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VISUAL DIALOGUE BETWEEN SCULPTURE AND MEDICINE: THE INTERSECTION OF AESTHETICS AND SCIENCE

Yıl 2024, Cilt: 18 Sayı: 34, 245 - 273, 30.07.2024
https://doi.org/10.48069/akdenizsanat.1463375

Öz

The intersection of medicine and art, often explored in numerous articles, delves into detailed depictions of diseases or concepts within the medical field. These depictions aim to speculate on disease effects and patterns of interaction, sometimes reaching scientific conclusions. However, artistic representations may pose scientific, conceptual, and methodological challenges, defining the complex boundary between medicine and art. This article broadens the perspective by examining the relationship between medicine and sculpture, focusing on how these fields can be classified in relation to each other. Rather than concentrating on individual works, the study categorizes the language, methods, and approaches used in works resulting from the intersection of art and medicine. The historical continuum is explored to understand the scope and connections between sculpture and medicine from the past to the present. Using search terms like "art," "sculpture," and "medicine" on platforms such as PubMed, Scopus, and Taylor & Francis Online, the research aims to convey how medicine is reflected in artistic practices. The article highlights the potential for collaboration and mutual enrichment between medicine and art, emphasizing the diverse use of art, particularly sculpture, in various contexts related to medical themes.

