. London: Routledge/Comedia.
  • Hedetoft, U., & Hjort, M. (2002). The postnational self. Belonging and identity. Minneapolis: University of Minnesota Press.
  • Huq, R. (2003). Global youth cultures in localized spaces: The case of the UK new Asian dance music and French rap. In D. Muggleton & R. Weinzierl (Eds.), The post sub-cultures reader (pp. 195–208). Oxford: Berg.
  • Jurgens, J. (2001). Shifting spaces: Complex identities in Turkish-German migration. In L. Pries (Eds.), New transnational social spaces (pp. 94–112). London, UK: Routledge.
  • Kaya, A. (2001). Sicher in Kreuzberg!: Constructing diasporars: Turkish hip hop youth in Berlin. Bielefeld: Tranrkript-Verlag.
  • Kaya, A. (2002). Aesthetics of diaspora: contemporary minstrels in Turkish Berlin. Journal of Ethnic and Migration Studies, 28(1), 43–62.
  • Konrad, G. (1984). Antipolitics. San Diego & New York: Harcourt Brace Jovanovich.
  • Luke, T. W. (2006, February). Transnationalities: embedded, imagined and engineered communities. Paper presented at Rethinking Spaces: Transnational Representations/Repenser les espaces: les représentations transnationales, McGill University.
  • Manuel, P. (1997). Music, identity and images of India in the Indo-Caribbean diaspora. Asian Music, 29(1), 17–35.
  • Marcus, G. E. (1995). Ethnography in/of the world system: the emergence of multi-sited ethnography. Annual Review of Anthropology, 24, 95–117.
  • Martiniello, M., & Lafleur, J. M. (Eds.). (2008). Ethnic minorities’ cultural and artistic practices as forms of political expression: A review of the literature and a theoretical discussion on music. Theme issue, Journal of Ethnic and Migration Studies, 34(8), 1191–1215 . Napolitano, V. (2002). Migration, Mujercitas and medicine men: living in urban Mexico. Berkeley: University of California Press.
  • Probyn, E. (1996). Outside belongings: Disciplines, nations, and the place of sex. New York & London: Routledge.
  • Qureshi, R. B. (2003). Music anthropologies and music histories: a preface and an agenda. Journal of the American Musicological Society, 48(3), 331–342.
  • Römhild, R. (2005). Global heimat Germany: migration and the transnationalization of the nationstate. Migration, Culture, and, the Nation State, 1(1), 1–18.
  • Sartori, I. (2007, August). Cultural identity, Islamic revivalism and women’s new-found role in preserving and transmitting musical traditions. Suggestions from Harar, Ethiopia. Paper presented at Conference on Music in the World of Islam/Congrés des Musiques dans le monde de l’Islam. Assilah.
  • Signell, K. (2006). Makam: Türk sanat müziğinde makam uygulaması. İstanbul: Yapı Kredi Yayınları. Soysal, L. (2001). Diversity of experience, experience of diversity: Turkish migrant youth culture in Berlin. Cultural Dynamics, 13(1), 5–28.
  • Soysal, L. (2004). Rap, hiphop, Kreuzberg: Scripts of/for migrant youth culture in the WorldCity Berlin, New German Critique, 92, 62–81.
  • Stokes, M. (1994). Introduction: Ethnicity, identity and music. In M. Stokes (Ed.), Ethnicity, identity and music (pp. 1–27). Oxford & New York: Berg.
  • Strasser, S. (2008). We will not integrate! Multiple belongings, political activism and anthropology in Austria. In H. Armbruster & A. Laerke (Eds.), Taking sides: Ethics, politics and fieldwork in anthropology (pp. 175–198). New York & Oxford: Berghahn.
  • Suter, E. A. (2000). Focus groups in ethnography of communication: expanding topics of inquiry beyond participant observation. The Qualitative Report [On-line serial], 5(1-2). Retrieved from http://www.nova.edu/ssss/QR/QR5-1/suter.html
  • Tanrıkorur, C. (2003). Osmanlı dönemi Türk mûsikîsi. İstanbul: Dergâh Yayınları.
  • Tedlock, B. (1991). From participant observation to the observation of participation: The emergence of narrative ethnography. Journal of Anthropological Research, 47(1), 69–94.
  • Tomlinson, J. (1999). Globalised culture: The triumph of the West? In T. Skelton & T. Allen (Eds.), Culture and global change (pp. 23–31). London & New York: Routledge.
  • White, J. (1997). Turks in the new Germany. American Anthropologist, 99(4), 754–769.
  • Wilpert, C. (2004, June). National case study: Muslim youth in Germany. Focus on youth of Turkish origins. Paper presented at the International Conference Muslim Youth in Europe. Typologies of religious belonging and sociocultural dynamics, Edoardo Agnelli Centre for Comparative Religious Studies.
  • Wurm, M. (2006). Musik in der Migration: beobachtungen zur kulturellen Artikulation türkischer Jugendlicher in Deutschland. Bielefeld: Transcript.
  • Yip, A. K. T. (2008). The quest of intimate/sexual citizenship: Lived experiences of lesbian and bisexual Muslim women. Contemporary Islam, 2, 99–117.
  • Yuval-Davis, N. (2006). Belonging and the politics of belonging, Patterns of Prejudice, 40(3), 196–213.

