Müzikal Yaratımda Bilinçdışının Etkileşimi Üzerine Kavramsal İnceleme

Year 2024, Volume: 11 Issue: 1, 29 - 42, 24.06.2024

İsmail Hakkı Burdurlu

https://doi.org/10.26650/CONS2024-1431502

Abstract

Müzikal yaratım süreci, sanatçının biyolojik, kültürel ve psikolojik deneyimlerine dayalı olarak, bilinçdışındaki çatışmalarının bilinç düzeyine erişimini içerir. Diğer bir ifadeyle psişik kaynakların müziğin oluşumunda kültürel estetikle içi içe geçmiş somut ses düzenlemelerine dönüştürülmesi temel bir rol oynar. Bu çalışma, Freud ve Lacan’ın psikanalitik yöntemleri aracılığıyla müzikal yaratım ile bilinçdışı arasındaki etkileşimi vurgulayarak Batı sanat müziği bağlamının analizine katkıda bulunmayı amaçlamaktadır. Bu açıdan, müzisyenlerin iç dünyaları hakkında anlam oluşturmanın yolunu gösterebilecek disiplinlerarası ve açıklayıcı bir araştırma alanı olarak önem taşımaktadır.

Keywords

Müzikal yaratım, bilinçdışı, psikanaliz

A Conceptual Exploration on the Interplay of Unconscious in Musical Creativity

Abstract

The process of musical creation involves the artist bringing conflicts from the unconscious into consciousness based on their biological, cultural, and psychological experiences. In other words, the transformation of psychic resources into tangible sound arrangements intricately intertwined with cultural aesthetics plays a fundamental role in the formation of music. This study aims to contribute to the analysis of Western art music by emphasizing the interaction between musical creation and the unconscious through Freudian and Lacanian psychoanalytic methods. Simultaneously, in this regard, it holds significance as an interdisciplinary and explanatory research field that can guide the generation of meaning towards the inner worlds of musicians.

Keywords

Musical creativity, unconscious, psychoanalysis

Ethical Statement

Research did not include or conduct with human participants or focusing on humans. Thus, Ethical Board Approval is not specified. My article titled "A Conceptual Exploration on the Interplay of Unconscious in Musical Creativity", which I sent to you with the request to be published in Psychology of Aesthetics, Creativity, and the Art, can be published in another periodical, book, etc. I undertake that it has not been published or sent for publication. If the contrary is proven, all legal liability belongs to me.

Supporting Institution

The author declares and certifies that no funding has been used.

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