Araştırma Makalesi
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How The Film Industry Changes Tourism?

Yıl 2024, Sayı: 17, 1 - 14, 30.06.2024

Öz

Since its inception in 1895, the film industry has created many movies and TV programs over the past century. The film business, a globally significant sector, generates billions of dollars in economic value through direct and indirect contributions while providing employment opportunities for millions of individuals. The film business, being receptive to technological advancements and susceptible to the influence of social and cultural phenomena, has consistently garnered the most significant interest throughout human history. The intricate composition of this edifice has also played a crucial role in the flourishing tourism industry over the past century. Since the beginning of the 21st century, filmmakers have used films extensively to market and promote tourism destinations. The most tangible of these contributions is film tourism, considered one of the types of cultural tourism. Film tourism refers to the tourist interest and demand for destinations that are the subject of movies and television series. In recent years, the locations where famous movies and TV series are shot have become one of the most critical factors in determining holiday destination preferences. Destinations that increase visual richness and attractiveness for the film industry have become centers of attraction around them due to their inclusion in films or TV series, which increase national and international tourism movements and revenues. In this study, studies on the effects of the movie industry on tourism were investigated. The literature review in this context revealed the positive or negative consequences of a destination being featured in movies or TV series, the strengthening of destination marketing activities through film tourism, and the relationships between the film industry and the tourism sector. As a result of the examinations conducted in the study, film tourism has economic, social, and cultural impacts on destinations.