The Relation between Music and Identity in the Context of Migration: The Case of German-Turkish Young Women

Yıl 2018, Cilt: 38 Sayı: 1, 179 - 197, 28.12.2018

Öz

Turkish citizens who went to Germany for work in the 1960s and 1970s attached themselves to the language and
music of their home country to sustain their local or national belongings. In the context of 21st-century globalization,
the second and third generation have different ties with Turkey. Despite the differences, music remains
important in the identity processes of the German-Turkish youth who grew up under the influence of the cultures
of two countries. This study analyzes the relationship between music and identity, in the context of migration,
through the musical experiences of German-Turkish young women. This study aims to give a voice to a “muted”
group and an unheard genre as compared to the existing literature on the German-Turkish youth, which especially
focuses on young men and alternative music styles. For this purpose, a three-month ethnographic research
was conducted among the classical Turkish music choirs of Berlin in 2009. The data show that different belongings
play role in the transnational musical experiences of these women and there is a contestation between those belongings.
When Turkishness and Germanness in the sense of religion, language and nation are consid

Kaynakça

  • Abadan-Unat, N. (2017). Bitmeyen göç: Konuk işçilikten ulus-ötesi yurttaşlığa. İstanbul: Bilgi Üniversitesi Yayınları.
  • Aksoy, B. (1999). Osmanlı musiki geleneğinde kadın. E. Güler (Ed.), Osmanlı: Kültür ve sanat içinde (Cilt 10, s. 788–800). Ankara: Yeni Türkiye Yayınları.
  • Aksoy, B. (2008). Geçmişin musıki mirasına bakışlar. İstanbul: Pan Yayıncılık.
  • Amit, V. (2000). Introduction: Constructing the field. In V. Amit (Ed.), Constructing the field: Ethnographic fieldwork in the contemporary world (pp. 1–19). London & New York: Routledge. Appadurai, A. (1990). Disjuncture and difference in the global culture economy, Public Culture, 2(2), 1–24.
  • Appandurai, A. (1996). Modernity at large: Cultural dimensions of globalization. Minneapolis: University of Minnesota Press.
  • Behar, C. (2005). Musıkiden müziğe Osmanlı/Türk müziği: Gelenek ve modernlik. İstanbul: Yapı Kredi Yayınları.
  • Brubaker, R., & Cooper, F. (2000). Beyond ‘identity’. Theory and Society, 29, 1–47.
  • Doubleday, V. (2007, August). The role of women and children’s amateur music making in Afghanistan and the Afghan diaspora: Considering continuity and change. Paper presented at Conference on Music in the World of Islam/Congrés des Musiques dans le monde de l’islam, Assilah.
  • Dwyer, C. (1999). Contradictions of community: Questions of identity for young British Muslim women. Environment and Planning A: Economy and Spaces, 31, 53–68.
  • Ergönül, H. (2014). Identity construction and negotiation of asylum seekers/conditional refugees in Turkey (Van): Iranian Baha’is (Doktora tezi, Yeditepe Üniversitesi Antropoloji Anabilim Dalı, İstanbul). https://tez.yok.gov.tr/UlusalTezMerkezi adresinden edinilmiştir.
  • Featherstone, M. (1993). Global and local cultures. In J. Bird, B. Curtis, T. Putnam, G. Robertson & L. Tickner (Eds.), Mapping the futures: Local cultures, global change (pp. 169–182). London: Routledge. Fitzgerald, T. K. (1993). Metaphors of identity: A culture-communication dialogue. New York: State University of New York Press.
  • Frith, S. (1996). Music and identity. In S. Hall & P. du Gay (Eds.), Questions of cultural identity (pp. 108–127). London: Sage.
  • Glaser, B. G., & Strauss, A. L. (1967). The discovery of grounded theory, strategies for qualitative research. Chicago: Aldine Publication.
  • Greve, M. (2006). Almanya’da “Hayali Türkiye’nin” müziği. İstanbul: Bilgi Üniversitesi Yayınları. Gullestad, M. (2004). Blind slaves of our prejudices: Debating ‘culture’ and ‘race’ in Norway. Ethnos, 69(2), 177–203.
  • Güray, C. (2006). Makam yapılarını yansıtan bir model önerisi için yapay zekâ tekniklerinin kullanımı (Yüksek lisans tezi, Başkent Üniversitesi, Müzikoloji Anabilim Dalı, Ankara). https:// tez.yok.gov.tr/UlusalTezMerkezi adresinden edinilmiştir.
  • Hannerz, U. (1990). Cosmopolitans and locals in world culture. Theory, Culture & Society, 7, 237–251.
  • Hannerz, U. (1997). Flows, boundaries and hybrids: keywords in transnational anthropology. Mana, 3(1), 7–39.
  • Hebdige, D. (1987). Cut ‘n’ mix: Culture, identity and Caribbean music. London: Routledge/Comedia.
  • Hedetoft, U., & Hjort, M. (2002). The postnational self. Belonging and identity. Minneapolis: University of Minnesota Press.
