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The Transgender Experience: Cross-dressing and Sex-change in Virginia Woolf’s Orlando

Year 2022, , 2166 - 2174, 19.10.2022
https://doi.org/10.21547/jss.1121931

Abstract

The main concern of this study is the importance of gender ambiguity and fluid sexuality created by the potential presence of the transgender protagonist in Virginia Woolf’s fifth novel, Orlando (1928). In this respect, Woolf’s Orlando illustrates how the novel both involves in the rearticulation and reformulation of gender and portrays a body in the process of transitioning. Then, a common thread within the novel is the juxtaposition of the performative and clothed configuration of gender and sex in the constant process of becoming and transitioning with the multiplicity and fluidity of sex / gender idenitification. In this manner, the protagonist Orlando appears to be both female and male, neither female nor male simultaneously. Then, Orlando embraces gender fluidity and sexual ambiguity by means of masquerade of femininity or gender performance of cross-dressing. Overall, this study will indicate the way gender ambiguity is initiated by the potential existence of transgressive transgender figure in Orlando, which enables the reader to explore gender dynamics and to reexamine the categories of sexuality and sex with alteration in mind.

Thanks

This study includes a part of my doctoral dissertation.

References

  • Butler, J. (1999). Gender trouble: Feminism and the subversion of identity. New York: Routledge.
  • Butler, J. (1996). Imitation and gender insubordination. The material queer. In D. Morton (Ed).180-192. Boulder, CO: Westview Press.
  • Gilbert, Sandra M. (1986). Costumes of the mind: Transvestism as metaphor in modern literature: Gender studies: New directions in feminist criticism. In J. Spector (Ed). 70-95. Bowling Green: Bowling Green State University Popular Press.
  • Prince, V. (2007). “Seventy years in the trenches of the gender wars”. Blending genders: Social aspects of cross-dressing and sex-changing. In Richard Ekins (Ed). 469-476. London: Routledge.
  • Prosser, J. (1998). Second skins: The body narratives of transsexuality. New York: Columbia University Press.
  • Stryker, S. (2006). (De)subjugated knowledges: An introduction to transgender studies. Eds. S. Stryker & S. Whittle. The Transgender Studies Reader. In S. Stryker & S. Whittle (Eds). 1-18. New York: Routledge.
  • Valentine, D. (2007). Imagining transgender: An ethnography of a category. Durham: Duke University Press Books.
  • Woolf, V. (1992). Orlando: A biography. San Diego: Harcourt Brace Jovanovich.

The Transgender Experience: Cross-dressing and Sex-change in Virginia Woolf’s Orlando

Year 2022, , 2166 - 2174, 19.10.2022
https://doi.org/10.21547/jss.1121931

Abstract

Virginia Woolf’un beşinci romanı olan Orlando adlı eserindeki transgender başkahramanın potansiyel mevcudiyetiyle yaratılmış olan toplumsal cinsiyet belirsizliğinin ve değişken cinsiyetin önemi bu çalışmanın temel kapsamını oluşturmaktadır. Bu bakımdan, Virginia Woolf’un Orlanda eseri toplumsal cinsiyet kavramının nasıl tekrar biçimlendiğini ve yeniden ifade edildiğini ve hatta bir bedenin nasıl sürekli dönüşüm içinde olduğunu gösterir. Sonrasında, sürekli başkalaşım ve dönüşüm süreci içinde olan, kılıktan kılığa giren cinsiyet edimi kavramının cinsel kimliğin akışkanlığı ve çok katmanlılığı ile bir arada kullanımı romanda rastlanılan ince bir noktadır. Bu bakımdan, başkahraman Orlando hem kadın hem erkek ve aynı zamanda cinsiyetsiz biri olarak ortaya çıkmaktadır. Böylece, eserin başkahramanı Orlando kılıp değiştirip sahte tavırlarla gerçeği gizleyerek cinsel kimliğin akışkanlığını ve belirsizliğini gözler önüne sermiş olur. Bu kapsamda, bu çalışma transgender bir figürün olası varlığı ile toplumsal cinsiyet belirsizliğinin romanda nasıl oluşturulduğunu göstermiş ve bu oluşumun okuyucuların zihnindeki toplumsal cinsiyet algısı dinamiklerini sorgulamalarını ve cinsiyet ve cinsel kimlik kategorileri üzerine tekrar düşünmelerini sağlamıştır.

References

  • Butler, J. (1999). Gender trouble: Feminism and the subversion of identity. New York: Routledge.
  • Butler, J. (1996). Imitation and gender insubordination. The material queer. In D. Morton (Ed).180-192. Boulder, CO: Westview Press.
  • Gilbert, Sandra M. (1986). Costumes of the mind: Transvestism as metaphor in modern literature: Gender studies: New directions in feminist criticism. In J. Spector (Ed). 70-95. Bowling Green: Bowling Green State University Popular Press.
  • Prince, V. (2007). “Seventy years in the trenches of the gender wars”. Blending genders: Social aspects of cross-dressing and sex-changing. In Richard Ekins (Ed). 469-476. London: Routledge.
  • Prosser, J. (1998). Second skins: The body narratives of transsexuality. New York: Columbia University Press.
  • Stryker, S. (2006). (De)subjugated knowledges: An introduction to transgender studies. Eds. S. Stryker & S. Whittle. The Transgender Studies Reader. In S. Stryker & S. Whittle (Eds). 1-18. New York: Routledge.
  • Valentine, D. (2007). Imagining transgender: An ethnography of a category. Durham: Duke University Press Books.
  • Woolf, V. (1992). Orlando: A biography. San Diego: Harcourt Brace Jovanovich.
There are 8 citations in total.

Details

Primary Language English
Subjects Creative Arts and Writing
Journal Section English Language and Literature
Authors

Sezgi Öztop Haner 0000-0001-9687-5159

Publication Date October 19, 2022
Submission Date May 26, 2022
Acceptance Date September 15, 2022
Published in Issue Year 2022

Cite

APA Öztop Haner, S. (2022). The Transgender Experience: Cross-dressing and Sex-change in Virginia Woolf’s Orlando. Gaziantep Üniversitesi Sosyal Bilimler Dergisi, 21(4), 2166-2174. https://doi.org/10.21547/jss.1121931