Selim III, who was the one of the most important names
of the Ottoman modernization, had affirmative relationships with that period's
sects; especially with Mawlawiyya. It can be said that, besides the sultan
identity, his musicianship has an important role in the terms of relationships
with tekkes, who was also a composer, performer and, patron of music. This
study is about, the ceremonies (âyin) that were performed by dervishes
invited to palace in sacred nights during the Selim III era. Essentially, it is
possible to encounter with these kinds of invitations in various times. In Ruznâme,
which was held by Selim III's special clerk Ahmed Efendi, was found that 32 ceremonies
that was organized in the palace. Selim III's relationship with tekkes
and the sûfî music was assessed with the light of the categorization of the
ceremonies into the sects, guest sheikhs, and the performed dhikrs and usûls.
Osmanlı
modernleşmesinin önemli aktörlerinden biri olan III. Selim, başta Mevlevîlik
olmak üzere devrin tarikatlarıyla müspet ilişki içinde olmuştur. Bestekâr,
icrâcı ve mûsikî hâmîsi olan sultanın tekke çevreleriyle olan münasebetinde
padişah kimliğinin yanı sıra müzisyenliğinin de etkili olduğu söylenebilir. Bu
çalışmada III. Selim devrinde kandil geceleri saraya davet edilen tekke ehlinin
icrâ ettikleri âyinler ele alınacaktır. Esasen bir saray teamülü olan bu
davetlerin muhtelif dönemlerde örneklerine rastlamak mümkündür. III. Selim’in
Sırkâtibi Ahmed Efendi tarafından tutulan Ruznâme’sinden hareketle
sarayda düzenlenen 32 âyin tespit edilmiştir. Bu âyinler tarikatlara, davetli
meşâyihe ve icrâ edilen zikir ve usûllere göre ele alınarak III. Selim’in
tekkeler ve tekke müziğiyle olan ilişkisi değerlendirilmiştir.
Primary Language | Turkish |
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Journal Section | Articles |
Authors | |
Publication Date | June 18, 2018 |
Published in Issue | Year 2018 Volume: 20 Issue: 37 |
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