  • Huq, R. (2003). Global youth cultures in localized spaces: The case of the UK new Asian dance music and French rap. In D. Muggleton & R. Weinzierl (Eds.), The post sub-cultures reader (pp. 195–208). Oxford: Berg.
  • Jurgens, J. (2001). Shifting spaces: Complex identities in Turkish-German migration. In L. Pries (Eds.), New transnational social spaces (pp. 94–112). London, UK: Routledge.
  • Kaya, A. (2001). Sicher in Kreuzberg!: Constructing diasporars: Turkish hip hop youth in Berlin. Bielefeld: Tranrkript-Verlag.
  • Kaya, A. (2002). Aesthetics of diaspora: contemporary minstrels in Turkish Berlin. Journal of Ethnic and Migration Studies, 28(1), 43–62.
  • Konrad, G. (1984). Antipolitics. San Diego & New York: Harcourt Brace Jovanovich.
  • Luke, T. W. (2006, February). Transnationalities: embedded, imagined and engineered communities. Paper presented at Rethinking Spaces: Transnational Representations/Repenser les espaces: les représentations transnationales, McGill University.
  • Manuel, P. (1997). Music, identity and images of India in the Indo-Caribbean diaspora. Asian Music, 29(1), 17–35.
  • Marcus, G. E. (1995). Ethnography in/of the world system: the emergence of multi-sited ethnography. Annual Review of Anthropology, 24, 95–117.
  • Martiniello, M., & Lafleur, J. M. (Eds.). (2008). Ethnic minorities’ cultural and artistic practices as forms of political expression: A review of the literature and a theoretical discussion on music. Theme issue, Journal of Ethnic and Migration Studies, 34(8), 1191–1215 . Napolitano, V. (2002). Migration, Mujercitas and medicine men: living in urban Mexico. Berkeley: University of California Press.
  • Probyn, E. (1996). Outside belongings: Disciplines, nations, and the place of sex. New York & London: Routledge.
  • Qureshi, R. B. (2003). Music anthropologies and music histories: a preface and an agenda. Journal of the American Musicological Society, 48(3), 331–342.
  • Römhild, R. (2005). Global heimat Germany: migration and the transnationalization of the nationstate. Migration, Culture, and, the Nation State, 1(1), 1–18.
  • Sartori, I. (2007, August). Cultural identity, Islamic revivalism and women’s new-found role in preserving and transmitting musical traditions. Suggestions from Harar, Ethiopia. Paper presented at Conference on Music in the World of Islam/Congrés des Musiques dans le monde de l’Islam. Assilah.
  • Signell, K. (2006). Makam: Türk sanat müziğinde makam uygulaması. İstanbul: Yapı Kredi Yayınları. Soysal, L. (2001). Diversity of experience, experience of diversity: Turkish migrant youth culture in Berlin. Cultural Dynamics, 13(1), 5–28.
  • Soysal, L. (2004). Rap, hiphop, Kreuzberg: Scripts of/for migrant youth culture in the WorldCity Berlin, New German Critique, 92, 62–81.
  • Stokes, M. (1994). Introduction: Ethnicity, identity and music. In M. Stokes (Ed.), Ethnicity, identity and music (pp. 1–27). Oxford & New York: Berg.
  • Strasser, S. (2008). We will not integrate! Multiple belongings, political activism and anthropology in Austria. In H. Armbruster & A. Laerke (Eds.), Taking sides: Ethics, politics and fieldwork in anthropology (pp. 175–198). New York & Oxford: Berghahn.
  • Suter, E. A. (2000). Focus groups in ethnography of communication: expanding topics of inquiry beyond participant observation. The Qualitative Report [On-line serial], 5(1-2). Retrieved from http://www.nova.edu/ssss/QR/QR5-1/suter.html
  • Tanrıkorur, C. (2003). Osmanlı dönemi Türk mûsikîsi. İstanbul: Dergâh Yayınları.
  • Tedlock, B. (1991). From participant observation to the observation of participation: The emergence of narrative ethnography. Journal of Anthropological Research, 47(1), 69–94.
  • Tomlinson, J. (1999). Globalised culture: The triumph of the West? In T. Skelton & T. Allen (Eds.), Culture and global change (pp. 23–31). London & New York: Routledge.
  • White, J. (1997). Turks in the new Germany. American Anthropologist, 99(4), 754–769.
  • Wilpert, C. (2004, June). National case study: Muslim youth in Germany. Focus on youth of Turkish origins. Paper presented at the International Conference Muslim Youth in Europe. Typologies of religious belonging and sociocultural dynamics, Edoardo Agnelli Centre for Comparative Religious Studies.
  • Wurm, M. (2006). Musik in der Migration: beobachtungen zur kulturellen Artikulation türkischer Jugendlicher in Deutschland. Bielefeld: Transcript.
  • Yip, A. K. T. (2008). The quest of intimate/sexual citizenship: Lived experiences of lesbian and bisexual Muslim women. Contemporary Islam, 2, 99–117.
  • Yuval-Davis, N. (2006). Belonging and the politics of belonging, Patterns of Prejudice, 40(3), 196–213.
Toplam 45 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Bölüm Makaleler
Yazarlar

