Araştırma Makalesi
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Respect for Tradition: The Role of War Poets in Michael Longley’s Poetry

Yıl 2017, Cilt: 5 Sayı: 2, 639 - 652, 30.11.2017
https://doi.org/10.18795/gumusmaviatlas.357733

Öz

This
study investigates the reasons why the Northern Irish poet Michael Longley, who
makes explicit and implicit references in many of his poems to the war poets
who were killed during the First and Second World Wars, hosts his predecessors
in his poems. It can be asserted that the said interest has three root causes:
poetical, political and familial. Opening his poetry to the war poets, Longley
told the futility of war and implicitly of the conflicts that besieged his
country between the years 1969 and 1998, and warned the Northern Irish people
of the aftermath of violence. The poet, who regards his father who served as a
major and his uncle who worked behind the trenches during the First World War
as brothers-in-arms with the war poets, transforms them into relatives of his
family and distinguished members of his own poetic universe, as it were. On the
other hand, through such a treatment, he aims to make a room for himself within
the poetic tradition and commune with it. Accordingly, as Longley poetically
re-gives presence to the war poets by remembering them and reminding the
others, he simultaneously attempts to prove his own poetic presence. In this
sense, remembering enables the society to take lessons from the past and
Longley to make a room for himself within the poetic tradition.

Kaynakça

  • BREARTON, Fran (2006). Reading Michael Longley. Northumberland: Bloodaxe Books.
  • BREARTON, Fran (2000). The Great War in Irish Poetry: W. B. Yeats to Michael Longley, New York: Oxford University Press.
  • BROWN, John (2002). In the Chair: Interviews with Poets from the North of Ireland, Cliffs of Moher, County Clare: Salmon Publishing.
  • CHRISTIE, Tara (2007). ‘For Isaac Rosenberg’: Geoffrey Hill, Michael Longley, Cathal O Searcaigh. Tim Kendall (Ed.), The Oxford Handbook of British and Irish War Poetry (pp. 542-563). Oxford-New York: Oxford University Press.
  • COLE, Sarah (2007). The Poetry of Pain. Tim Kendall (Ed.), The Oxford Handbook of British and Irish War Poetry (pp. 483-503). Oxford New York: Oxford University Press.
  • CORCORAN, Brendan (2007). ‘Stalled in the Pre-articulate’: Heaney, Poetry and War. Tim Kendall (Ed.), The Oxford Handbook of British and Irish War Poetry (pp. 684-705). Oxford-New York: Oxford University Press.
  • DOUGLAS, Keith. (2000). The Complete Poems. 4th Edition, London-New York: Faber and Faber.
  • LONGLEY, Michael; MOTION, Andrew; STALLWORTHY, Jon (2013). War Poetry: A Conversation, Santanu Das (Ed.), The Cambridge Companion to the Poetry of the First World War (pp. 257-267), New York: Cambridge University Press.
  • LONGLEY, Michael (2006). Collected Poems. London: Jonathan Cape.
  • LONGLEY, Michael (2003). Cenotaph of Snow: Sixty Poems about War. London: Enitharmon.
  • LONGLEY, Michael (1994). Tuppenny Stung: Autobiographical Chapters, Belfast: Lagan Press.
  • LONGLEY, Michael (1971). “Introduction”. Michael Longley (Ed.), Causeway: The Arts in Ulster (pp. 7-9). Belfast: The Arts Council of Northern Ireland.
  • MCNAIR, Wesley (2003). Michael Longley’s Journey to the Real World in The Weather in Japan, Colby Quarterly, Volume 39, No.3, pp. 270-275.
  • PEACOCK, Alan (1995). Michael Longley: Poet in Between Worlds. Michael Kennelly (Ed.), Poetry in Contemporary Irish Literature (pp. 263-279). Buckinghamshire: Colin Symthe-Gerards Cross.
  • POTTS, Donna L. (2011). Contemporary Irish Poetry and the Pastoral Tradition. Columbia, MO, USA: University of Missouri.
  • REDMOND, John (2003). Fighting for Balance: The Influence of Ted Hughes on Michael Longley, Colby Quarterly, Vol. 39, No. 3, pp. 258-269.
  • RUSSELL, Richard Rankin (2010). Poetry and Peace: Michael Longley, Seamus Heaney, and Northern Ireland, Notre Dame, Indiana: University of Notre Dame University.
  • THOMAS, Edward (2011). Selected Poems. Matthew Hollis (Ed.), London: Faber and Faber.
  • WESTENDORP, Tjebbe (1991). The Great War in Irish Memory: The Case of Poetry, Geert Lernout (Ed.), The Crows Behind the Plough: History and Violence in Anglo-Irish Poetry and Drama (pp. 129-142). Amsterdam; Atlanta: Radopi.

