Redefining art in the digital age: An examination from an artificial intelligence perspective
Year 2024,
Volume: 8 Issue: 1, 1 - 14, 24.07.2024
Şevin Gülpınar
,
Burak Boyraz
Abstract
Artificial intelligence technologies are expanding the definition and scope of art by enabling artists and creative professionals to develop their works in new and unexpected ways. AI-supported art pieces demonstrate how technology and creativity can come together to create new forms of art and modes of expression, thereby emphasizing AI’s significant role in shaping the future of art. In this context, the study meticulously evaluates how artificial intelligence has transformed art production and the effects of this transformation on the concepts of artistic expression, creativity, and originality. The study aims to offer an understanding of how artificial intelligence can revolutionize the field of art and the implications of this advancement through a comprehensive literature review, analysis of pioneering works, and examination of artworks created with artificial intelligence.
References
- Artkın, F. (2022). Applications of artificial intelligence in mechanical engineering. European Journal of Science and Technology Suppl 5, 159–163. [CrossRef]
- Ballı, Ö. (2020). An artificial intelligence artist in the context of transhumanism: OBv2. Tykhe, 5(9), 141–162. [Turkish]
- Ballı, Ö. (2020). A current evaluation on artificial intelligence and artworks. STD, 26, 277–307. [Turkish]
- Bossema, M., Allouch, S. B., Plaat, A., & Saunders, R. (2023). Human-robot co-creativity: A scoping review : Informing a research agenda for human-robot co-creativity with older adults. IEEE International Symposium on Robot and Human Interactive Communication, 988–995. [CrossRef]
- Christie's. (2018, December 12). Is artificial intelligence set to become art’s next medium? https://www.christies.com/en/stories/a-collaboration-between-two-artists-one-human-one-a-machine-0cd01f4e232f4279a525a446d60d4cd1
- Chung, S. (2022). Sketching symbiosis: Towards the development of relational systems. In C. Vear & F. Poltronieri (Eds.), The Language of Creative AI: Practices, Aesthetics and Structures (pp. 259–276). Springer. [CrossRef]
- Cohen, P. (2016). Harold Cohen and AARON. AI Magazine, 37(4), 63–66. [CrossRef]
- Coşkun, A. (2007). The artificial intelligence optimization tecnicals: A literature review. Doğu Anadolu Bölgesi Araştırmaları, 5(2), 142–146. [Turkish]
- Ertürk, Z. K., & Ertürk, B. (2021). Artificial intelligence in emergency medicine. Aksaray University Journal of Medical Sciences, 2(2), 39–40. [Turkish]
- Esen, G. (2019). Yapay zekâ: Geçmişi ve geleceği, Nils J. Nilsson (Mehmet Doğan). İstanbul: Boğaziçi Üniversitesi Yayınevi, 2018. Çukurova Üniversitesi İlahiyat Fakültesi Dergisi, 19(1), 308–311. [Turkish] [CrossRef]
Goenaga, M. A. (2020). A critique of contemporary artificial intelligence art: Who is Edmond de Belamy? AusArt, 8(1), 49–64. [CrossRef]
- Güney, E., & Yavuz, H. (2020). Artist’s role and changing art case in artistic production practice with artificial intelligence. STD, 26, 415–439. [Turkish]
- İyigün, N. Ö. (2021). Yapay zekâ ve stratejik yönetim. TRT Akademi, 6(13), 675–679. [Turkish] [CrossRef]
Kaçtıoğlu, S., & Kılağız, Y. (2010). Yapay zekâ bilgi işlem teknolojisi ve bileşenleri. Atatürk Üniversitesi İktisadi ve İdari Bilimler Dergisi, 14(1), 357–375. [Turkish]
- Kaya, S. N. (2022). Robotların yükselişi: Yapay zekâ ve işsiz bir gelecek tehlikesi, Martin Ford (Cem Duran). Novus Orbis, 4(1), 115–119. [Turkish]
- Laposky, B. F. (1953). Oscillons – Electronic abstractions: A new approach to design. Ben F. Laposky.