Nevin Şahin

Yayımlanma Tarihi 28 Aralık 2018
Yayımlandığı Sayı Yıl 2018 Cilt: 38 Sayı: 1

Kaynak Göster

APA Şahin, N. (2018). Göç Bağlamında Müzik ve Kimlik İlişkisi: Türk-Alman Genç Kadınlar Örneği. İstanbul Üniversitesi Sosyoloji Dergisi, 38(1), 179-197.
AMA Şahin N. Göç Bağlamında Müzik ve Kimlik İlişkisi: Türk-Alman Genç Kadınlar Örneği. İstanbul Üniversitesi Sosyoloji Dergisi. Aralık 2018;38(1):179-197.
Chicago Şahin, Nevin. “Göç Bağlamında Müzik Ve Kimlik İlişkisi: Türk-Alman Genç Kadınlar Örneği”. İstanbul Üniversitesi Sosyoloji Dergisi 38, sy. 1 (Aralık 2018): 179-97.
EndNote Şahin N (01 Aralık 2018) Göç Bağlamında Müzik ve Kimlik İlişkisi: Türk-Alman Genç Kadınlar Örneği. İstanbul Üniversitesi Sosyoloji Dergisi 38 1 179–197.
IEEE N. Şahin, “Göç Bağlamında Müzik ve Kimlik İlişkisi: Türk-Alman Genç Kadınlar Örneği”, İstanbul Üniversitesi Sosyoloji Dergisi, c. 38, sy. 1, ss. 179–197, 2018.
ISNAD Şahin, Nevin. “Göç Bağlamında Müzik Ve Kimlik İlişkisi: Türk-Alman Genç Kadınlar Örneği”. İstanbul Üniversitesi Sosyoloji Dergisi 38/1 (Aralık 2018), 179-197.
JAMA Şahin N. Göç Bağlamında Müzik ve Kimlik İlişkisi: Türk-Alman Genç Kadınlar Örneği. İstanbul Üniversitesi Sosyoloji Dergisi. 2018;38:179–197.
MLA Şahin, Nevin. “Göç Bağlamında Müzik Ve Kimlik İlişkisi: Türk-Alman Genç Kadınlar Örneği”. İstanbul Üniversitesi Sosyoloji Dergisi, c. 38, sy. 1, 2018, ss. 179-97.
Vancouver Şahin N. Göç Bağlamında Müzik ve Kimlik İlişkisi: Türk-Alman Genç Kadınlar Örneği. İstanbul Üniversitesi Sosyoloji Dergisi. 2018;38(1):179-97.