Geleneğe Saygı: Michael Longley’nin Şiirlerinde Savaş Şairlerinin Rolü

Yıl 2017, Cilt: 5 Sayı: 2, 639 - 652, 30.11.2017
https://doi.org/10.18795/gumusmaviatlas.357733

Öz

Bu
çalışma, I. ve II. Dünya Savaşları’nda yaşamlarını yitiren savaş şairlerine
birçok şiirinde açık ya da örtülü göndermede bulunan Kuzey İrlandalı şair
Michael Longley’nin öncellerini şiirlerine konuk etme nedenlerini
incelemektedir. Sözü edilen ilginin şiirsel, politik ve ailesel olmak üzere üç
temel nedeni olduğu söylenebilir. Longley, şiirlerini savaş şairlerine açarak
savaşın ve dolaylı olarak 1969-1998 yılları arasında ülkesini kuşatan silahlı
çatışmaların boşunalığını anlatmış ve şiddetin sonuçlarına yönelik Kuzey
İrlanda halkına uyarılarda bulunmuştur. I. Dünya Savaşı’nda binbaşı olarak
görev yapan babasını ve cephe gerisinde çalışan dayısını savaş şairlerinin
silah arkadaşları gibi düşünen şair, onları adeta birer aile yakınına ve kendi
şiir evreninin seçkin üyelerine dönüştürür. Öte yandan, böyle bir yaklaşımla,
kendisine şiir geleneği içinde bir yer açmayı ve bu gelenekle bütünleşmeyi
amaçlar. Buna göre, Longley savaş şairlerini hatırlayıp başkalarına
hatırlatarak şiirsel düzeyde onlara yeniden varlık kazandırırken, eşzamanlı
olarak kendi poetik varlığını kanıtlamaya çalışır. Bu anlamda, hatırlama
topluma geçmişten ders çıkarma, Longley’ye ise kendisine şiir geleneği içinde
yer açma olanağı verir.

Kaynakça

  • BREARTON, Fran (2006). Reading Michael Longley. Northumberland: Bloodaxe Books.
  • BREARTON, Fran (2000). The Great War in Irish Poetry: W. B. Yeats to Michael Longley, New York: Oxford University Press.
  • BROWN, John (2002). In the Chair: Interviews with Poets from the North of Ireland, Cliffs of Moher, County Clare: Salmon Publishing.
  • CHRISTIE, Tara (2007). ‘For Isaac Rosenberg’: Geoffrey Hill, Michael Longley, Cathal O Searcaigh. Tim Kendall (Ed.), The Oxford Handbook of British and Irish War Poetry (pp. 542-563). Oxford-New York: Oxford University Press.
  • COLE, Sarah (2007). The Poetry of Pain. Tim Kendall (Ed.), The Oxford Handbook of British and Irish War Poetry (pp. 483-503). Oxford New York: Oxford University Press.
  • CORCORAN, Brendan (2007). ‘Stalled in the Pre-articulate’: Heaney, Poetry and War. Tim Kendall (Ed.), The Oxford Handbook of British and Irish War Poetry (pp. 684-705). Oxford-New York: Oxford University Press.
  • DOUGLAS, Keith. (2000). The Complete Poems. 4th Edition, London-New York: Faber and Faber.
  • LONGLEY, Michael; MOTION, Andrew; STALLWORTHY, Jon (2013). War Poetry: A Conversation, Santanu Das (Ed.), The Cambridge Companion to the Poetry of the First World War (pp. 257-267), New York: Cambridge University Press.
  • LONGLEY, Michael (2006). Collected Poems. London: Jonathan Cape.
  • LONGLEY, Michael (2003). Cenotaph of Snow: Sixty Poems about War. London: Enitharmon.
  • LONGLEY, Michael (1994). Tuppenny Stung: Autobiographical Chapters, Belfast: Lagan Press.
  • LONGLEY, Michael (1971). “Introduction”. Michael Longley (Ed.), Causeway: The Arts in Ulster (pp. 7-9). Belfast: The Arts Council of Northern Ireland.
  • MCNAIR, Wesley (2003). Michael Longley’s Journey to the Real World in The Weather in Japan, Colby Quarterly, Volume 39, No.3, pp. 270-275.
  • PEACOCK, Alan (1995). Michael Longley: Poet in Between Worlds. Michael Kennelly (Ed.), Poetry in Contemporary Irish Literature (pp. 263-279). Buckinghamshire: Colin Symthe-Gerards Cross.
  • POTTS, Donna L. (2011). Contemporary Irish Poetry and the Pastoral Tradition. Columbia, MO, USA: University of Missouri.
  • REDMOND, John (2003). Fighting for Balance: The Influence of Ted Hughes on Michael Longley, Colby Quarterly, Vol. 39, No. 3, pp. 258-269.
  • RUSSELL, Richard Rankin (2010). Poetry and Peace: Michael Longley, Seamus Heaney, and Northern Ireland, Notre Dame, Indiana: University of Notre Dame University.
  • THOMAS, Edward (2011). Selected Poems. Matthew Hollis (Ed.), London: Faber and Faber.
  • WESTENDORP, Tjebbe (1991). The Great War in Irish Memory: The Case of Poetry, Geert Lernout (Ed.), The Crows Behind the Plough: History and Violence in Anglo-Irish Poetry and Drama (pp. 129-142). Amsterdam; Atlanta: Radopi.
Toplam 19 adet kaynakça vardır.

Ayrıntılar

Bölüm Araştırma Makalesi
Yazarlar

Mümin Hakkıoğlu 0000-0003-3071-2028

Yayımlanma Tarihi 30 Kasım 2017
Gönderilme Tarihi 25 Kasım 2017
Yayımlandığı Sayı Yıl 2017 Cilt: 5 Sayı: 2

Kaynak Göster

APA Hakkıoğlu, M. (2017). Respect for Tradition: The Role of War Poets in Michael Longley’s Poetry. Mavi Atlas, 5(2), 639-652. https://doi.org/10.18795/gumusmaviatlas.357733

Tarandığımız Dizinler:

19020 19017 1901824810 19019

e-ISSN: 2148-5232