Araştırma Makalesi
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Türkiye’de Kadın Futbolcuların Instagram’da Benlik Sunumu

Yıl 2023, Cilt: 23 Sayı: 2, 969 - 982, 31.07.2023
https://doi.org/10.11616/asbi.1265927

Öz

Bu çalışma Türkiye’de kadın futbolcuların Instagram’da benlik sunumu performanslarına odaklanmıştır. Türkiye’de hegemonik yapının devamlılığının sağlanmasında önemli role sahip olan futbolda kadın futbolcuların medyada ve toplumda görünürlüğü oldukça azdır. Kadın futbolcular da var olan benliklerini sunmak veya yeni kimlikler yaratmak için Instagram’ı kullanmaktadır. Bu amaçla Türkiye Milli Kadın Futbol Takımı’nda yer alan 8 kadın futbolcunun Instagram’da paylamış olduğu 1191 hikâye analiz edilmiştir. Bu paylaşımların 451’inin sahne önü, 740’ının ise sahne arkası performanslarına odaklandığı belirlenmiştir. Kadın futbolcular Instagram’da sahne önünde “futbolcu” kimliklerini ön plana çıkarmayı tercih ederek hegemonik mücadele alanı yaratmaktadır. Sahne arkası performanslarında ise daha çok “kişisel yaşamlarına” odaklanan, aile, arkadaş ve kişisel fotoğraflarını paylaşarak sosyo-kültürel yapıyı, bilinmeyen yönlerini ön plana çıkarmayı tercih ermektedir.