Kaynakça

  • Allen, C. (2015). Experience, chance and change: Allan Kaprow and the tension between art and life, 1948-1976 (Doctoral thesis, Christ Church). Christ Church.
  • Artlyst. (2018). Marc Quinn sculpture of Zombie Boy announced for Science Museum. Artlyst. Retrieved from https://artlyst.com/news/marc-quinn-sculpture-zombie-boy-announced-science-museum/
  • Boeckl, C. M. (1996). Vienna’s Pestsäule: The analysis of a Seicento plague monument. Wiener Jahrbuch für Kunstgeschichte, 49(1), 41-56. https://doi.org/10.7767/wjk-1996-0104.
  • Boeckl, C. M. (2018). Vienna’s Imperial Plague Monument: Its symbolism and functions. In The bubonic plague as a power symbol. In plague between Prague and Vienna (pp. 146-148). Academia Knihy. Retrieved from https://www.academiaknihy.cz/attachment/1053.8919723b40/Plague_-_ukazka.pdf.
  • Buchloh, B. H. D. (2005). An Interview with Thomas Hirschhorn. October, 113(Summer), 77-100. Retrieved from https://www.jstor.org/stable/3397654.
  • Burns, L. (2007). Response to open peer commentaries on "Gunther von Hagens' BODY WORLDS: Selling beautiful education": Signed, sealed, delivered. American Journal of Bioethics, 7(4), W1-W3. https://doi.org/10.1080/15265160701307647.
  • Çamsarı, T. (2022). Sculpture art and medicine. In C. Yakıncı, A. Çalışkan, & H. Sur (Eds.), Humanities in medicine (Vol. 60, pp. 193-202). Uskudar University Publications.
  • Delluc, G. (2015). Le pauvre Lazare de Cadouin était lépreux. In La santé en Périgord-1, Sommaire de la 4e livraison 2015, S. H. e. A. d. Périgord.
  • Delluc, G. (2017). 23ème Colloque des Amis de Cadouin. Retrieved from https://www.amisdecadouin.com/les-actes-des-colloques/
  • Di Matteo, B., Tarabella, V., Filardo, G., Mosca, M., Lo Presti, M., Viganò, A., Tomba, P., & Marcacci, M. (2017). Art in Science: Mondino de' Liuzzi: The Restorer of Anatomy. Clinical Orthopaedics and Related Research, 475(1), 3. https://doi.org/10.1007/s11999-016-5213-5
  • Doss, E. (2006). Duane Hanson's Woman Eating. American Art, 20(2), 9-12. https://doi.org/10.1086/507493.
  • Elsen, A. E. (2003). Rodin's art: the Rodin collection of Iris & B. Gerald cantor center for visual arts at stanford university. Stanford University Press.
  • Fee, E. (2006). The AIDS Memorial Quilt. American Journal of Public Health, 96(6), 979. https://doi.org/10.2105/AJPH.2006.088575.
  • Ferrucci, L., Stephanie, A., & Alley, D. E. (2010). Obesity in aging and art. Journals of Gerontology- Series A Biological Sciences and Medical Sciences, 65(1), 53-56. https://doi.org/10.1093/gerona/glp166.
  • Glover, M. (2008, February 12). Marc Quinn: Evolution, White Cube, London. The Independent. Retrieved from http://marcquinn.com/artworks/evolution.
  • Gombrich, E. H. (1989). The story of art. Oxford: Phaidon Press.
  • Grombacher, P. J. (2014). Art & Activism in the Age of the 'Obesity Epidemic'. [Master's thesis, University of Alberta]. University of Alberta Libraries.
  • Judson, S. (2017). Rodin’s large left hand 1903. Hektoen International: A Journal of Medical Humanities, 8(4). Retrieved from https://hekint.org/volume-8-issue-4-winter-2016
  • Kaprow, A. (2003). Essays on the blurring of art and life. University of California Press.
  • Kester, G. (2005). Conversation pieces: The role of dialogue in socially-engaged art. In Z. Kucor & S. Leung (Eds.), Theory in contemporary art since 1985 (pp. 20-22). Blackwell.
  • Kirsch, E. (2017). Die Ikonographie der Wiener Pestsäule. Winckelmann Akademie für Kunstgeschichte München.
