Diğer
BibTex RIS Kaynak Göster

Interpretation of Multiple Personality Perception in Women through the Cinematic Universe

Yıl 2024, Sayı: 3, 199 - 210, 08.07.2024
https://doi.org/10.26650/Filmvisio.2024.0010

Öz

Daldry, S. (Director). (2002). The Hours [Film]. Miramax Films, Scott Rudin Productions.

Kaynakça

  • Brown, B. (2011). Cinematography: Theory and practice image making for cinematographers and directors. Routledge. google scholar
  • Cavarero, A. (2000). Relating narratives: Storytelling and selfhood. Routledge. google scholar
  • Cianconi, V. (2009). Hour’s end: A quest towards death in Michael Cunningham’s The Hours. Memento, 1(1), 32-38. google scholar
  • Cunningham, M. (1998). The Hours. Farrar, Straus and Giroux. google scholar
  • Daldry, S. (Director). (2002). The Hours [Film]. United States: Paramount Pictures. Netflix, https://www.netflix. com/tr-en/title/60025007 google scholar
  • Doane, M. A. (1982). Film and the masquerade: Theorising the female spectator. Screen, 23(3-4), 74-88. https:// doi.org/10.1093/screen/23.3-4.74 google scholar
  • Grosz, E. (1994). Volatile bodies toward a corporeal feminism. Indiana University Press. google scholar
  • Hughes, M. J. (2004). Michael Cunningham’s The Hours and postmodern artistic re-presentation. Critique: Studies in Contemporary Fiction, 45(4), 349-361. https://doi.org/10.3200/CRIT.45.4.349-361 google scholar
  • Hunter. (2015, July 2). The Hours. The Soul of the Plot. https://thesouloftheplot.wordpress.com/2015/05/18/the-hours/ google scholar
  • Irigaray, L. (1974/1985). Speculum of the other woman. Cornell University Press. google scholar
  • Kinney, M. E. (2006). Linda Hutcheon’s a theory of adaptation, by Linda Hutcheon. Critical Voices: The University of google scholar
  • Guelph Book Review Project, Fall 2013, 7-15. google scholar
  • Mekas, J. (2016). Movie journal: The rise of the new American cinema 1959-1971. Columbia University Press. google scholar
  • Pisters, P. (2003). The matrix of visual culture: Working with Deleuze in film theory. Stanford University Press. google scholar
  • Rich, A. (1972). When we dead awaken: Writing as revision. College English, 34(1), Women, Writing and Teaching (Oct., 1972), 18-30. https://doi.org/10.2307/375215 google scholar

Sinematik Evren Aracılığıyla Kadınlarda Çoklu Kişilik Algısının Yorumu

Yıl 2024, Sayı: 3, 199 - 210, 08.07.2024
https://doi.org/10.26650/Filmvisio.2024.0010

Öz

Daldry, S. (Director). (2002). The Hours [Film]. Miramax Films, Scott Rudin Productions.

Kaynakça

  • Brown, B. (2011). Cinematography: Theory and practice image making for cinematographers and directors. Routledge. google scholar
  • Cavarero, A. (2000). Relating narratives: Storytelling and selfhood. Routledge. google scholar
  • Cianconi, V. (2009). Hour’s end: A quest towards death in Michael Cunningham’s The Hours. Memento, 1(1), 32-38. google scholar
  • Cunningham, M. (1998). The Hours. Farrar, Straus and Giroux. google scholar
  • Daldry, S. (Director). (2002). The Hours [Film]. United States: Paramount Pictures. Netflix, https://www.netflix. com/tr-en/title/60025007 google scholar
  • Doane, M. A. (1982). Film and the masquerade: Theorising the female spectator. Screen, 23(3-4), 74-88. https:// doi.org/10.1093/screen/23.3-4.74 google scholar
  • Grosz, E. (1994). Volatile bodies toward a corporeal feminism. Indiana University Press. google scholar
  • Hughes, M. J. (2004). Michael Cunningham’s The Hours and postmodern artistic re-presentation. Critique: Studies in Contemporary Fiction, 45(4), 349-361. https://doi.org/10.3200/CRIT.45.4.349-361 google scholar
  • Hunter. (2015, July 2). The Hours. The Soul of the Plot. https://thesouloftheplot.wordpress.com/2015/05/18/the-hours/ google scholar
  • Irigaray, L. (1974/1985). Speculum of the other woman. Cornell University Press. google scholar
  • Kinney, M. E. (2006). Linda Hutcheon’s a theory of adaptation, by Linda Hutcheon. Critical Voices: The University of google scholar
  • Guelph Book Review Project, Fall 2013, 7-15. google scholar
  • Mekas, J. (2016). Movie journal: The rise of the new American cinema 1959-1971. Columbia University Press. google scholar
  • Pisters, P. (2003). The matrix of visual culture: Working with Deleuze in film theory. Stanford University Press. google scholar
  • Rich, A. (1972). When we dead awaken: Writing as revision. College English, 34(1), Women, Writing and Teaching (Oct., 1972), 18-30. https://doi.org/10.2307/375215 google scholar
Toplam 15 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular İletişim ve Medya Çalışmaları (Diğer)
Bölüm Film İncelemesi
Yazarlar

Tuba Meltem Pekol 0000-0003-1449-5959

Yayımlanma Tarihi 8 Temmuz 2024
Gönderilme Tarihi 1 Mayıs 2024
Kabul Tarihi 14 Haziran 2024
Yayımlandığı Sayı Yıl 2024 Sayı: 3

Kaynak Göster

APA Pekol, T. M. (2024). Interpretation of Multiple Personality Perception in Women through the Cinematic Universe. Filmvisio(3), 199-210. https://doi.org/10.26650/Filmvisio.2024.0010