Kaynakça

  • Anagnostopoulos, C., Parganas, P., Chadwick, S. ve Fenton, A. (2018), Branding in Pictures: Using Instagram as a Brand Management Tool in Professional Team Sport Organizations. European Sport Management Quarterly, 18(4), s.413-438.
  • Bae, W., Hahn, K. ve Cho, M. (2023), Understanding the LPGA Tour Top Six Korean Golfers’ Self-Presentation on Social Media: A Content Analysis of Instagram Posts. International Journal of Sport Communication, 1, s.1-10.
  • Balcı, E. V., Tiryaki, S., Demir, Y. ve Baloğlu, E. (2022), Digital Leadership on Twitter: The Digital Leadership Roles of Sports Journalists on Twitter. International Journal of Organizational Leadership, 11, s.21-35.
  • Baltacı, A. (2018), Nitel Araştırmalarda Örnekleme Yöntemleri ve Örnek Hacmi Sorunsalı Üzerine Kavramsal Bir İnceleme. BEÜ SBE Dergisi, 7(1), s.231-274.
  • Barasch, A., Zauberman, G. ve Diehl, K. (2018), How the Intention to Share Can Undermine Enjoyment: Photo-Taking Goals and Evaluation of Experiences. Journal of Consumer Research, 44(6), s.1220-1237.
  • Bartl, M., Kannan, V. K. ve Stockinger, H. (2016), A Review and Analysis of Literature on Netnography Research. International Journal of Technology Marketing, 11(2), s.165-196.
  • Basabain, W., Macleod, K., Westbury, T. ve Qutub, A. (2021), Challenges of Self-Presentation and Athlete Branding Among Saudi Female Exercisers: An Auto-ethnography of a Muslim Saudi Personal Trainer Instagram User. Asian Social Science, 17(3), s.9-30.
  • Başkale, H. (2016). Nitel Araştırmalarda Geçerlik, Güvenirlik ve Örneklem Büyüklüğünün Belirlenmesi. Dokuz Eylül Üniversitesi Hemşirelik Fakültesi Elektronik Dergisi, 9(1), s.23-28.
  • Baumeister, R. F. ve Hutton, D. G. (1987), Self-Presentation Theory: Self-Construction and Audience Pleasing (Eds.: B. Mullen and G. R. Goethals). Theories of Group Behavior, s. 71-87, New York: Springer.
  • Benzer, D. ve Ünal, F. (2021), Instagram, Beden ve Benliğin Sunumu: Erkek Kişisel Antrenörler Örneği. Uluslararası Medya ve İletişim Araştırmaları Hakemli Dergisi, 4(2), s.21-47.
  • Bozlu, B. (2019), Kadın Futbol Alanının İlişkisel Analizi. Sosyoloji Dergisi, 39, s.53-80.
  • Burgess, J. (2023), Utilizing Non-Participatory Netnography to Explore Consumer Reactions to Narrative Brands. Sage Research Methods: Business, New York: Sage Publications.
  • Caple, H. (2013), Competing for Coverage: Exploring Emerging Discourses on Female Athletes in the Australian Print Media. English Text Construction, 6(2), s.271-294.
  • Çaycı, A. E. (2019), Sosyal Medya’da Dijital Yemek Kültürü. Uluslararası Kültürel ve Sosyal Araştırmalar Dergisi (UKSAD), 5(1), 120-136.
  • Çelik, M. ve Akçi, Y. (2016), Futbol Taraftarlığı ve Kurumsal Aidiyet İncelemesi. Elektronik Sosyal Bilimler Dergisi, 15(58), s.948-959
  • Dakroub, R., Roloff, J. ve Issa, H. (2022), Athletes’ Self-Representation on Instagram. The International Journal of Sport and Society, 14(1), s.173-192.
  • Demir, Y. ve Ayhan, B. (2022), Being a Female Sports Journalist on Twitter: Online Harassment, Sexualization, and Hegemony. International Journal of Sport Communication, 15(3), s.207-217.
  • Djafarova, E. ve Trofimenko, O. (2019), ‘Instafamous’–Credibility and Self-Presentation of Micro-Celebrities on Social Media. Information, Communication & Society, 22(10), s.1432-1446.
  • Doyle, J. P., Su, Y. ve Kunkel, T. (2022), Athlete Branding via Social Media: Examining the Factors Influencing Consumer Engagement on Instagram. European Sport Management Quarterly, 22(4), s.506-526.
  • Elgün, A. (2020), Dijital Kültürde Erkeklik(ler): Instagram #erkeklik Üzerine Bir İçerik Analizi. Electronic Turkish Studies, 15(2), s.911-941.