Kaynakça

  • Askanova, K., Askarkyzy, A., Balgimbayeva, A., & Temirshotova, G. (2021). The impact of TV series on the image of a tourist destination, The Senior Project, M. S. Narikbayev KAZGUU University.
  • Beeton, S. (2001). Lights, camera, re-action. How does film-induced tourism affect a country town? In: M. F. Rogers and Y. M. J. Collins (Editors), The Future of Australia’s Country Towns. 172-183.
  • Beeton, S. (2005). Film-induced tourism. Clevedon: Channel View.
  • Beeton, S. (2006). Understanding Film-induced Tourism. Tourism Analysis. Volume 11, Number 3, 181-188.
  • Beeton, S. (2009). Ekrandan Alana: Filmin Turizm ve Rekreasyon Üzerindeki Etkisi. (I. A. Saltık, Çev.) Anatolia: Turizm Araştırmaları Dergisi, Cilt 20, Sayı 2, Bahar, 230-239.
  • Beeton, S. (2010). The Advance of Film Tourism. Tourism and Hospitality Planning & Development. 7:1, 1-6.
  • Beeton, S. (2016) Film-induced Tourism, 2nd ed, Bristol: Channel View Publications.
  • Blanchet, C., & Fabry, N. (2020). Influence of new cinematographic and television operators on the attractivity of tourist destinations, Journal of Tourism Futures, Vol. 6 No. 3, 219-222.
  • Bolan, P., & Kearney, M. (2017). Exploring film tourism potential in Ireland: from Game of Thrones to Star Wars. Revista Turismo & Desenvolvimento. No: 27/28, 2149-2156.
  • Buchmann, A., Moore, K., & Fisher, D. (2010). Experiencing film tourism: Authenticity and fellowship. Annals of Tourism Research, 37(1), 229-248.
  • Busby, G, & Klug, J. (2001). Movie-induced tourism: The challenge of measurement and other issues. Journal of Vacation Marketing.7(4), 316-332.
  • Busby, G., Huang, R., & Jarman, R. (2013). The stein effect: An alternative film-induced tourism perspective. International Journal of Tourism Research. 15(6), 570-582.
  • Cardoso, L., Estevão, C., Fernandes, C., and Alves, H. (2017) ‘Film-induced tourism: a systematic literature review’, Tourism & Management Studies, 13 (3), 23-30.
  • Carl, D., Kindon, S., & Smith, K. (2007). Tourists’ Experiences of Film Locations: New Zealand as ‘Middle-Earth. Tourism Geographies. Vol. 9, No. 1, 49-63.
  • Chien, Y., C. (2018). Influence of celebrity involvement on place attachment: role of destination image in film tourism. Asia Pacific Journal of Tourism Research. 23:1, 1-14.
  • Connel, J. (2012). Film tourism e Evolution, progress and prospects. Tourism Management. 33, 1007-1029.
  • Croy, W., G. (2010). Planning for Film Tourism: Active Destination Image Management. Tourism and Hospitality Planning & Development. 7:1, 21-30.
  • Croy, W. G. (2011). Film tourism: Sustained economic contributions to destinations. Worldwide Hospitality and Tourism Themes, 3 (2), 159-164.
  • Croy, G., & Heitmann, S. (2011). Tourism and film. In P. Robinson, S. Heitmann, & P. Dieke (Eds.), Research themes for tourism (188-204). CABI.
  • Dela Cruz, J. A. M., & Lacap, J. P. G. (2023). Film-Induced Effects and Intention to Visit: The Intervening Role of Country Image of South Korea, Advances in Hospitality and Tourism Research, Vol. 11 (1), 1-27.
  • Domínguez-Azcue J, Almeida-García F, Pérez-Tapia G, & Cestino-González E. (2021). Films and Destinations—Towards a Film Destination: A Review. Information; 12(1):39.
  • Glover, P. (2009). Celebrity Endorsement in Tourism Advertising: Effects on Destination Image. Journal of Hospitality and Tourism Management. Vol.16, Issue 1, 16-23.
  • Grihault, N. (2003). Film Tourism: The Global Picture. London: Mintel International Group Ltd.
  • Haddad, N., A. (2023). Insights on the Film Tourism and Archéocinema for the Promotion of Heritage Tourism: A Critical Review, Global Journal of Cultural Studies, 2, 16-30.
  • Heitmann, S. (2010). Film Tourism Planning and Development-Questioning the Role of Stakeholders and Sustainability. Tourism and Hospitality Planning & Development. 7:1, 31-46.
  • Horrigan, D. (2009). Branded Content: A new Model for driving Tourism via Film and Branding Strategies. Tourısmos: An Internatıonal Multıdıscıplınary Journal of Tourısm. Vol. 4, Number 3, 51-65.
  • Hua, Y., Jittithavorn, C., Lee, T. J., & Chen, X. Contribution of TV Dramas and Movies in Strengthening Sustainable Tourism. Sustainability 2021, 13, 1-14.
  • Hudson, S., Ritchie, J., R., B. (2006a). Film tourism and destination marketing: The case of Captain Corelli’s Mandolin. Journal of Vacation Marketing. 12(3), 256-268.
  • Hudson, S. ve Ritchie, J.R.B. (2006b). “Promoting Destinations via Film Tourism: An Empirical Identification of Supporting Marketing Initiatives”, Journal of Travel Research, 44, 387-396.
  • Hudson, S., Wang, Y., & Gil, S., M. (2010). The Influence of a Film on Destination Image and the Desire to Travel: a Cross-Cultural Comparison. International Journal of Tourism Research. 13, 177-190.
  • Hudson, S. (2011). Working together to leverage film tourism: collaboration between the film and tourism industries. Worldwide Hospitality and Tourism Themes. Vol. 3, No. 2, 165-172.