Luan, H., Géczy, P., Lai, H., Gobert, J., Yang, S. J. H., Ogata, H., Baltes, J., Guerra, R., Li, P., & Tsai, C. C. (2020). Challenges and future directions of big data and artificial intelligence in education. Frontiers in Psychology, 11, 580820. [CrossRef]
- Noll, A. M. (1966). Human or machine: A subjective comparison of Piet Mondrian’s “Composition with Lines”(1917) and a computer-generated picture. The Psychological Record, 16, 1–10. [CrossRef]
Pirim, H. (2006). Yapay zekâ. Journal of Yasar University, 1(1), 81–93. [Turkish]
- Saunders, R., & Gemeinboeck, P. (2014). Accomplice: Creative robotics and embodied computational creativity. Proceedings of 50th Anniversary Convention of the AISB Symposium, London, 1–4.
Smith, G. W., & Leymarie, F. F. (2017). The machine as artist: An introduction. Arts, 6(2), 5. [CrossRef]
- Tekin, A. (2018). Yapay zekâ kullanımının sanata etkileri. Kent Akademisi, 11(4), 692702. [Turkish]
- Turing, A. M. (1950). Computing machinery and intelligence. Mind, 49(236), 433460. [CrossRef]
- Uzun, T. (2020). Artificial intelligence and health practices. İzmir Katip Çelebi University Faculty of Economics and Administrative Sciences Journal, 3(1), 8092. [Turkish]
- Zhou, P. (2022). Research on the application of artificial intelligence in art design. Proceedings of the International Conference on Computer, Artificial Intelligence, and Control Engineering (CAICE 2022), China, SPIE 12288. [CrossRef]
Sanatın dijital çağda yeniden tanımlanması: Yapay zekâ perspektifinden bir inceleme
Year 2024,
Volume: 8 Issue: 1, 1 - 14, 24.07.2024
Şevin Gülpınar
,
Burak Boyraz
Abstract
Yapay zekâ teknolojileri, sanatçılara ve yaratıcı profesyonellere eserlerini yeni ve beklenmedik yollarla geliştirme imkanı tanıyarak sanatın tanımını ve kapsamını genişletmektedir. Yapay zekâ destekli sanat eserleri, teknoloji ve yaratıcılığın bir arada nasıl yeni sanat formları ve ifade biçimleri oluşturabileceğini göstermekte, böylece Yapay zekânın sanatın geleceğini şekillendirmede önemli bir rol oynadığını vurgulamaktadır. Bu bağlamda çalışma yapay zekânın sanat üretiminde nasıl bir dönüşüm yarattığını ve bu dönüşümün sanatsal ifade, yaratıcılık ve orijinallik kavramlarına etkilerini detaylı bir şekilde değerlendirmektedir. Çalışma, kapsamlı bir literatür taraması, öncü çalışmaların analizi ve yapay zekâ ile üretilen sanat eserlerinin incelenmesi ile yapay zekânın sanat alanında nasıl devrim yaratabileceği ve bu ilerlemenin etkileri hakkında bir anlayış sunmayı hedeflemektedir.