  • Franks, S. ve O’Neill, D. (2016), Women Reporting Sport: Still A Man’s Game? Journalism, 17(4), s.474–492. Frederick, E. L. ve Clavio, G. (2015), Blurred Lines: An Examination of High School Football Recruits’ Self-Presentation on Twitter. International Journal of Sport Communication, 8(3), s.330-344.
  • Gainor, K. (2017), Self-Presentation of Male and Female Athletes on Instagram: A Continuation of Gender Roles Found in Advertisements? Smithfield: Bryant University.
  • Geurin-Eagleman, A. N., ve Burch, L. M. (2016), Communicating via Photographs: A Gendered Analysis of Olympic Athletes’ Visual Self-Presentation on Instagram. Sport Management Review, 19(2), s.133-145.
  • Goffman, E. (1956), The Presentation of Self in Everyday Life. Edinburgh: University of Edinburgh Social Sciences Research Centre.
  • Hardin, M. (2005), Stopped at the Gate: Women's Sports, “Reader Interest,” and Decision Making by Editors, Journalism & Mass Communication Quarterly, 82(1), s. 62–77.
  • Harris, H. A. ve Brison, N. T. (2022), A Tale of Two Brands: Examining Elite Female Athletes’ Branding and Self-Presentation Strategies Over Time. International Journal of Sport Communication, 1, s.1-9.
  • Hollenbaugh, E. E. (2021), Self-Presentation in Social Media: Review and Research Opportunities. Review of Communication Research, 9, s.80-98.
  • Hong, S., Jahng, M. R., Lee, N. ve Wise, K. R. (2020), Do you Filter who You are? Excessive Self-Presentation, Social Cues, and User Evaluations of Instagram Selfies. Computers in Human Behavior, 104, s.1-28.
  • Jensen Schau, H. ve Gilly, M. C. (2003), We are What we Post? Self-Presentation in Personal Web Space. Journal of Consumer Research, 30(3), s.385-404.
  • Johnson, J. A. (1981), The" Self-Disclosure" and" Self-Presentation" Views of Item Response Dynamics and Personality Scale Validity. Journal of Personality and Social Psychology, 40(4), s.761-769.
  • Kavasoğlu, İ. ve Koca, C. (2019), Fotoğrafların Söyledikleri: Kadın Sporcuların Instagramdaki Benlik Sunumlarının Toplumsal Cinsiyet Analizi. s. 265-269, 2. Uluslararası Rekreasyon ve Spor Yönetimi Kongresi.
  • Kavasoğlu, İ. ve Koca, C. (2022), Gendered Body of Turkish Bikini Fitness Athletes on Instagram. Communication & Sport, 10(4), s.685-707.
  • Kim, H. ve Papacharissi, Z. (2003), Cross-Cultural Differences in Online Self-Presentation: A Content Analysis of Personal Korean And US Home Pages. Asian Journal of Communication, 13, s.100–119.
  • Korkut, A. S. (2021), Kadın Futbolu Haberleri: ‘Yapılmış Olmak Için Yapılıyor’, https://journo.com.tr/kadin-futbolu-haberleri, (Erişim Tarihi: 09.03.2023).
  • Kozinets, R. V. (2010), Netnography: Doing Ethnographic Research Online. CA: Sage Publications.
  • Kozinets, R. V. (2012), Marketing Netnography: Prom/ot(ulgat)ing a New Research Method. Methodological Innovations Online, 7(1), s.37-45.
  • Kozinets, R. V. (2020), E-Tourism Research, Cultural Understanding, and Netnography, (Z. Xiang, M. Fuchs, U. Gretzel, ve W. Höpken), Handbook of e-Tourism, s.1-16, New York: Springer Cham.
  • Kozinets, R. V. ve Gretzel, U. (2022), Netnography, (Ed.: D. Buhalis), Encyclopedia of Tourism Management and Marketing, s. 316-319, Cheltenham: Edward Elgar Publishing.
  • Kozinets, R.V. (2002), The Field Behind the Screen: Using Netnography for Marketing Research in Online Communities. Journal of Marketing Research, 39, s.61-72.
  • Lebel, K., ve Danylchuk, K. (2012), How Tweet it is: A Gendered Analysis of Professional Tennis Players’ Self-Presentation on Twitter. International Journal of Sport Communication, 5(4), s.461-480.
