Analysis of the feminine cultural and pedagogical codes of the musical talent of the Spanish prodigy pianist Maria Vallès at the early 20th century

Year 2023, , 231 - 241, 30.06.2023

Sandra Soler Campo Elia Saneleuterıo

https://doi.org/10.12975/rastmd.20231124

Abstract

This paper aims to find details about an excellent Spanish pianist from the beginning of the 20th century who starred when she was a little child: her name was Maria Vallès. Not many news are known about her brief biography since she had a short life and little could develop and become known as a pianist. Through a research work some press articles from the first decades of the 20th century were found, which highlight the excellence of her piano performances in Spain. The aim of this research is to analyze the pedagogical codes for the training of a musical talent in Spain at the beginning of the 20th century, as well as the feminine cultural codes against a female prodigy artist, on the axis of Maria Vallès. This research was carried out according to the type of document analysis, which is one of the qualitative research types. Evidence documents regarding the prodigy phenomenon of the Spanish pianist were found. She played concerts basically in Catalonia, where she moved with her family when she was a little child. It should be also noted that she studied with one of the most prestigious pedagogues of the time, Molinari. He was her mentor and the one who introduced her to the Catalan cultural and musical life of the twenties, making her known among her peers who were also pedagogues and musicologists and the public attending her concerts. This research includes some codes for practitioners and pedagogues for the development of piano talent, in the example of Spanish pianist Maria Vallès, who was a prodigy child.

Keywords

Maria Vallès, women, music, piano, prodigy

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