  • Hudson, S., Wang Y., Gil, S., M. (2011). The Influence of a Film on Destination Image and the Desire to Travel: a Cross-Cultural Comparison International Journal of Tourism Research Int. J. Tourism Res. 13, 177-190.
  • Iwashita, C. (2006). Media representation of the UK as a destination for Japanese tourists: Popular culture and tourism. Tourist Studies, 6(1), 59-77.
  • Işıkman, N., G. (2022). Yerinden Yerlisinden; Film Turizmi Çerçevesinde Katılımlı Belgeseller ve Turistik Destinasyon Sunumu, Sosyal, Beşeri ve İdari Bilimler Dergisi 5 (11), 1618-1631.
  • Karpovich, A. I. (2010), “Theoretical Approaches to Film Motivated Tourism”, Tourism and Hospitality Planning & Development, 7:1, 7-20.
  • Kaya, F. (2020). The Flora of film festivals in Istanbul: From Mainstream to Counter- Festivals, T. Hepdincler, H. K. Süher (Eds.), Creative Industries in Turkey, 117-132, Peter Lang.
  • Kim H, & Richardson S. L. (2003). Motion picture impacts on destination images. Annals of Tourism Research, 30 (1): 216-237.
  • Lee, S., & Bai, B. (2016). Influence of popular culture on special interest tourists’ destination image. Tourism Management. 52, 161-169.
  • Liu, X., & Pratt, S. (2019). The Downton abbey effect in film-induced tourism: an empirical examination of TV drama induced tourism motivation at heritage attractions. Tourism Analysis, 24(4), 497-515.
  • Macionis, N. (2008). Film-Induced Tourism: The Role of Film as a Contributor to the Motivation to Travel to a Destination, Doctoral Thesis, Griffith University, Business School.
  • Månson, M., & Eskilsson, L. (2013). The Attraction of Screen Destinations. Baseline Report Assesing Best Practices. Film London and the EuroScreen Partnership. Pracownia Pomysłów, Rzeszów.
  • Marin, D., Sava, C., Petroman, C., Văduva, L., & Petroman, I. (2021). Cinematographic Tourism Subtype of Cultural Tourism, Quaestus, Multidisciplinary Research Journal, Iss. 18, 377-387.
  • Mordue, T. (1999). Heartbeat country: conflicting values, coinciding visions, Environment and Planning. 31, 629-646.
  • Morozova, N. S., & Yankovich, A. I. (2020). Film-induced tourism as an innovative component of the experience economy. Service and Tourism: Current Challenges, 14(2), 18-27.
  • Moulay, A. T., & Iflahen, F. Z. (2023). Cinema-induced Tourism in Morocco: A narrative review, 11th ABRA International Conference on Environment-Behaviour Studies, Marrakech, Morocco, 233-237.
  • Niziol, A. (2015). Film Tourism as A New Way to Market A Destination. Scientific Review of Physical Culture. volume 5, issue 4, 149-156.
  • O’Connor, N. (2011). A conceptual examination of the film induced tourism phenomenon in Ireland. European Journal of Tourism, Hospitality and Recreation, 2(3), 105-125.
  • Olsberg, J. (2007). Stately Attraction: How Film and Television Programs Promote Tourism in the UK. SPI Consultancy Report. UK
  • Reijnders, S. (2011) Places of the Imagination: Media, Tourism, Culture, Surrey: Ashgate Publishing Limited.
  • Riley, R., Baker, D., & Van Doren, C., S. (1998). Movie induced tourism. Annals of Tourism Research. Volume 25, Issue 4, 919-935
  • Riley, R., & Van Doren, C., S. (1992). Movies as tourism promotion: a ‘pull’ factor in a‘push’ location. Tourism Management. 13(3), 267-274.
  • Rosado, C., & P. Querol (2006). Cine y turismo. Una nueva estrategia de promoción, Madrid: Ocho y Medio.
  • Seongseop, K., & Sangkyun, K. (2018). Segmentation of potential film tourists by film nostalgia and preferred film tourism program. Journal of Travel & Tourism Marketing. 35:3, 285-305.
  • Seongseop, K., Sangkyun, K., & King, B. (2019). Nostalgia film tourism and its potential for destination development. Journal of Travel & Tourism Marketing. 36: 2, 236-252.
  • Shani, A., Wang, Y., Hudson, S., & Gil, S. M. (2009). Impacts of a historical film on the destination image of South America. Journal of Vacation Marketing, 15(3), 229-242.
  • Tuclea, C., & Nistoreanu, P. (2011). How film and television programs can promote tourism and increase the competitiveness of tourist destinations. Cactus Tourism Journal. Vol. 2, Issue 2, 25-30.
  • Vila, N. A., Brea, J. A. F., & de Carlos, P. (2021). Film tourism in Spain: Destination awareness and visit motivation as determinants to visit places seen in TV series. European Research on Management and Business Economics, 27(1).
  • Wen, H., Josiam, B. M., Spears, D. L., & Yang, Y. (2018). Influence of movies and television on Chinese tourists perception toward international tourism destinations. Tour. Manag. Perspect. 28, 211–219.
  • Williams, S. (1998). Tourism Geography. London: Routledge.
  • Yen, C., H., & Croy, W., G. (2016). Film tourism: celebrity involvement, celebrity worship and destination image. Current Issues in Tourism. Vol. 19, Issue 10, 1027-1044.
  • Yen, C., H., & Teng, H., Y. (2015). Celebrity involvement, perceived value, and behavioral intentions in popular media-induced tourism. Journal of Hospitality & Tourism Research. 39(2), 225-244.