Thanks
Bu makale Arş. Gör. Şevin Gülpınar’ın Doç. Burak Boyraz danışmanlığındaki Sanat ve Tasarım Doktora tezinden üretilmiştir
References
- Artkın, F. (2022). Applications of artificial intelligence in mechanical engineering. European Journal of Science and Technology Suppl 5, 159–163. [CrossRef]
- Ballı, Ö. (2020). An artificial intelligence artist in the context of transhumanism: OBv2. Tykhe, 5(9), 141–162. [Turkish]
- Ballı, Ö. (2020). A current evaluation on artificial intelligence and artworks. STD, 26, 277–307. [Turkish]
- Bossema, M., Allouch, S. B., Plaat, A., & Saunders, R. (2023). Human-robot co-creativity: A scoping review : Informing a research agenda for human-robot co-creativity with older adults. IEEE International Symposium on Robot and Human Interactive Communication, 988–995. [CrossRef]
- Christie's. (2018, December 12). Is artificial intelligence set to become art’s next medium? https://www.christies.com/en/stories/a-collaboration-between-two-artists-one-human-one-a-machine-0cd01f4e232f4279a525a446d60d4cd1
- Chung, S. (2022). Sketching symbiosis: Towards the development of relational systems. In C. Vear & F. Poltronieri (Eds.), The Language of Creative AI: Practices, Aesthetics and Structures (pp. 259–276). Springer. [CrossRef]
- Cohen, P. (2016). Harold Cohen and AARON. AI Magazine, 37(4), 63–66. [CrossRef]
- Coşkun, A. (2007). The artificial intelligence optimization tecnicals: A literature review. Doğu Anadolu Bölgesi Araştırmaları, 5(2), 142–146. [Turkish]
- Ertürk, Z. K., & Ertürk, B. (2021). Artificial intelligence in emergency medicine. Aksaray University Journal of Medical Sciences, 2(2), 39–40. [Turkish]
- Esen, G. (2019). Yapay zekâ: Geçmişi ve geleceği, Nils J. Nilsson (Mehmet Doğan). İstanbul: Boğaziçi Üniversitesi Yayınevi, 2018. Çukurova Üniversitesi İlahiyat Fakültesi Dergisi, 19(1), 308–311. [Turkish] [CrossRef]
Goenaga, M. A. (2020). A critique of contemporary artificial intelligence art: Who is Edmond de Belamy? AusArt, 8(1), 49–64. [CrossRef]
- Güney, E., & Yavuz, H. (2020). Artist’s role and changing art case in artistic production practice with artificial intelligence. STD, 26, 415–439. [Turkish]
- İyigün, N. Ö. (2021). Yapay zekâ ve stratejik yönetim. TRT Akademi, 6(13), 675–679. [Turkish] [CrossRef]
Kaçtıoğlu, S., & Kılağız, Y. (2010). Yapay zekâ bilgi işlem teknolojisi ve bileşenleri. Atatürk Üniversitesi İktisadi ve İdari Bilimler Dergisi, 14(1), 357–375. [Turkish]
- Kaya, S. N. (2022). Robotların yükselişi: Yapay zekâ ve işsiz bir gelecek tehlikesi, Martin Ford (Cem Duran). Novus Orbis, 4(1), 115–119. [Turkish]
- Laposky, B. F. (1953). Oscillons – Electronic abstractions: A new approach to design. Ben F. Laposky.
Luan, H., Géczy, P., Lai, H., Gobert, J., Yang, S. J. H., Ogata, H., Baltes, J., Guerra, R., Li, P., & Tsai, C. C. (2020). Challenges and future directions of big data and artificial intelligence in education. Frontiers in Psychology, 11, 580820. [CrossRef]
- Noll, A. M. (1966). Human or machine: A subjective comparison of Piet Mondrian’s “Composition with Lines”(1917) and a computer-generated picture. The Psychological Record, 16, 1–10. [CrossRef]
Pirim, H. (2006). Yapay zekâ. Journal of Yasar University, 1(1), 81–93. [Turkish]
- Saunders, R., & Gemeinboeck, P. (2014). Accomplice: Creative robotics and embodied computational creativity. Proceedings of 50th Anniversary Convention of the AISB Symposium, London, 1–4.
Smith, G. W., & Leymarie, F. F. (2017). The machine as artist: An introduction. Arts, 6(2), 5. [CrossRef]
- Tekin, A. (2018). Yapay zekâ kullanımının sanata etkileri. Kent Akademisi, 11(4), 692702. [Turkish]
- Turing, A. M. (1950). Computing machinery and intelligence. Mind, 49(236), 433460. [CrossRef]
- Uzun, T. (2020). Artificial intelligence and health practices. İzmir Katip Çelebi University Faculty of Economics and Administrative Sciences Journal, 3(1), 8092. [Turkish]
- Zhou, P. (2022). Research on the application of artificial intelligence in art design. Proceedings of the International Conference on Computer, Artificial Intelligence, and Control Engineering (CAICE 2022), China, SPIE 12288. [CrossRef]