  • Lebel, K. ve Danylchuk, K. (2014), An Audience Interpretation of Professional Athlete Self-Presentation on Twitter. Journal of Applied Sport Management, 6(2), s.16-36.
  • Lee-Won, R. J., Shim, M., Joo, Y. K. ve Park, S. G. (2014), Who Puts the Best “Face” Forward on Facebook?: Positive Self-Presentation In Online Social Networking and the Role Of Self-Consciousness, Actual-To-Total Friends Ratio, and Culture. Computers in Human Behavior, 39, s.413–423.
  • Li, B., Scott, O. K., Naraine, M. L. ve Ruihley, B. J. (2021), Tell Me a Story: Exploring Elite Female Athletes’ Self-Presentation via an Analysis of Instagram Stories. Journal of Interactive Advertising, 21(2), s.108-120.
  • Lupinetti, V. M. (2015), Self-Presentation and Social Media: A Qualitative Examination of the Use of Instagram by Amateur NPC Female Figure Competitors. Washington: San José State University.
  • Lyu, S. O. (2016), Travel Selfies on Social Media as Objectified Self-Presentation. Tourism Management, 54, s.185-195.
  • Manago, A. M., Graham, M. B., Greenfield, P. M. ve Salimkhan, G. (2008), Self-Presentation and Gender on MySpace. Journal of Applied Developmental Psychology, 29(6), s.446-458.
  • Marshall, C. ve Rossman, G. B. (2014), Designing Qualitative Research. New York: Sage Publications.
  • Mehdizadeh, S. (2010), Self-Presentation 2.0: Narcissism and Self-Esteem on Facebook. Cyberpsychology, Behavior, and Social Networking, 13(4), s.357-364.
  • Miller, H. (1995), The Presentation of Self in Electronic Life: Goffman on the Internet, s. 1-8, Embodied Knowledge and Virtual Space Conference.
  • Nuhrat, Y. (2020), Türkiye Futbolunda Kadın: “İş”i Olmayan ve Olmaması Gereken Yerde, Fe Dergi, 12(2), s.45-58.
  • Osborne, J. ve Litchfield, C. (2021), Social Media and Free Speech: The Case of Israel Folau and Rugby Australia. International Journal of Sport & Society, 12(2). s.45-57.
  • Pang, H. (2020), Examining Associations Between University Students' Mobile Social Media Use, Online Self-Presentation, Social Support and Sense of Belonging, Aslib Journal of Information Management, 72(3), s.321-338.
  • Pate, J. R., Hardin, R. ve Ruihley, B. (2014), Speak for Yourself: Analysing How US Athletes Used Self-Presentation on Twitter During The 2012 London Paralympic Games. International Journal of Sport Management and Marketing, 15(3-4), s.141-162.
  • Rahbari, L. (2019), Pushing Gender to Its Limits: Iranian Women Bodybuilders on Instagram. Journal of Gender Studies, 28(5), s.591-602.
  • Schlosser, A. E. (2020), Self-Disclosure Versus Self-Presentation on Social Media. Current Opinion in Psychology, 31, s.1-6.
  • Shreffler, M. B., Hancock, M. G. ve Schmidt, S. H. (2016), Self-Presentation of Female Athletes: A Content Analysis of Athlete Avatars. International Journal of Sport Communication, 9(4), s.460-475.
  • Smith, L. R. ve Sanderson, J. (2015), I'm Going to Instagram It! An Analysis of Athlete Self-Presentation on Instagram. Journal of Broadcasting & Electronic Media, 59(2), s.342-358.
  • Toffoletti, K. ve Thorpe, H. (2018), Female Athletes’ Self-Representation on Social Media: A Feminist Analysis of Neoliberal Marketing Strategies in ‘Economies of Visibility’, Feminism and Psychology, 28(1), s.11–31.
  • Uysal, A. (2015), Londra’daki Türklerde Aidiyet ve Mekân İlişkisi. Coğrafya Dergisi, 30, s.61-78.
  • Xu, Q. ve Armstrong, C. L. (2019), #SELFIES at the 2016 Rio Olympics: Comparing Self-Representations of Male and Female Athletes from the US and China. Journal of Broadcasting & Electronic Media, 63(2), s.322-338.
  • Zheng, A., Duff, B. R., Vargas, P. ve Yao, M. Z. (2020), Self-Presentation on Social Media: When Self-Enhancement Confronts Self-Verification. Journal of Interactive Advertising, 20(3), s.289-302.

