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Year 2017, Volume: 12 Issue: 3, 177 - 184, 07.07.2017

Abstract


References

  • • Atalay, R., (2007). Brancusi’nin Özelinde Heykel Sanatında Soyutlama. Anadolu Sanat Dergisi, Sayı:18, ss:101-106.
  • • Bulat, M., (2014). Modern Sanatta Soyutlama, Atatürk Üniversitesi Yayınları, Erzurum, 117-131.
  • • Deussen, O., (2003). A framework for geometry generation and rendering of plants with applications in landscape architecture. Landscape and Urban Planning, 64, 105–113.
  • • Edgü, F., (1986). Şimdi Saat Kaç Denemeler. Ada Yayınları, İstanbul.
  • • Evans, L., (1996). The New Complete Illustration Guide: The Ultimate Trace File for Architects, Designers, Artists, and Students. Van Nostrand Reinhold, New York.
  • • Holton, M., (1994). Strands, gravity and botanical tree imagery. Computer Graphics Forum, 13(1), 57–67 (Eurographics Association).
  • • Kurdoğlu, B.C., Karasah, B., Sarı, D., Yılmaz, H. and Kamer Aksoy, Ö., (2008). Bitkilendirme Tasarımı Eğitiminde Üç Boyutlu Anlatım Teknġklerinin Önemi Ve Değerlendirilmesi Üzerine Örnek Bir Çalışma. Artvin Çoruh University, Faculty of Forestry Journal, 9(1-2), 44-62.
  • • Lynton, N., (1991). Modern Sanatın Öyküsü, Remzi Kitapevi, İstanbul.
  • • Oppenheimer, P.E., (1986). Real-time Design and Animation of fractal plants and trees. In: SIGGRAPH’86 Conference Proceedings, ACM SIGGRAPH. 55–64.
  • • Osgood, C., (1975). Cross-cultural Universals of Affective Meaning. University of Illinois Press, Urbana.
  • • Schumann, J., Strothotte, T., Raab, A., and Laser, S., (1996). Assessing the Effect of Non-photorealistic Images in Computer-Aided Design. In: Proceedings SIGCHI’96 Conference ACM Human Factors in Computing Systems. ACM Press, pp:35–41, 13–15.
  • • Thomson G., (1979). İnsanın Özü. Panel Yayınevi. İstanbul.
  • • Walker, T.D., (1991). Planting Design. Van Nostrand Reinhold. New York.
  • • Weber, J. and Penn, J., (1995). Creation and Rendering of Realistic Trees. In: SIGGRAPH’95 Conference Proceedings, ACM SIGGRAPH. pp:119–128.
  • • Worringer, W., (1995). Soyutlama ve Özdeşleyim Remzi Kitabevi, İstanbul.
  • • Yıldırım, B.T., (2000). Bitki Materyali I. Basılmamış Ders Notları. Ege Üniversitesi Ziraat Fakültesi Peyzaj Mimarlığı Bölümü, İzmir.

ARTISTIC PLANT REPRESENTATION TECHNIQUES IN LANDSCAPE ARCHITECTURE

Year 2017, Volume: 12 Issue: 3, 177 - 184, 07.07.2017

Abstract

In
all the artistic branches, "abstraction" is a common concept. Abstraction
is the formation of objects that exist in nature and the information about these
objects in the intellectual dimension, undertaking new meanings. In other
words, abstraction is the interpretation of reality in a creative way. The
objective of the present study is to determine the way abstraction is perceived
in landscape architecture studies. In the study, how the plant displays used in
Landscape Architecture works could be abstracted artistically. In the first
stage, the visuals of selected plant species were examined by the authors based
on size, form and texture, and artistic abstract representations were designed
using different geometric forms. In the second phase, a survey was conducted on
the designed artwork with 50 experts in the fields of architecture, landscape
architecture, interior architecture, fine arts and painting. In the survey, the
participants were asked to evaluate the artwork from an artistic perspective.
At this stage, adjective pairs were provided to the experts and the
representations were rated based on these attributes.
For this purpose, a survey with the 5-point
scale
Semantic Differential Scale was determined as the method of this study. Finally, artistic plant representations expressed in abstraction were
predominantly described with attributes such as creative, original, modern,
etc. 