  • Lin, Q. (2023). Exhibition highlights large women enjoying a sense of liberation. China Daily. Retrieved from https://chinadailyhk.com
  • MacCurdy, E. (1906). The notebooks of Leonardo da Vinci. London: Duckworth & Co.
  • Manchester, K., & Knusel, C. (1994). A medieval sculpture of leprosy in the Cistercian Abbaye de Cadouin. Medical History, 38(2), 204-206. https://doi.org/10.1017/s0025727300059111.
  • Marc Quinn. (n.d.). Evolution. Retrieved June 30, 2024, from http://marcquinn.com/artworks/evolution.
  • Mennekes, F. (2007). Krankheit als Freisetzung Leiden und Heilen als Quelle des Therapeutischen im Werk von Joseph Beuys. Der Schmerz, 4(21), 353-358. https://doi.org/10.1007/s00482-007-0561-4.
  • Meshberger, F. L. (1990). An interpretation of Michelangelo's Creation of Adam based on neuroanatomy. JAMA, 264(14), 1837-1841. https://www.ncbi.nlm.nih.gov/pubmed/2205727
  • Molyneux, J. (1995). A Modest Proposal for Portsmouth. In M. Miles (Ed.), Art and the City (pp. 16–18). Portsmouth: University of Portsmouth Press.
  • Mundell, E. J. (2019). A medical insight in Michelangelo's David, 'hiding in plain sight'. Medical Express. Retrieved September 10, from https://medicalxpress.com/news/2019-12-medical-insight-michelangelo-david-plain.html
  • Nora, P. (1989). Between Memory and History: Les Lieux de Mémoire. Representations, 26, 7–24. https://doi.org/10.2307/2928520
  • O'Neill, J. P., & Cone, P. (Eds.). (1983). Leonardo da Vinci: anatomical drawings from the royal library, Windsor Castle. New York: The Metropolitan Museum of Art.
  • Patacı, B. (2016). Asklepios as a mythological figure between deification and demonization. Milel ve Nihal, 13(2), 154-182. https://doi.org/10.17131/milel.284851
  • Pearce, J. M. S. (2023). Michelangelo's dissections and their influence on art. Journal of Medical History, 58(1), 34-45.
  • Rilke, R. M. (2011). Auguste Rodin. Parkstone International.
  • Science Museum Group. (2019). Self-Conscious Gene by Marc Quinn. Retrieved from https://collection.sciencemuseumgroup.org.uk
  • Snider, S. (2012). Fatness and visual culture: A brief look at some contemporary projects. Fat Studies, 1(1), 13-31. https://doi.org/10.1080/21604851.2012.632725
  • Stark, J. J., & Nelson, J. K. (2000). The breasts of “Night”: Michelangelo as oncologist. New England Journal of Medicine, 343(21), 1577-1578. https://doi.org/10.1056/nejm200011233432118
  • Strauss, R. M., & Marzo-Ortega, H. H. (2002). Michelangelo and medicine. Journal of the Royal Society of Medicine, 95(10), 514-515. https://doi.org/10.1177/014107680209501014
  • Tepe Yılmaz, S. & Yılmaz, C. (2016). Body: From anatomical theatres to galleries. Lokman Hekim Tıp Dergisi, 6(2), 46-52.
  • Tovey, R., & McCulloch, L. (2024). COVID-19 grassroots memorial practices in the UK. Visual Studies. https://doi.org/10.1080/1472586X.2024.2346629
  • Treviño, J. (2018, March 15). Sculpture of ‘Zombie Boy’ fleshes out London’s Science Museum. Smithsonian Magazine. Retrieved from https://www.smithsonianmag.com/smart-news/sculpture-zombie-boy-fleshes-out-london-science-museum-180968475/
  • Tunalı, İ. (1987). Aristoteles poetics. Remzi Kitabevi.
  • Vasari, G. (1998). The lives of the most eminent painters, sculptors, and architects (J. C. Bondanella & P. Bondanella, Trans.). Oxford University Press. (Original works published 1550 and 1568).
  • Yücesan, E., Üzel, M., & Birkandan, A. E. (2022). Evaluation of body worlds exhibition from the axis of science and art. yedi: Journal of Art, Design & Science, 27, 151-167. https://doi.org/10.17484/yedi.966203.