Film Sektörü Turizmi Nasıl Değiştirir?

Yıl 2024, Sayı: 17, 1 - 14, 30.06.2024

Öz

İlk sinema filminin çekildiği 1895 yılından günümüze kadar geçen yüz yılı aşkın süre içerisinde yüzbinlerce film ve dizi içeriği üretilmiştir. Tüm dünya genelinde önemli bir sektör haline gelen film endüstrisi, yarattığı doğrudan ve dolaylı katma değerler ile milyarlarca dolar ekonomik büyüklüğe sahip ve milyonlarca kişiye iş olanağı sunan bir yapıdır. Dünyadaki tüm teknolojik gelişmelerden faydalanan, tüm sosyal ve kültürel olaylardan etkilenen ve etkileyen, insanlık tarihi boyunca en çok ilgi çeken sektör olan ve karmaşık ve kompleks bir yapıya sahip olan film endüstrisi benzer şekilde son yüz yıl içerisinde yıldızı parlayan turizm sektörüne de önemli katkılar sağlamaktadır. Film yapımcıları, 21. yüzyılın başından bu yana turizm destinasyonlarını pazarlamak ve tanıtmak için filmleri yoğun bir şekilde kullanmaktadır. Bu katkıların en somut olanı kültürel turizm türlerinden birisi olarak kabul edilen film turizmidir. Film turizmi en genel anlamda, filmlere ve televizyon dizilerine konu olan destinasyonların turistik olarak ilgi ve talep görmesini ifade etmektedir. Son yıllarda popüler filmlerin ve dizilerin çekildiği yerler tatil destinasyonu tercihlerini belirleyen en önemli faktörlerden birisi olmuştur. Film endüstrisi için görsel zenginliği ve çekiciliği arttıran destinasyonların, filmlerde veya dizilerde yer almaları sonucunda etraflarında oluşan çekim merkezleri ulusal ve uluslararası turizm hareketlerini ve gelirlerini arttırıcı etkiye sahip olmuştur. Bu çalışmada film sektörünün turizme etkilerini içeren çalışmalar araştırılmıştır. Bu kapsamda yapılan literatür incelemesi sonucunda, bir destinasyonun filmlerde veya dizilerde yer almasının sebep olduğu olumlu veya olumsuz sonuçlar, film turizmi aracılığı ile destinasyon pazarlaması faaliyetlerinin güçlendirilmesi ve film endüstrisi ile turizm sektörü arasındaki ilişkiler ortaya koyulmuştur. Çalışmada yapılan incelemeler sonucunda film turizminin destinasyonlar üzerinde ekonomik, sosyal ve kültürel etkilere sahip olduğu görülmüştür.