Self-Presentation of Female Football Players in Turkey on Instagram

Yıl 2023, Cilt: 23 Sayı: 2, 969 - 982, 31.07.2023
https://doi.org/10.11616/asbi.1265927

Öz

This study focused on the self-presentation performances of female football players on Instagram in Turkey. In football, which has an important role in ensuring the continuity of the hegemonic structure in Turkey, the visibility of female football players in the media and society is very low. Women footballers also use Instagram to present their existing selves or create new identities. For this purpose, 1191 stories shared on Instagram by 8 female football players in the Turkey National Women's Football Team were analyzed. It was determined that 451 of these posts focused on front-stage performances and 740 of them focused on backstage performances. Women footballers prefer to highlight their “football player” identities in front of the stage on Instagram, creating a hegemonic field of struggle. In their behind-the-scenes performances, they prefer to highlight the socio-cultural structure and unknown aspects by sharing their family, friends and personal photos, which focus more on their "personal lives".

Kaynakça

  • Anagnostopoulos, C., Parganas, P., Chadwick, S. ve Fenton, A. (2018), Branding in Pictures: Using Instagram as a Brand Management Tool in Professional Team Sport Organizations. European Sport Management Quarterly, 18(4), s.413-438.
  • Bae, W., Hahn, K. ve Cho, M. (2023), Understanding the LPGA Tour Top Six Korean Golfers’ Self-Presentation on Social Media: A Content Analysis of Instagram Posts. International Journal of Sport Communication, 1, s.1-10.
  • Balcı, E. V., Tiryaki, S., Demir, Y. ve Baloğlu, E. (2022), Digital Leadership on Twitter: The Digital Leadership Roles of Sports Journalists on Twitter. International Journal of Organizational Leadership, 11, s.21-35.
  • Baltacı, A. (2018), Nitel Araştırmalarda Örnekleme Yöntemleri ve Örnek Hacmi Sorunsalı Üzerine Kavramsal Bir İnceleme. BEÜ SBE Dergisi, 7(1), s.231-274.
  • Barasch, A., Zauberman, G. ve Diehl, K. (2018), How the Intention to Share Can Undermine Enjoyment: Photo-Taking Goals and Evaluation of Experiences. Journal of Consumer Research, 44(6), s.1220-1237.
  • Bartl, M., Kannan, V. K. ve Stockinger, H. (2016), A Review and Analysis of Literature on Netnography Research. International Journal of Technology Marketing, 11(2), s.165-196.
  • Basabain, W., Macleod, K., Westbury, T. ve Qutub, A. (2021), Challenges of Self-Presentation and Athlete Branding Among Saudi Female Exercisers: An Auto-ethnography of a Muslim Saudi Personal Trainer Instagram User. Asian Social Science, 17(3), s.9-30.
  • Başkale, H. (2016). Nitel Araştırmalarda Geçerlik, Güvenirlik ve Örneklem Büyüklüğünün Belirlenmesi. Dokuz Eylül Üniversitesi Hemşirelik Fakültesi Elektronik Dergisi, 9(1), s.23-28.
  • Baumeister, R. F. ve Hutton, D. G. (1987), Self-Presentation Theory: Self-Construction and Audience Pleasing (Eds.: B. Mullen and G. R. Goethals). Theories of Group Behavior, s. 71-87, New York: Springer.
  • Benzer, D. ve Ünal, F. (2021), Instagram, Beden ve Benliğin Sunumu: Erkek Kişisel Antrenörler Örneği. Uluslararası Medya ve İletişim Araştırmaları Hakemli Dergisi, 4(2), s.21-47.
  • Bozlu, B. (2019), Kadın Futbol Alanının İlişkisel Analizi. Sosyoloji Dergisi, 39, s.53-80.
  • Burgess, J. (2023), Utilizing Non-Participatory Netnography to Explore Consumer Reactions to Narrative Brands. Sage Research Methods: Business, New York: Sage Publications.
  • Caple, H. (2013), Competing for Coverage: Exploring Emerging Discourses on Female Athletes in the Australian Print Media. English Text Construction, 6(2), s.271-294.
  • Çaycı, A. E. (2019), Sosyal Medya’da Dijital Yemek Kültürü. Uluslararası Kültürel ve Sosyal Araştırmalar Dergisi (UKSAD), 5(1), 120-136.
  • Çelik, M. ve Akçi, Y. (2016), Futbol Taraftarlığı ve Kurumsal Aidiyet İncelemesi. Elektronik Sosyal Bilimler Dergisi, 15(58), s.948-959
  • Dakroub, R., Roloff, J. ve Issa, H. (2022), Athletes’ Self-Representation on Instagram. The International Journal of Sport and Society, 14(1), s.173-192.