HEYKEL VE TIP ARASINDAKİ GÖRSEL DİYALOG: ESTETİK VE BİLİMİN KESİŞİMİ

Yıl 2024, Cilt: 18 Sayı: 34, 245 - 273, 30.07.2024
https://doi.org/10.48069/akdenizsanat.1463375

Öz

The intersection of medicine and art, often explored in numerous articles, delves into detailed depictions of diseases or concepts within the medical field. These depictions aim to speculate on disease effects and patterns of interaction, sometimes reaching scientific conclusions. However, artistic representations may pose scientific, conceptual, and methodological challenges, defining the complex boundary between medicine and art. This article broadens the perspective by examining the relationship between medicine and sculpture, focusing on how these fields can be classified in relation to each other. Rather than concentrating on individual works, the study categorizes the language, methods, and approaches used in works resulting from the intersection of art and medicine. The historical continuum is explored to understand the scope and connections between sculpture and medicine from the past to the present. Using search terms like "art," "sculpture," and "medicine" on platforms such as PubMed, Scopus, and Taylor & Francis Online, the research aims to convey how medicine is reflected in artistic practices. The article highlights the potential for collaboration and mutual enrichment between medicine and art, emphasizing the diverse use of art, particularly sculpture, in various contexts related to medical themes.

Kaynakça

  • Allen, C. (2015). Experience, chance and change: Allan Kaprow and the tension between art and life, 1948-1976 (Doctoral thesis, Christ Church). Christ Church.
  • Artlyst. (2018). Marc Quinn sculpture of Zombie Boy announced for Science Museum. Artlyst. Retrieved from https://artlyst.com/news/marc-quinn-sculpture-zombie-boy-announced-science-museum/
  • Boeckl, C. M. (1996). Vienna’s Pestsäule: The analysis of a Seicento plague monument. Wiener Jahrbuch für Kunstgeschichte, 49(1), 41-56. https://doi.org/10.7767/wjk-1996-0104.
  • Boeckl, C. M. (2018). Vienna’s Imperial Plague Monument: Its symbolism and functions. In The bubonic plague as a power symbol. In plague between Prague and Vienna (pp. 146-148). Academia Knihy. Retrieved from https://www.academiaknihy.cz/attachment/1053.8919723b40/Plague_-_ukazka.pdf.
  • Buchloh, B. H. D. (2005). An Interview with Thomas Hirschhorn. October, 113(Summer), 77-100. Retrieved from https://www.jstor.org/stable/3397654.
  • Burns, L. (2007). Response to open peer commentaries on "Gunther von Hagens' BODY WORLDS: Selling beautiful education": Signed, sealed, delivered. American Journal of Bioethics, 7(4), W1-W3. https://doi.org/10.1080/15265160701307647.
  • Çamsarı, T. (2022). Sculpture art and medicine. In C. Yakıncı, A. Çalışkan, & H. Sur (Eds.), Humanities in medicine (Vol. 60, pp. 193-202). Uskudar University Publications.
  • Delluc, G. (2015). Le pauvre Lazare de Cadouin était lépreux. In La santé en Périgord-1, Sommaire de la 4e livraison 2015, S. H. e. A. d. Périgord.
  • Delluc, G. (2017). 23ème Colloque des Amis de Cadouin. Retrieved from https://www.amisdecadouin.com/les-actes-des-colloques/
  • Di Matteo, B., Tarabella, V., Filardo, G., Mosca, M., Lo Presti, M., Viganò, A., Tomba, P., & Marcacci, M. (2017). Art in Science: Mondino de' Liuzzi: The Restorer of Anatomy. Clinical Orthopaedics and Related Research, 475(1), 3. https://doi.org/10.1007/s11999-016-5213-5
  • Doss, E. (2006). Duane Hanson's Woman Eating. American Art, 20(2), 9-12. https://doi.org/10.1086/507493.
  • Elsen, A. E. (2003). Rodin's art: the Rodin collection of Iris & B. Gerald cantor center for visual arts at stanford university. Stanford University Press.
  • Fee, E. (2006). The AIDS Memorial Quilt. American Journal of Public Health, 96(6), 979. https://doi.org/10.2105/AJPH.2006.088575.
  • Ferrucci, L., Stephanie, A., & Alley, D. E. (2010). Obesity in aging and art. Journals of Gerontology- Series A Biological Sciences and Medical Sciences, 65(1), 53-56. https://doi.org/10.1093/gerona/glp166.
  • Glover, M. (2008, February 12). Marc Quinn: Evolution, White Cube, London. The Independent. Retrieved from http://marcquinn.com/artworks/evolution.
  • Gombrich, E. H. (1989). The story of art. Oxford: Phaidon Press.
  • Grombacher, P. J. (2014). Art & Activism in the Age of the 'Obesity Epidemic'. [Master's thesis, University of Alberta]. University of Alberta Libraries.
  • Judson, S. (2017). Rodin’s large left hand 1903. Hektoen International: A Journal of Medical Humanities, 8(4). Retrieved from https://hekint.org/volume-8-issue-4-winter-2016