Kaynakça

  • Askanova, K., Askarkyzy, A., Balgimbayeva, A., & Temirshotova, G. (2021). The impact of TV series on the image of a tourist destination, The Senior Project, M. S. Narikbayev KAZGUU University.
  • Beeton, S. (2001). Lights, camera, re-action. How does film-induced tourism affect a country town? In: M. F. Rogers and Y. M. J. Collins (Editors), The Future of Australia’s Country Towns. 172-183.
  • Beeton, S. (2005). Film-induced tourism. Clevedon: Channel View.
  • Beeton, S. (2006). Understanding Film-induced Tourism. Tourism Analysis. Volume 11, Number 3, 181-188.
  • Beeton, S. (2009). Ekrandan Alana: Filmin Turizm ve Rekreasyon Üzerindeki Etkisi. (I. A. Saltık, Çev.) Anatolia: Turizm Araştırmaları Dergisi, Cilt 20, Sayı 2, Bahar, 230-239.
  • Beeton, S. (2010). The Advance of Film Tourism. Tourism and Hospitality Planning & Development. 7:1, 1-6.
  • Beeton, S. (2016) Film-induced Tourism, 2nd ed, Bristol: Channel View Publications.
  • Blanchet, C., & Fabry, N. (2020). Influence of new cinematographic and television operators on the attractivity of tourist destinations, Journal of Tourism Futures, Vol. 6 No. 3, 219-222.
  • Bolan, P., & Kearney, M. (2017). Exploring film tourism potential in Ireland: from Game of Thrones to Star Wars. Revista Turismo & Desenvolvimento. No: 27/28, 2149-2156.
  • Buchmann, A., Moore, K., & Fisher, D. (2010). Experiencing film tourism: Authenticity and fellowship. Annals of Tourism Research, 37(1), 229-248.
  • Busby, G, & Klug, J. (2001). Movie-induced tourism: The challenge of measurement and other issues. Journal of Vacation Marketing.7(4), 316-332.
  • Busby, G., Huang, R., & Jarman, R. (2013). The stein effect: An alternative film-induced tourism perspective. International Journal of Tourism Research. 15(6), 570-582.
  • Cardoso, L., Estevão, C., Fernandes, C., and Alves, H. (2017) ‘Film-induced tourism: a systematic literature review’, Tourism & Management Studies, 13 (3), 23-30.
  • Carl, D., Kindon, S., & Smith, K. (2007). Tourists’ Experiences of Film Locations: New Zealand as ‘Middle-Earth. Tourism Geographies. Vol. 9, No. 1, 49-63.
  • Chien, Y., C. (2018). Influence of celebrity involvement on place attachment: role of destination image in film tourism. Asia Pacific Journal of Tourism Research. 23:1, 1-14.
  • Connel, J. (2012). Film tourism e Evolution, progress and prospects. Tourism Management. 33, 1007-1029.
  • Croy, W., G. (2010). Planning for Film Tourism: Active Destination Image Management. Tourism and Hospitality Planning & Development. 7:1, 21-30.
  • Croy, W. G. (2011). Film tourism: Sustained economic contributions to destinations. Worldwide Hospitality and Tourism Themes, 3 (2), 159-164.
  • Croy, G., & Heitmann, S. (2011). Tourism and film. In P. Robinson, S. Heitmann, & P. Dieke (Eds.), Research themes for tourism (188-204). CABI.
  • Dela Cruz, J. A. M., & Lacap, J. P. G. (2023). Film-Induced Effects and Intention to Visit: The Intervening Role of Country Image of South Korea, Advances in Hospitality and Tourism Research, Vol. 11 (1), 1-27.
  • Domínguez-Azcue J, Almeida-García F, Pérez-Tapia G, & Cestino-González E. (2021). Films and Destinations—Towards a Film Destination: A Review. Information; 12(1):39.
  • Glover, P. (2009). Celebrity Endorsement in Tourism Advertising: Effects on Destination Image. Journal of Hospitality and Tourism Management. Vol.16, Issue 1, 16-23.
  • Grihault, N. (2003). Film Tourism: The Global Picture. London: Mintel International Group Ltd.
