Abstract
Gramophones and records were first introduced into China at the end of the 19th Century and then developed and prospered here. After years of development and exploration, since E.Labansat founded Pathé Company in 1908, Pathé became the most influential record company. It maintained its leadership in record content and quality in this industry. The Company also played an important role in developing the record industry and transmitting the musical culture during the period of the Republic of China (1912–1949). It also has a close relationship with the development of Chinese modern music. As one of the most profound newspapers, Shun Pao is the earliest published newspaper in Shanghai and has the longest history. Its news materials published about records were written extremely thoroughly and abundantly. A study of the Pathé Company is regarded as invaluable. This study involves compiling original historical materials from the Shun Pao using a documentary analysis approach, systematically selecting and analyzing relevant materials according to various periods and categories. By analyzing the history of its development, business strategy, and cultural influence, the study explores the significance of Pathé to China›s record industry and witnesses its profound impact on the introduction of Western music culture, the fusion of Chinese and Western music culture, and the development of modern music in China.
Ethical Statement
There were no ethical issues involved in this study.
Supporting Institution
This paper was not funded by any organization as well as fund.
Project Number
7251
Thanks
We are grateful to the Shanghai Library and Nanjing Library for providing important sources of historical materials for the research of this paper, and to Ms. LinZheng for her important contribution to this paper, especially for her efforts in the compilation of historical materials. English translation of the manuscript has been proofread by Mr. Steve Cole, a native English speaker.
References
- Bevan, P. (2020). ‘Intoxicating Shanghai’ – An urban montage: Art and literature in pictorial magazines during Shanghai’s jazz age. Brill.
- Dai, J. (2013). Silver and modern Chinese economy. Fudan University.
- Ge, T. (2008). The floating and sinking of Pathé: A chronicle of the rise and fall of Pathé Records Company in modern Shanghai. Shi Lin.
- Jones, A. F. (2001). Yellow music: Media culture and colonial modernity in the Chinese jazz age. Duke University Press Books.
- Lee, L. (1999). Shanghai modern: The flowering of new urban culture in China, 1930-45. Harvard University Press.
- Liang, M. (2015). The “Hundred Generations” National Orchestra and the four famous songs - Commemorating the 80th anniversary of the “Hundred Generations” National Orchestra. Music Art.
- Luo, L. (2016). History of opera records. Beijing Publishing House.
- Marlow, E. (2018). Jazz in China: From dance hall music to individual freedom of expression. University Press of Mississippi.
- Nie, Y. (2015). Gramophone and social life in the late Qing and early civil war. Shandong University.
- Qian, N. (2014). The old records of Shanghai. Shanghai People’s Publishing House.
- Steen, A. (2006). Zwischen Unterhaltung und Revolution: Grammophone, Schallplatten und die Anfänge der Musikindustrie in Shanghai, 1878-1937. Harrassowitz.
- Tian, F. (2007). From the hundred generations of small red buildings to examine the development and influence of the record industry in Shanghai during the Republic of China. Shanghai Conservatory of Music.
- Wang, M. (2010). Ten years of organizing and classifying the music materials of Shun Pao and its role. Shanghai Conservatory of Music.
- Xiao, D. (2013). Wages and prices in Beijing, Guangdong, and Shanghai during the Republic of China. Shanghai Business.
- Wang, Y. (2009). Chinese modern music history. People’s Music Publishing House.
- Yeh, W. (2008). Shanghai Splendor: A cultural history, 1843-1949. University of California Press.
- Zhao, B. (2016). The study of Shanghai opera records during the Republic of China. Shanghai University.
Abstract
Gramophones and records were first introduced into China at the end of the 19th Century and then developed and prospered here. After years of development and exploration, since E.Labansat founded Pathé Company in 1908, Pathé became the most influential record company. It maintained its leadership in record content and quality in this industry. The Company also played an important role in developing the record industry and transmitting the musical culture during the period of the Republic of China (1912–1949). It also has a close relationship with the development of Chinese modern music. As one of the most profound newspapers, Shun Pao is the earliest published newspaper in Shanghai and has the longest history. Its news materials published about records were written extremely thoroughly and abundantly. A study of the Pathé Company is regarded as invaluable. This study involves compiling original historical materials from the Shun Pao using a documentary analysis approach, systematically selecting and analyzing relevant materials according to various periods and categories. By analyzing the history of its development, business strategy, and cultural influence, the study explores the significance of Pathé to China›s record industry and witnesses its profound impact on the introduction of Western music culture, the fusion of Chinese and Western music culture, and the development of modern music in China.
Ethical Statement
There were no ethical issues involved in this study.
Supporting Institution
This paper was not funded by any organization as well as fund.
Project Number
7251
Thanks
We are grateful to the Shanghai Library and Nanjing Library for providing important sources of historical materials for the research of this paper, and to Ms. LinZheng for her important contribution to this paper, especially for her efforts in the compilation of historical materials. English translation of the manuscript has been proofread by Mr. Steve Cole, a native English speaker.
References
- Bevan, P. (2020). ‘Intoxicating Shanghai’ – An urban montage: Art and literature in pictorial magazines during Shanghai’s jazz age. Brill.
- Dai, J. (2013). Silver and modern Chinese economy. Fudan University.
- Ge, T. (2008). The floating and sinking of Pathé: A chronicle of the rise and fall of Pathé Records Company in modern Shanghai. Shi Lin.
- Jones, A. F. (2001). Yellow music: Media culture and colonial modernity in the Chinese jazz age. Duke University Press Books.
- Lee, L. (1999). Shanghai modern: The flowering of new urban culture in China, 1930-45. Harvard University Press.
- Liang, M. (2015). The “Hundred Generations” National Orchestra and the four famous songs - Commemorating the 80th anniversary of the “Hundred Generations” National Orchestra. Music Art.
- Luo, L. (2016). History of opera records. Beijing Publishing House.
- Marlow, E. (2018). Jazz in China: From dance hall music to individual freedom of expression. University Press of Mississippi.
- Nie, Y. (2015). Gramophone and social life in the late Qing and early civil war. Shandong University.
- Qian, N. (2014). The old records of Shanghai. Shanghai People’s Publishing House.
- Steen, A. (2006). Zwischen Unterhaltung und Revolution: Grammophone, Schallplatten und die Anfänge der Musikindustrie in Shanghai, 1878-1937. Harrassowitz.
- Tian, F. (2007). From the hundred generations of small red buildings to examine the development and influence of the record industry in Shanghai during the Republic of China. Shanghai Conservatory of Music.
- Wang, M. (2010). Ten years of organizing and classifying the music materials of Shun Pao and its role. Shanghai Conservatory of Music.
- Xiao, D. (2013). Wages and prices in Beijing, Guangdong, and Shanghai during the Republic of China. Shanghai Business.
- Wang, Y. (2009). Chinese modern music history. People’s Music Publishing House.
- Yeh, W. (2008). Shanghai Splendor: A cultural history, 1843-1949. University of California Press.
- Zhao, B. (2016). The study of Shanghai opera records during the Republic of China. Shanghai University.
Details
| Primary Language | Turkish |
|---|---|
| Subjects | Theories of Music, Music (Other) |
| Journal Section | Original research |
| Authors | |
| Project Number | 7251 |
| Early Pub Date | September 19, 2024 |
| Publication Date | September 30, 2024 |
| Submission Date | July 4, 2024 |
| Acceptance Date | September 10, 2024 |
| Published in Issue | Year 2024 |
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