  • Kaprow, A. (2003). Essays on the blurring of art and life. University of California Press.
  • Kester, G. (2005). Conversation pieces: The role of dialogue in socially-engaged art. In Z. Kucor & S. Leung (Eds.), Theory in contemporary art since 1985 (pp. 20-22). Blackwell.
  • Kirsch, E. (2017). Die Ikonographie der Wiener Pestsäule. Winckelmann Akademie für Kunstgeschichte München.
  • Lin, Q. (2023). Exhibition highlights large women enjoying a sense of liberation. China Daily. Retrieved from https://chinadailyhk.com
  • MacCurdy, E. (1906). The notebooks of Leonardo da Vinci. London: Duckworth & Co.
  • Manchester, K., & Knusel, C. (1994). A medieval sculpture of leprosy in the Cistercian Abbaye de Cadouin. Medical History, 38(2), 204-206. https://doi.org/10.1017/s0025727300059111.
  • Marc Quinn. (n.d.). Evolution. Retrieved June 30, 2024, from http://marcquinn.com/artworks/evolution.
  • Mennekes, F. (2007). Krankheit als Freisetzung Leiden und Heilen als Quelle des Therapeutischen im Werk von Joseph Beuys. Der Schmerz, 4(21), 353-358. https://doi.org/10.1007/s00482-007-0561-4.
  • Meshberger, F. L. (1990). An interpretation of Michelangelo's Creation of Adam based on neuroanatomy. JAMA, 264(14), 1837-1841. https://www.ncbi.nlm.nih.gov/pubmed/2205727
  • Molyneux, J. (1995). A Modest Proposal for Portsmouth. In M. Miles (Ed.), Art and the City (pp. 16–18). Portsmouth: University of Portsmouth Press.
  • Mundell, E. J. (2019). A medical insight in Michelangelo's David, 'hiding in plain sight'. Medical Express. Retrieved September 10, from https://medicalxpress.com/news/2019-12-medical-insight-michelangelo-david-plain.html
  • Nora, P. (1989). Between Memory and History: Les Lieux de Mémoire. Representations, 26, 7–24. https://doi.org/10.2307/2928520
  • O'Neill, J. P., & Cone, P. (Eds.). (1983). Leonardo da Vinci: anatomical drawings from the royal library, Windsor Castle. New York: The Metropolitan Museum of Art.
  • Patacı, B. (2016). Asklepios as a mythological figure between deification and demonization. Milel ve Nihal, 13(2), 154-182. https://doi.org/10.17131/milel.284851
  • Pearce, J. M. S. (2023). Michelangelo's dissections and their influence on art. Journal of Medical History, 58(1), 34-45.
  • Rilke, R. M. (2011). Auguste Rodin. Parkstone International.
  • Science Museum Group. (2019). Self-Conscious Gene by Marc Quinn. Retrieved from https://collection.sciencemuseumgroup.org.uk
  • Snider, S. (2012). Fatness and visual culture: A brief look at some contemporary projects. Fat Studies, 1(1), 13-31. https://doi.org/10.1080/21604851.2012.632725
  • Stark, J. J., & Nelson, J. K. (2000). The breasts of “Night”: Michelangelo as oncologist. New England Journal of Medicine, 343(21), 1577-1578. https://doi.org/10.1056/nejm200011233432118
  • Strauss, R. M., & Marzo-Ortega, H. H. (2002). Michelangelo and medicine. Journal of the Royal Society of Medicine, 95(10), 514-515. https://doi.org/10.1177/014107680209501014
  • Tepe Yılmaz, S. & Yılmaz, C. (2016). Body: From anatomical theatres to galleries. Lokman Hekim Tıp Dergisi, 6(2), 46-52.
  • Tovey, R., & McCulloch, L. (2024). COVID-19 grassroots memorial practices in the UK. Visual Studies. https://doi.org/10.1080/1472586X.2024.2346629
  • Treviño, J. (2018, March 15). Sculpture of ‘Zombie Boy’ fleshes out London’s Science Museum. Smithsonian Magazine. Retrieved from https://www.smithsonianmag.com/smart-news/sculpture-zombie-boy-fleshes-out-london-science-museum-180968475/
  • Tunalı, İ. (1987). Aristoteles poetics. Remzi Kitabevi.
  • Vasari, G. (1998). The lives of the most eminent painters, sculptors, and architects (J. C. Bondanella & P. Bondanella, Trans.). Oxford University Press. (Original works published 1550 and 1568).
  • Yücesan, E., Üzel, M., & Birkandan, A. E. (2022). Evaluation of body worlds exhibition from the axis of science and art. yedi: Journal of Art, Design & Science, 27, 151-167. https://doi.org/10.17484/yedi.966203.
Toplam 44 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Güzel Sanatlar
Bölüm Makaleler
Yazarlar

Hanife Neris Yüksel 0000-0002-0381-3950

Taner Çamsarı 0000-0001-8293-3688

Yayımlanma Tarihi 30 Temmuz 2024
Gönderilme Tarihi 2 Nisan 2024
Kabul Tarihi 29 Temmuz 2024
Yayımlandığı Sayı Yıl 2024 Cilt: 18 Sayı: 34

Kaynak Göster

APA Yüksel, H. N., & Çamsarı, T. (2024). VISUAL DIALOGUE BETWEEN SCULPTURE AND MEDICINE: THE INTERSECTION OF AESTHETICS AND SCIENCE. Akdeniz Sanat, 18(34), 245-273. https://doi.org/10.48069/akdenizsanat.1463375

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