The sculptor “Moschos Kallippos” from Synnada. A small Corrigendum to the Künstlerlexikon der Antike

Yıl 2021, Cilt: 21, 231 - 235, 15.05.2021

Nalan Eda Akyürek Şahin

https://doi.org/10.37095/gephyra.879854

Öz

In this small article, a mistake made in the "Kallippos" and "Moschos" entries in the dictionary "Künstlerlexikon der Antike" is corrected. The author of these entries T. Lochman stated that Kallippos and Moschos were two separate sculptors and consequently wrote a separate dic-tionary entry for each of them. The inscription on which Lochman based was found in As-pendos and inscribed in a curved manner on the skirt of the mantle of a Hera statue preserved today in the Antalya Museum (see fig. 1-9). The inscription is complete and it reads: Moschos, son of Moschos, also called Kallippos, from Synnada. In other words, the person who made this Hera statue is a single person whose name is Moschos alias Kallippos. It is understood that Lochman made this mistake because he possibly did not see the older publications where the inscription was publi¬shed, which made him think that two different sculptors were in ques-tion. Therefore, he provided two separate entries in the dictionary a mistake which is corrected now in this contribution.

Anahtar Kelimeler

Künstlerlexikon der Antike, Hera statue, Aspendos, Antalya museum, Synnada, sculptor

Synnadalı Heykeltraş “Moskhos Kallippos”. Künstlerlexikon der Antike İçin Küçük Bir Düzeltme

Öz

Bu küçük yazıda “Künstlerlexikon der Antike” sözlüğündeki “Kallippos” ve “Moskhos” maddelerinde yapılmış bir hata düzeltilmektedir. Bu maddelerin yazarı T. Lochman Kallippos ve Moskhos’un iki ayrı heykeltraş olduğunu belirtmiş ve her iki isim için ayrı ayrı sözlük maddesi yazmıştır. Lochman’ın temel aldığı yazıt Aspendos’ta bulunmuş ve bugün Antalya Müze¬si’nde duran bir Hera heykelinin mantosunun etek kısmına eğri olarak yazılmıştır (bkz. fig. 1-9). Yazıt tamdır ve Moskhos’un oğlu, bir adı da Kallippos olan Synnadalı Moskhos (yaptı). şeklinde Türkçe’ye çevrilebilir. Yani bu Hera heykelini yapan kişi tektir, adı da Moskhos Kallippos’tur. Lochman’ın, olasılıkla yazıtın yayımlı olduğu çok eski yayınları görmediği için hata yaptığı ve yazıtta iki ayrı heykeltraştan bahsedildiğini düşünerek sözlükte de buna göre iki ayrı açıklama verdiği anlaşılmakta ve bu yanılgı düzeltilmektedir.

Anahtar Kelimeler

Künstlerlexikon der Antike, Hera heykeli, Aspendos, Antalya müzesi, Synnada, heykeltraş

Der Bildhauer „Moschos Kallippos” aus Synnada. Ein kleines Corrigendum zum Künstlerlexikon der Antike

Öz

In this small article, a mistake made in the "Kallippos" and "Moschos" entries in the dictionary "Künstlerlexikon der Antike" is corrected. The author of these entries T. Lochman stated that Kallippos and Moschos were two separate sculptors and consequently wrote a separate dic-tionary entry for each of them. The inscription on which Lochman based was found in As-pendos and inscribed in a curved manner on the skirt of the mantle of a Hera statue preserved today in the Antalya Museum (see fig. 1-9). The inscription is complete and it reads: Moschos, son of Moschos, also called Kallippos, from Synnada. In other words, the person who made this Hera statue is a single person whose name is Moschos alias Kallippos. It is understood that Lochman made this mistake because he possibly did not see the older publications where the inscription was publi¬shed, which made him think that two different sculptors were in ques-tion. Therefore, he provided two separate entries in the dictionary a mistake which is corrected now in this contribution.

Anahtar Kelimeler

Künstlerlexikon der Antike, Synnada, Aspendos

Kaynakça

• N. Arsan, Anadolu’nun M. S. I. ve II. Yüzyıllarına Ait Giyimli ve Ayakta Duran Kadın Heykelleri, Belleten 10/39, 1946, 425-470, Lev. XLVI-LXVII.
• E. Atalay, Weibliche Gewandstatuen des 2. Jahrhunderts n. Chr. aus ephesischen Werkstätten (DenkschriftenWien 206), Wien 1989.
• Ü. Demirer – Ü. Çınar – N. Sezgin Karakaş – A. Koç, Antalya Museum, Ankara 2005.
• Ü. Demirer – H. Bru, The Statues Dedicated by Pelopidianos in Perge and the Diffusion of the Dokimeion Marble (Perge’de Pelopidianos Tarafından Adanan Heykeller ve Dokimeion Mermerinin Dağılımı), in: A. Mörel – G. Kaşka – H. Köker – M. Kaşka – M. Fırat – S. O. Akgönül (eds.), Pisidia ve Yakın Çevresinde Üretim, Ticaret ve Ekonomi. Uluslararası Sempozyum Bildirileri. Pisidia Araştırmaları II. 31 Ekim-03 Kasım 2018, Isparta 2020, 274-284.
• A. Filges, Marmorstatuetten aus Kleinasien. Zu Ikonographie, Funktion und Produktion antoninischer, severischer und späterer Idealplastik, IstMitt 44, 1999, 377-430.
• H.-J. Kruse, Römische weibliche Gewandstatuen des zweiten Jahrhunderts n. Chr, Göttingen 1975.
• K. Lanckoronski, Städte Pamphyliens und Pisidiens. Band I: Pamphylien, Prag-Wien-Leipzig 1890.
• T. Lochman, Studien zu kaiserzeitlichen Grab- und Votivreliefs aus Phrygien, Basel 2003.
• T. Lochman, in: Vollkommer 2004, 94, s.v. Moschos.
• T. Lochman, in: Vollkommer 2004, 560, s.v. Kallippos.
• M. E. Özgür, Aspendos. Ein Reiseführer, 1988.
• A.-J. Reinach, Bulletin épigraphique (suite et fin), in: Revue des Études Grecques 22/fascicule 98-99, 1909, 306- 335.
• A. W. van Buren, Inscriptions from Asia Minor, Cyprus and Cyranaica, JHS 28, 1908, 180-201.
• R. Vollkommer (Hrsg.), Künstlerlexikon der Antike 2. L-Z. Addendum A-K, München-Leipzig 2004.