  • Haddad, N., A. (2023). Insights on the Film Tourism and Archéocinema for the Promotion of Heritage Tourism: A Critical Review, Global Journal of Cultural Studies, 2, 16-30.
  • Heitmann, S. (2010). Film Tourism Planning and Development-Questioning the Role of Stakeholders and Sustainability. Tourism and Hospitality Planning & Development. 7:1, 31-46.
  • Horrigan, D. (2009). Branded Content: A new Model for driving Tourism via Film and Branding Strategies. Tourısmos: An Internatıonal Multıdıscıplınary Journal of Tourısm. Vol. 4, Number 3, 51-65.
  • Hua, Y., Jittithavorn, C., Lee, T. J., & Chen, X. Contribution of TV Dramas and Movies in Strengthening Sustainable Tourism. Sustainability 2021, 13, 1-14.
  • Hudson, S., Ritchie, J., R., B. (2006a). Film tourism and destination marketing: The case of Captain Corelli’s Mandolin. Journal of Vacation Marketing. 12(3), 256-268.
  • Hudson, S. ve Ritchie, J.R.B. (2006b). “Promoting Destinations via Film Tourism: An Empirical Identification of Supporting Marketing Initiatives”, Journal of Travel Research, 44, 387-396.
  • Hudson, S., Wang, Y., & Gil, S., M. (2010). The Influence of a Film on Destination Image and the Desire to Travel: a Cross-Cultural Comparison. International Journal of Tourism Research. 13, 177-190.
  • Hudson, S. (2011). Working together to leverage film tourism: collaboration between the film and tourism industries. Worldwide Hospitality and Tourism Themes. Vol. 3, No. 2, 165-172.
  • Hudson, S., Wang Y., Gil, S., M. (2011). The Influence of a Film on Destination Image and the Desire to Travel: a Cross-Cultural Comparison International Journal of Tourism Research Int. J. Tourism Res. 13, 177-190.
  • Iwashita, C. (2006). Media representation of the UK as a destination for Japanese tourists: Popular culture and tourism. Tourist Studies, 6(1), 59-77.
  • Işıkman, N., G. (2022). Yerinden Yerlisinden; Film Turizmi Çerçevesinde Katılımlı Belgeseller ve Turistik Destinasyon Sunumu, Sosyal, Beşeri ve İdari Bilimler Dergisi 5 (11), 1618-1631.
  • Karpovich, A. I. (2010), “Theoretical Approaches to Film Motivated Tourism”, Tourism and Hospitality Planning & Development, 7:1, 7-20.
  • Kaya, F. (2020). The Flora of film festivals in Istanbul: From Mainstream to Counter- Festivals, T. Hepdincler, H. K. Süher (Eds.), Creative Industries in Turkey, 117-132, Peter Lang.
  • Kim H, & Richardson S. L. (2003). Motion picture impacts on destination images. Annals of Tourism Research, 30 (1): 216-237.
  • Lee, S., & Bai, B. (2016). Influence of popular culture on special interest tourists’ destination image. Tourism Management. 52, 161-169.
  • Liu, X., & Pratt, S. (2019). The Downton abbey effect in film-induced tourism: an empirical examination of TV drama induced tourism motivation at heritage attractions. Tourism Analysis, 24(4), 497-515.
  • Macionis, N. (2008). Film-Induced Tourism: The Role of Film as a Contributor to the Motivation to Travel to a Destination, Doctoral Thesis, Griffith University, Business School.
  • Månson, M., & Eskilsson, L. (2013). The Attraction of Screen Destinations. Baseline Report Assesing Best Practices. Film London and the EuroScreen Partnership. Pracownia Pomysłów, Rzeszów.
  • Marin, D., Sava, C., Petroman, C., Văduva, L., & Petroman, I. (2021). Cinematographic Tourism Subtype of Cultural Tourism, Quaestus, Multidisciplinary Research Journal, Iss. 18, 377-387.
  • Mordue, T. (1999). Heartbeat country: conflicting values, coinciding visions, Environment and Planning. 31, 629-646.