  • Demir, Y. ve Ayhan, B. (2022), Being a Female Sports Journalist on Twitter: Online Harassment, Sexualization, and Hegemony. International Journal of Sport Communication, 15(3), s.207-217.
  • Djafarova, E. ve Trofimenko, O. (2019), ‘Instafamous’–Credibility and Self-Presentation of Micro-Celebrities on Social Media. Information, Communication & Society, 22(10), s.1432-1446.
  • Doyle, J. P., Su, Y. ve Kunkel, T. (2022), Athlete Branding via Social Media: Examining the Factors Influencing Consumer Engagement on Instagram. European Sport Management Quarterly, 22(4), s.506-526.
  • Elgün, A. (2020), Dijital Kültürde Erkeklik(ler): Instagram #erkeklik Üzerine Bir İçerik Analizi. Electronic Turkish Studies, 15(2), s.911-941.
  • Franks, S. ve O’Neill, D. (2016), Women Reporting Sport: Still A Man’s Game? Journalism, 17(4), s.474–492. Frederick, E. L. ve Clavio, G. (2015), Blurred Lines: An Examination of High School Football Recruits’ Self-Presentation on Twitter. International Journal of Sport Communication, 8(3), s.330-344.
  • Gainor, K. (2017), Self-Presentation of Male and Female Athletes on Instagram: A Continuation of Gender Roles Found in Advertisements? Smithfield: Bryant University.
  • Geurin-Eagleman, A. N., ve Burch, L. M. (2016), Communicating via Photographs: A Gendered Analysis of Olympic Athletes’ Visual Self-Presentation on Instagram. Sport Management Review, 19(2), s.133-145.
  • Goffman, E. (1956), The Presentation of Self in Everyday Life. Edinburgh: University of Edinburgh Social Sciences Research Centre.
  • Hardin, M. (2005), Stopped at the Gate: Women's Sports, “Reader Interest,” and Decision Making by Editors, Journalism & Mass Communication Quarterly, 82(1), s. 62–77.
  • Harris, H. A. ve Brison, N. T. (2022), A Tale of Two Brands: Examining Elite Female Athletes’ Branding and Self-Presentation Strategies Over Time. International Journal of Sport Communication, 1, s.1-9.
  • Hollenbaugh, E. E. (2021), Self-Presentation in Social Media: Review and Research Opportunities. Review of Communication Research, 9, s.80-98.
  • Hong, S., Jahng, M. R., Lee, N. ve Wise, K. R. (2020), Do you Filter who You are? Excessive Self-Presentation, Social Cues, and User Evaluations of Instagram Selfies. Computers in Human Behavior, 104, s.1-28.
  • Jensen Schau, H. ve Gilly, M. C. (2003), We are What we Post? Self-Presentation in Personal Web Space. Journal of Consumer Research, 30(3), s.385-404.
  • Johnson, J. A. (1981), The" Self-Disclosure" and" Self-Presentation" Views of Item Response Dynamics and Personality Scale Validity. Journal of Personality and Social Psychology, 40(4), s.761-769.
  • Kavasoğlu, İ. ve Koca, C. (2019), Fotoğrafların Söyledikleri: Kadın Sporcuların Instagramdaki Benlik Sunumlarının Toplumsal Cinsiyet Analizi. s. 265-269, 2. Uluslararası Rekreasyon ve Spor Yönetimi Kongresi.
  • Kavasoğlu, İ. ve Koca, C. (2022), Gendered Body of Turkish Bikini Fitness Athletes on Instagram. Communication & Sport, 10(4), s.685-707.
  • Kim, H. ve Papacharissi, Z. (2003), Cross-Cultural Differences in Online Self-Presentation: A Content Analysis of Personal Korean And US Home Pages. Asian Journal of Communication, 13, s.100–119.
  • Korkut, A. S. (2021), Kadın Futbolu Haberleri: ‘Yapılmış Olmak Için Yapılıyor’, https://journo.com.tr/kadin-futbolu-haberleri, (Erişim Tarihi: 09.03.2023).
  • Kozinets, R. V. (2010), Netnography: Doing Ethnographic Research Online. CA: Sage Publications.
  • Kozinets, R. V. (2012), Marketing Netnography: Prom/ot(ulgat)ing a New Research Method. Methodological Innovations Online, 7(1), s.37-45.
  • Kozinets, R. V. (2020), E-Tourism Research, Cultural Understanding, and Netnography, (Z. Xiang, M. Fuchs, U. Gretzel, ve W. Höpken), Handbook of e-Tourism, s.1-16, New York: Springer Cham.
  • Kozinets, R. V. ve Gretzel, U. (2022), Netnography, (Ed.: D. Buhalis), Encyclopedia of Tourism Management and Marketing, s. 316-319, Cheltenham: Edward Elgar Publishing.
  • Kozinets, R.V. (2002), The Field Behind the Screen: Using Netnography for Marketing Research in Online Communities. Journal of Marketing Research, 39, s.61-72.
