Anita Desai’nin Clear Light of Day Romanı: Sömürgecilik Sonrası Yazının Bir Anlatısı

Yıl 2024, Cilt: 18 Sayı: 2, 308 - 319, 31.12.2024

Mehtap Demirtürk

https://doi.org/10.47777/cankujhss.1476698

Öz

Anita Desai’nin Clear Light of Day romanı Hindistan’ın sömürgecilik sonrası kültüründe hafızayı ve bireysel deneyimleri başarıyla yansıtmaktadır ve Desai’nin zamanı hem yok edici hem de koruyucu olarak yetenekli bir şekilde tasvir etmesini ön plana çıkarmaktadır. Anlatı, sömürgeciliğin bireysel ve toplumsal tarih üzerindeki sürekli etkilerini sunmak için zaman döngüsüne dayanmaktadır. Bu romanda, Hint kültüründe kadının konumu, Hint toplumsal cinsiyet rollerine ilişkin genel varsayımlara yönelik değişen bir bakış açısıyla incelenmektedir ve Desai, Bim, Tara ve Mira Teyze karakterleriyle erkek egemen bir sistem içinde kadınların bağımsızlık mücadelelerinin karmaşık bir değerlendirmesini yapmaktadır. Clear Light of Day hem güçlü bir anlatı olarak karşımıza çıkarken hem de daha geniş sömürgecilik sonrası edebiyat alanına katkıda bulunmaktadır. Desai, kişisel deneyimleri daha kapsamlı tarihsel ve toplumsal koşullarla birleştirerek okuyucularını sömürgeciliğin kalıcı etkilerinin yanı sıra sömürgecilik sonrası bir kültürde kültürel kimliğin karmaşık özellikleri üzerine düşünmeye teşvik etmektedir. Bu çalışma, Desai’nin kendi çok kültürlü geçmişini ve Bölünme sonrası Hindistan tarihini, Bhabha'nın madun, melezlik, taklit, ve üçüncü yer gibi postkolonyal teorilerinin analizi yoluyla zamanın bireyler üzerindeki etkileriyle birlikte inceleyerek sömürgecilik sonrası ortaya çıkan unsurları ortaya çıkarmayı amaçlamaktadır.

Anahtar Kelimeler

Anita Desai, sömürgecilik sonrası, zaman çemberi, Bhabha, kadın, hafıza

Anita Desai’s Clear Light of Day: A Narrative of Postcolonial Writing

Öz

Anita Desai’s Clear Light of Day successfully reflects memory and individual experiences in Indian postcolonial culture and features Desai’s talented portrayal of time as both a devourer and a cure. The narration depends on a time circle to present the continual effects of colonialism on individual and social history. In this novel, the women’s position in Indian culture is examined through a changing perspective toward the general assumptions of Indian gender roles. A complicated evaluation of women’s fights for independence inside a man-dominated system is given by Desai with female characters Bim, Tara, and Aunt Mira. Clear Light of Day both serves as a strong narration and also contributes to the wider postcolonial literary field. Desai encourages her readers to think about the complicated characteristics of cultural identity in a postcolonial culture besides the everlasting impacts of colonialism via the unity of personal experiences with more extensive historical and social conditions. This paper aims to reveal Bhabha’s postcolonial theories such as subaltern, hybridity, mimicry, and third space by investigating Desai’s own multicultural background and Indian history after the Partition as well as the effects of time on the individuals through an analysis of thematic perspectives of colonialism.

Anahtar Kelimeler

Anita Desai, postcolonialism, time circle, Bhabha, women, memory

Kaynakça

• Adhikari, F. (2018). “Dead Text or Living Consciousnesses? Bakhtinian Poetics in the Francophone African Context”. Bakhtinian Explorations of Indian Culture: Pluralism Dogma and Dialogue through History. Springer.
• Anand, J. (2018). “Exploring Bakhtin’s Dialogic Potential in Self, Culture, and History: A Study of V.S. Naipaul’s India: A Million Mutinies Now”. Bakhtinian Explorations of Indian Culture: Pluralism Dogma and Dialogue through History. Springer.
• Bandlamudi L., & Ramakrishnan E. V. (2018). Bakhtinian Explorations of Indian Culture: Pluralism Dogma and Dialogue through History. Springer.
• Bhabha, H. K. (1994). The Location of Culture. Routledge.
• Chakrabarti, P. (2018). “Talking Texts, Writing Memory: A Bakhtinian Reading of Meena Alexander’s Fault Lines”. Bakhtinian Explorations of Indian Culture: Pluralism Dogma and Dialogue through History. Springer.
• Davey, G. (2018). Quality of Life and Well-Being in an Indian Ethnic Community. Springer.
• Desai, A. (1980). Clear Light of Day. Harper.
• Desai, A. (1978). “Replies to the Questionnaire.” Kakatiya Journal of English Studies. Vol. 3, No. 1.
• Everett, J. M. (1991). Women and Social Change in India. Heritage.
• Ghosh, J. (2018). “The Political Economy of Being ‘Modern’ in 21st Century India”. Exploring Indian Modernities. Springer.
• Gopal, N. R. (2013) A Critical Study of the Novels of Anita Desai. Atlantic Publishers & Distributors.
• Hall, S. (1993). “Cultural Identity and Diaspora”. Colonial Discourse and Post-colonial Theory: A Reader. (Edited by Patrick Williams and Laura Chrisman). Harvester Wheatsheaf.
• Huggan, G. (1990). “Philomela’s Retold Story: Silence, Music and the Post-Colonial Text” Journal of Commonwealth Literature 25.1: 12-23.
• Khan, J. (2007). The Great Partition, The Making of India and Pakistan. Yale University Press.
• Kumar, S. P. (2018). “Exploring Modernism as Reflected in Post-partition Hindi/Urdu Fiction”. Exploring Indian Modernities. Springer.
• Loomba, A. (1991). “Overworlding the ‘Third World’”. Oxford Literary Review. 13.1: 164-192.
• Misir, P. (2018). “Indian Indentured Women as Human Agency”. The Subaltern Indian Woman. Palgrave Macmillan.
• Prasad, A. N. (2005). Indian Writing in English: Critical Appraisals. Sarup and Sons.
• Said, E. W. (1986). “Intellectuals in the Post-Colonial World”. Salmagundi 70-71: 44-64.
• Sawhney, S. (2018). “Religion and Hospitality in the Modern: Thinking with Abdul Bismillah”. Exploring Indian Modernities. Springer.
• Spivak, G. C. (1988). “Can the Subaltern Speak?” Marxism and the Interpretation of Culture. Ed. Cary Nelson and Lawrence Grossberg. University of Illinois Press. 271-313.