“Dil Hırsızları”: Anne Finch ve Lady Mary Montagu

Year 2021, Volume: 4 Issue: 2, 198 - 208, 31.12.2021

Azime Pekşen Yakar

https://doi.org/10.37999/udekad.910917

Cited By: 1

Abstract

Bu makale on sekizinci yüzyıldan iki kadın şairin edebiyatın erkek yazarların hakimiyetinde olduğu bir dönemde şiirlerini yazmak ve yayımlamak için oluşturduğu stratejileri araştırmaktadır. On sekizinci yüzyılda, dil ve edebiyat erkek egemen alanlar olarak görülmüştür. Bu nedenle, kadınlar kendilerini edebiyatta ifade etmek ve yazar/şair olarak kabul görmek amacıyla bir çok engelle yüzleşmek zorunda kalmıştır. Fakat, on sekizinci yüzyılda hamilikten daha kârlı olan matbaacılığa geçiş nedeniyle, kadın şairlerin eserleri kendini yokluktan var etmeyi başardı. Yine de, Anne Finch ve Lady Mary Montagu gibi o yüzyılın kadın yazar/şairlerin kendi eserlerini yazmak, yayımlamak ve bu eserlerin yazarlığını sahiplenmek için çeşitli stratejiler üretmeleri gerekiyordu. Bu stratejiler sayesinde, sıklıkla erkek yazarlarla özdeşleştirilen ve kadınları baskılayan dilde şiir üretebildiler. Böylece, Anne Finch ve Lady Mary Montagu “dil hırsızı” olarak tanımlanabilir. Bu bağlamda, bu makale Anne Finch’in “The Introduction” ve Lady Mary Montagu’nun “Verses Addressed to the Imitator of the First Satire of the Second Book of Horace” adlı şiirlerini bu iki kadın şairin sesini on sekizinci yüzyılın maskülen edebi geleneğinde nasıl ortaya koyabildiklerini araştırarak neoklasik şiir geleneği çerçevesinde incelemektedir. Bu iki kadın şair şiir yazabilmek için farklı stratejiler kullanmışlardır. Finch’in “The Introduction” adlı şiiri kadın şairleri ötekileştiren ve hor gören bir gelenekte şiirlerini yayımlamanın yarattığı kaygılara değinir. Lady Mary Montagu’nun “Verses” şiiri ise neoklasik edebiyatın önde gelen isimlerinden Alexander Pope’a tam da Pope’un kendi tarzında saldırır.

Keywords

Neoklasik Dönem Kadın Şairler, Anne Finch, Lady Mary Montagu

ANNE FINCH AND LADY MARY MONTAGU AS “THIEVES OF LANGUAGE"

Abstract

This paper explores the strategies of two eighteenth-century female poets to write and publish their poetry in an era when literature was dominated by male authors. In the eighteenth century, language and literature were considered male-dominated areas. For this reason, women had to face many obstacles to express themselves in literature and to be accepted as authors/poets. However, due to the critical shift from patronage to printing as a profit-making market, women’s writing displayed itself from almost non-existence. Still, the female authors/poets of the century such as Anne Finch and Lady Mary Montagu needed to fabricate various strategies to write, publish, and own the authorship of their own works. Thanks to those strategies, they were able to produce poems in the very language which was often associated with male authors and oppressed them. Hence, Anne Finch and Lady Mary Montagu can be defined as “thieves of language.” In this context, this paper analyzes Anne Finch’s “The Introduction” and Lady Mary Montagu’s “Verses Addressed to the Imitator of the First Satire of the Second Book of Horace” in the context of Neoclassical poetry by investigating how these two women poets generate different strategies to insert their own voice into the masculine literary tradition in the Augustan age. Finch’s “The Introduction” deals with her concerns on publishing her poems in the tradition that marginalizes and scorns women poets while Lady Montagu’s “Verses” strategically and severely attacks Alexander Pope, the leading figure of Neoclassical literature, by writing back in the same style as Pope.

Keywords

Neoclassical women poets, Anne Finch, Lady Mary Montagu

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