  • Lebel, K., ve Danylchuk, K. (2012), How Tweet it is: A Gendered Analysis of Professional Tennis Players’ Self-Presentation on Twitter. International Journal of Sport Communication, 5(4), s.461-480.
  • Lebel, K. ve Danylchuk, K. (2014), An Audience Interpretation of Professional Athlete Self-Presentation on Twitter. Journal of Applied Sport Management, 6(2), s.16-36.
  • Lee-Won, R. J., Shim, M., Joo, Y. K. ve Park, S. G. (2014), Who Puts the Best “Face” Forward on Facebook?: Positive Self-Presentation In Online Social Networking and the Role Of Self-Consciousness, Actual-To-Total Friends Ratio, and Culture. Computers in Human Behavior, 39, s.413–423.
  • Li, B., Scott, O. K., Naraine, M. L. ve Ruihley, B. J. (2021), Tell Me a Story: Exploring Elite Female Athletes’ Self-Presentation via an Analysis of Instagram Stories. Journal of Interactive Advertising, 21(2), s.108-120.
  • Lupinetti, V. M. (2015), Self-Presentation and Social Media: A Qualitative Examination of the Use of Instagram by Amateur NPC Female Figure Competitors. Washington: San José State University.
  • Lyu, S. O. (2016), Travel Selfies on Social Media as Objectified Self-Presentation. Tourism Management, 54, s.185-195.
  • Manago, A. M., Graham, M. B., Greenfield, P. M. ve Salimkhan, G. (2008), Self-Presentation and Gender on MySpace. Journal of Applied Developmental Psychology, 29(6), s.446-458.
  • Marshall, C. ve Rossman, G. B. (2014), Designing Qualitative Research. New York: Sage Publications.
  • Mehdizadeh, S. (2010), Self-Presentation 2.0: Narcissism and Self-Esteem on Facebook. Cyberpsychology, Behavior, and Social Networking, 13(4), s.357-364.
  • Miller, H. (1995), The Presentation of Self in Electronic Life: Goffman on the Internet, s. 1-8, Embodied Knowledge and Virtual Space Conference.
  • Nuhrat, Y. (2020), Türkiye Futbolunda Kadın: “İş”i Olmayan ve Olmaması Gereken Yerde, Fe Dergi, 12(2), s.45-58.
  • Osborne, J. ve Litchfield, C. (2021), Social Media and Free Speech: The Case of Israel Folau and Rugby Australia. International Journal of Sport & Society, 12(2). s.45-57.
  • Pang, H. (2020), Examining Associations Between University Students' Mobile Social Media Use, Online Self-Presentation, Social Support and Sense of Belonging, Aslib Journal of Information Management, 72(3), s.321-338.
  • Pate, J. R., Hardin, R. ve Ruihley, B. (2014), Speak for Yourself: Analysing How US Athletes Used Self-Presentation on Twitter During The 2012 London Paralympic Games. International Journal of Sport Management and Marketing, 15(3-4), s.141-162.
  • Rahbari, L. (2019), Pushing Gender to Its Limits: Iranian Women Bodybuilders on Instagram. Journal of Gender Studies, 28(5), s.591-602.
  • Schlosser, A. E. (2020), Self-Disclosure Versus Self-Presentation on Social Media. Current Opinion in Psychology, 31, s.1-6.
  • Shreffler, M. B., Hancock, M. G. ve Schmidt, S. H. (2016), Self-Presentation of Female Athletes: A Content Analysis of Athlete Avatars. International Journal of Sport Communication, 9(4), s.460-475.
  • Smith, L. R. ve Sanderson, J. (2015), I'm Going to Instagram It! An Analysis of Athlete Self-Presentation on Instagram. Journal of Broadcasting & Electronic Media, 59(2), s.342-358.
  • Toffoletti, K. ve Thorpe, H. (2018), Female Athletes’ Self-Representation on Social Media: A Feminist Analysis of Neoliberal Marketing Strategies in ‘Economies of Visibility’, Feminism and Psychology, 28(1), s.11–31.
  • Uysal, A. (2015), Londra’daki Türklerde Aidiyet ve Mekân İlişkisi. Coğrafya Dergisi, 30, s.61-78.
  • Xu, Q. ve Armstrong, C. L. (2019), #SELFIES at the 2016 Rio Olympics: Comparing Self-Representations of Male and Female Athletes from the US and China. Journal of Broadcasting & Electronic Media, 63(2), s.322-338.
  • Zheng, A., Duff, B. R., Vargas, P. ve Yao, M. Z. (2020), Self-Presentation on Social Media: When Self-Enhancement Confronts Self-Verification. Journal of Interactive Advertising, 20(3), s.289-302.
Toplam 61 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Bölüm Araştırma Makaleleri
Yazarlar