References

  • • Atalay, R., (2007). Brancusi’nin Özelinde Heykel Sanatında Soyutlama. Anadolu Sanat Dergisi, Sayı:18, ss:101-106.
  • • Bulat, M., (2014). Modern Sanatta Soyutlama, Atatürk Üniversitesi Yayınları, Erzurum, 117-131.
  • • Deussen, O., (2003). A framework for geometry generation and rendering of plants with applications in landscape architecture. Landscape and Urban Planning, 64, 105–113.
  • • Edgü, F., (1986). Şimdi Saat Kaç Denemeler. Ada Yayınları, İstanbul.
  • • Evans, L., (1996). The New Complete Illustration Guide: The Ultimate Trace File for Architects, Designers, Artists, and Students. Van Nostrand Reinhold, New York.
  • • Holton, M., (1994). Strands, gravity and botanical tree imagery. Computer Graphics Forum, 13(1), 57–67 (Eurographics Association).
  • • Kurdoğlu, B.C., Karasah, B., Sarı, D., Yılmaz, H. and Kamer Aksoy, Ö., (2008). Bitkilendirme Tasarımı Eğitiminde Üç Boyutlu Anlatım Teknġklerinin Önemi Ve Değerlendirilmesi Üzerine Örnek Bir Çalışma. Artvin Çoruh University, Faculty of Forestry Journal, 9(1-2), 44-62.
  • • Lynton, N., (1991). Modern Sanatın Öyküsü, Remzi Kitapevi, İstanbul.
  • • Oppenheimer, P.E., (1986). Real-time Design and Animation of fractal plants and trees. In: SIGGRAPH’86 Conference Proceedings, ACM SIGGRAPH. 55–64.
  • • Osgood, C., (1975). Cross-cultural Universals of Affective Meaning. University of Illinois Press, Urbana.
  • • Schumann, J., Strothotte, T., Raab, A., and Laser, S., (1996). Assessing the Effect of Non-photorealistic Images in Computer-Aided Design. In: Proceedings SIGCHI’96 Conference ACM Human Factors in Computing Systems. ACM Press, pp:35–41, 13–15.
  • • Thomson G., (1979). İnsanın Özü. Panel Yayınevi. İstanbul.
  • • Walker, T.D., (1991). Planting Design. Van Nostrand Reinhold. New York.
  • • Weber, J. and Penn, J., (1995). Creation and Rendering of Realistic Trees. In: SIGGRAPH’95 Conference Proceedings, ACM SIGGRAPH. pp:119–128.
  • • Worringer, W., (1995). Soyutlama ve Özdeşleyim Remzi Kitabevi, İstanbul.
  • • Yıldırım, B.T., (2000). Bitki Materyali I. Basılmamış Ders Notları. Ege Üniversitesi Ziraat Fakültesi Peyzaj Mimarlığı Bölümü, İzmir.
There are 16 citations in total.

Details

Journal Section Articles
Authors

Tugba Duzenli

Elif Merve Alpak This is me

Emine Tarakci Eren

Publication Date July 7, 2017
Published in Issue Year 2017 Volume: 12 Issue: 3

Cite

APA Duzenli, T., Alpak, E. M., & Tarakci Eren, E. (2017). ARTISTIC PLANT REPRESENTATION TECHNIQUES IN LANDSCAPE ARCHITECTURE. Fine Arts, 12(3), 177-184.
AMA Duzenli T, Alpak EM, Tarakci Eren E. ARTISTIC PLANT REPRESENTATION TECHNIQUES IN LANDSCAPE ARCHITECTURE. Fine Arts. July 2017;12(3):177-184.
Chicago Duzenli, Tugba, Elif Merve Alpak, and Emine Tarakci Eren. “ARTISTIC PLANT REPRESENTATION TECHNIQUES IN LANDSCAPE ARCHITECTURE”. Fine Arts 12, no. 3 (July 2017): 177-84.
EndNote Duzenli T, Alpak EM, Tarakci Eren E (July 1, 2017) ARTISTIC PLANT REPRESENTATION TECHNIQUES IN LANDSCAPE ARCHITECTURE. Fine Arts 12 3 177–184.
IEEE T. Duzenli, E. M. Alpak, and E. Tarakci Eren, “ARTISTIC PLANT REPRESENTATION TECHNIQUES IN LANDSCAPE ARCHITECTURE”, Fine Arts, vol. 12, no. 3, pp. 177–184, 2017.
ISNAD Duzenli, Tugba et al. “ARTISTIC PLANT REPRESENTATION TECHNIQUES IN LANDSCAPE ARCHITECTURE”. Fine Arts 12/3 (July 2017), 177-184.
JAMA Duzenli T, Alpak EM, Tarakci Eren E. ARTISTIC PLANT REPRESENTATION TECHNIQUES IN LANDSCAPE ARCHITECTURE. Fine Arts. 2017;12:177–184.
MLA Duzenli, Tugba et al. “ARTISTIC PLANT REPRESENTATION TECHNIQUES IN LANDSCAPE ARCHITECTURE”. Fine Arts, vol. 12, no. 3, 2017, pp. 177-84.
Vancouver Duzenli T, Alpak EM, Tarakci Eren E. ARTISTIC PLANT REPRESENTATION TECHNIQUES IN LANDSCAPE ARCHITECTURE. Fine Arts. 2017;12(3):177-84.