  • Morozova, N. S., & Yankovich, A. I. (2020). Film-induced tourism as an innovative component of the experience economy. Service and Tourism: Current Challenges, 14(2), 18-27.
  • Moulay, A. T., & Iflahen, F. Z. (2023). Cinema-induced Tourism in Morocco: A narrative review, 11th ABRA International Conference on Environment-Behaviour Studies, Marrakech, Morocco, 233-237.
  • Niziol, A. (2015). Film Tourism as A New Way to Market A Destination. Scientific Review of Physical Culture. volume 5, issue 4, 149-156.
  • O’Connor, N. (2011). A conceptual examination of the film induced tourism phenomenon in Ireland. European Journal of Tourism, Hospitality and Recreation, 2(3), 105-125.
  • Olsberg, J. (2007). Stately Attraction: How Film and Television Programs Promote Tourism in the UK. SPI Consultancy Report. UK
  • Reijnders, S. (2011) Places of the Imagination: Media, Tourism, Culture, Surrey: Ashgate Publishing Limited.
  • Riley, R., Baker, D., & Van Doren, C., S. (1998). Movie induced tourism. Annals of Tourism Research. Volume 25, Issue 4, 919-935
  • Riley, R., & Van Doren, C., S. (1992). Movies as tourism promotion: a ‘pull’ factor in a‘push’ location. Tourism Management. 13(3), 267-274.
  • Rosado, C., & P. Querol (2006). Cine y turismo. Una nueva estrategia de promoción, Madrid: Ocho y Medio.
  • Seongseop, K., & Sangkyun, K. (2018). Segmentation of potential film tourists by film nostalgia and preferred film tourism program. Journal of Travel & Tourism Marketing. 35:3, 285-305.
  • Seongseop, K., Sangkyun, K., & King, B. (2019). Nostalgia film tourism and its potential for destination development. Journal of Travel & Tourism Marketing. 36: 2, 236-252.
  • Shani, A., Wang, Y., Hudson, S., & Gil, S. M. (2009). Impacts of a historical film on the destination image of South America. Journal of Vacation Marketing, 15(3), 229-242.
  • Tuclea, C., & Nistoreanu, P. (2011). How film and television programs can promote tourism and increase the competitiveness of tourist destinations. Cactus Tourism Journal. Vol. 2, Issue 2, 25-30.
  • Vila, N. A., Brea, J. A. F., & de Carlos, P. (2021). Film tourism in Spain: Destination awareness and visit motivation as determinants to visit places seen in TV series. European Research on Management and Business Economics, 27(1).
  • Wen, H., Josiam, B. M., Spears, D. L., & Yang, Y. (2018). Influence of movies and television on Chinese tourists perception toward international tourism destinations. Tour. Manag. Perspect. 28, 211–219.
  • Williams, S. (1998). Tourism Geography. London: Routledge.
  • Yen, C., H., & Croy, W., G. (2016). Film tourism: celebrity involvement, celebrity worship and destination image. Current Issues in Tourism. Vol. 19, Issue 10, 1027-1044.
  • Yen, C., H., & Teng, H., Y. (2015). Celebrity involvement, perceived value, and behavioral intentions in popular media-induced tourism. Journal of Hospitality & Tourism Research. 39(2), 225-244.
Toplam 61 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Turizm (Diğer)
Bölüm Araştırma Makaleleri
Yazarlar

Alper Ateş 0000-0002-4347-7306

Halil Sunar 0000-0002-5131-4056

Mehmet Şahin 0000-0002-0580-8653

Yayımlanma Tarihi 30 Haziran 2024
Gönderilme Tarihi 24 Ocak 2024
Kabul Tarihi 27 Şubat 2024
Yayımlandığı Sayı Yıl 2024 Sayı: 17

Kaynak Göster

APA Ateş, A., Sunar, H., & Şahin, M. (2024). How The Film Industry Changes Tourism?. Selçuk Üniversitesi Akşehir Meslek Yüksekokulu Sosyal Bilimler Dergisi(17), 1-14.