Salih Tiryaki 0000-0002-0966-3359

Melis Karakuş 0000-0002-5758-7792

Erken Görünüm Tarihi 31 Temmuz 2023
Yayımlanma Tarihi 31 Temmuz 2023
Gönderilme Tarihi 15 Mart 2023
Yayımlandığı Sayı Yıl 2023 Cilt: 23 Sayı: 2

Kaynak Göster

APA Tiryaki, S., & Karakuş, M. (2023). Türkiye’de Kadın Futbolcuların Instagram’da Benlik Sunumu. Abant Sosyal Bilimler Dergisi, 23(2), 969-982. https://doi.org/10.11616/asbi.1265927
AMA Tiryaki S, Karakuş M. Türkiye’de Kadın Futbolcuların Instagram’da Benlik Sunumu. ASBİ. Temmuz 2023;23(2):969-982. doi:10.11616/asbi.1265927
Chicago Tiryaki, Salih, ve Melis Karakuş. “Türkiye’de Kadın Futbolcuların Instagram’da Benlik Sunumu”. Abant Sosyal Bilimler Dergisi 23, sy. 2 (Temmuz 2023): 969-82. https://doi.org/10.11616/asbi.1265927.
EndNote Tiryaki S, Karakuş M (01 Temmuz 2023) Türkiye’de Kadın Futbolcuların Instagram’da Benlik Sunumu. Abant Sosyal Bilimler Dergisi 23 2 969–982.
IEEE S. Tiryaki ve M. Karakuş, “Türkiye’de Kadın Futbolcuların Instagram’da Benlik Sunumu”, ASBİ, c. 23, sy. 2, ss. 969–982, 2023, doi: 10.11616/asbi.1265927.
ISNAD Tiryaki, Salih - Karakuş, Melis. “Türkiye’de Kadın Futbolcuların Instagram’da Benlik Sunumu”. Abant Sosyal Bilimler Dergisi 23/2 (Temmuz 2023), 969-982. https://doi.org/10.11616/asbi.1265927.
JAMA Tiryaki S, Karakuş M. Türkiye’de Kadın Futbolcuların Instagram’da Benlik Sunumu. ASBİ. 2023;23:969–982.
MLA Tiryaki, Salih ve Melis Karakuş. “Türkiye’de Kadın Futbolcuların Instagram’da Benlik Sunumu”. Abant Sosyal Bilimler Dergisi, c. 23, sy. 2, 2023, ss. 969-82, doi:10.11616/asbi.1265927.
Vancouver Tiryaki S, Karakuş M. Türkiye’de Kadın Futbolcuların Instagram’da Benlik Sunumu. ASBİ. 2023;23(2):969-82.