Araştırma Makalesi
BibTex RIS Kaynak Göster

Caryl Churchill'in Vinegar Tom ve Cloud Nine Adlı Oyunlarındaki Birbiriyle İlişkili Feminist Karakterlerin Mukayeseli Bir Analizi

Yıl 2024, Sayı: 36, 134 - 145, 31.05.2024
https://doi.org/10.54600/igdirsosbilder.1438539

Öz

Ataerkil toplumlarda kadınların toplumsal konumları ve onların erkek zulmüne karşı direnişleri edebi metinlerin her zaman en önemli konularından biri olmuştur. Feminist yazarlar ve bilim insanları, kadınların aşağılık, susturulmuş veya ötekileştirilmiş bireyler olduğu yönündeki geleneksel düşünceye şiddetle karşı çıkmaktadırlar ve kadın karakterlerin isyankâr ruh hallerini yazdıkları eserler vasıtasıyla açıkça gösterip analiz ederek kalıplaşmış egemen zihniyeti bir şekilde değiştirmeyi amaç edinmişlerdir. Bu kapsamda feminist teorinin savunucuları, kadınların maruz kaldığı kabul edilemez baskının, kadınların cinsiyet kimliğiyle kesişen sosyal faktörlerin bir sonucu olduğu gerçeğini düşünmektedirler. Başka bir deyişle, yaşadıkları her türlü zulmün tek nedeni sadece onların cinsiyetleri değildir. Kadının sosyal statüsü, ırkı, maddi durumu, cinselliği ve genel yeterlilikleri gibi önemli konular da yaşadıkları baskıya sebep olan ve onu pekiştiren diğer etkenler arasında yer almaktadır. Bu bağlamda makalenin amacı, Caryl Churchill'ın Vinegar Tom ve Cloud Nine adlı eserlerini mukayese ederek, kadın karakterlerin ataerkil yaptırımlar ile birlikte toplumsal normlardan kaynaklanan mağduriyetlerini her bir oyunda analiz etmek ve gerçek kimliklerini bulma çabalarını ortaya koymaktır.

Etik Beyan

Etik beyan gerekmemektedir.

Destekleyen Kurum

Yok

Proje Numarası

Yok

Teşekkür

Yok

Kaynakça

  • Bassnett, S. (1984). Towards a Theory of Women’s Theatre. Linguistic and Literary Studies in Eastern Europe. Vol. 10. The Semiotics of Drama and Theatre. Ed. Herta Schmid and Aloysius Van Kesteren. John Benjamin Publishing Company.
  • Churchill, C. (1985). “Vinegar Tom”. Plays One. Methuen. pp.127-180
  • ----- (1985). “Cloud 9”. Plays One. Methuen. pp.243-321
  • Collins, P. H. (1999). Moving Beyond Gender: Intersectionality and Scientific Knowledge. Sage Publications.
  • Crenshaw, K. (1989). Demarginalizing the Intersection of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory and Antiracist Politics. University of Chicago Legal Forum.
  • Crenshaw, K. (1991). Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color. Stanford Law Review.
  • De Beauvoir, S. (1981). The Second Sex. Penguin Books.
  • Demirkaya, N. (2015). Scapegoating Non-Conforming Identities: Witchcraft Hysteria in Arthur Miller's The Crucible and Caryl Churchill's Vinegar Tom. Tarih Kültür ve Sanat Araştırmaları Dergisi-Journal of Hıstory Culture and Art Research, 4(2).
  • Dworkin, A. (1983). Right-Wing Women: The Politics of Domesticated Females. The Women’s Press.
  • Erdem-Ayyıldız, N. (2018). “Women from Witch Hunting in the Seventeenth-Century to the Twentieth
  • Century: A Socialist Feminist Criticism of Churchill’s Vinegar Tom.” The Journal of International
  • Social Research, 11(61), pp. 110-117.
  • Fırat, S. (2005). Caryl Churchill and Gender Roles: Owners, Cloud Nine, and Top Girls [MA Thesis].
  • Middle East Technical University
  • Garland-Thomson, R. (2005). Feminist Disability Studies. In Sandra Harding and Kathryn Norberg (eds.) Signs: Journal of Women in Culture and Society, 30(2), pp. 1557-1587. Chicago, IL. University of Chicago Press.
  • Goodman, L. (1993). Contemporary Feminist Theatres: To Each Her Own. Routledge.
  • Guidroz, K. and Michele T.B. (2009). The Intersectional Approach: Transforming the Academy Through Race, Class and Gender. University of North Carolina Press.
  • Hourihan, M. (1997). Deconstructing the Hero: Literary Theory and Children’s Literature. London. Routledge.
  • Irigaray, L. (1985). This Sex Which is Not One. Trans. Catherine Porter. Cornell University Press.
  • Joodaki, A. H., & Bakhshi, P. (2013). An Exploration of the Gendered Stylization of the Body in Caryl
  • Churchill’s Cloud Nine. International Journal of Applied Linguistics and English Literature, 2(6), 98-102.
  • Lorde, A. (1984). Sister Outsider: Essays and Speeches by Audre Lorde.Freedom, CA. The Crossing Press.
  • Ognjenović, S. (2020). Vinegar Tom:A Play About Witches With No Witches in It. Journal of Language and Literary Studies, 2(9), 63-81.
  • Ravari, Z. K. (2010). Vinegar Tom: Women's Oppression through Patriarchal-Capitalist Dominations. Rev.
  • Eur. Stud., 2, 153-163
  • Reinelt J. (2000). Caryl Churchill and the Politics of Style. The Cambridge Companion to Modern British Women Playwrights. Eds. Elaine Aston and Janella Reinelt. Cambridge University Press.
  • Rich, A. (1977). Of Women Born: Motherhood as Experience and Institution. Virago.
  • Yilmaz, N. (2012). Gender politics and feminism in Caryl Churchill's Cloud Nine. [Unpublished MA Thesis]. University of Barcelona.
  • Woolf, V. (1989). A Room of One’s Own. Harcourt Brace Jovanovich.

A Comparative Analysis of Intersectional Feminist Identities in Caryl Churchill’s Vinegar Tom and Cloud Nine

Yıl 2024, Sayı: 36, 134 - 145, 31.05.2024
https://doi.org/10.54600/igdirsosbilder.1438539

Öz

The portrayal of women in patriarchal communities and their resistance against the tyranny of males are one of the most evident themes of literary texts. Feminist writers and scholars object to the conventional premise that women are inferior, silenced, or marginalized figures, and they aim to alter the mindsets of traditionalists’ by implementing and analyzing the sense of the rebellious spirit of female characters through their works. The advocates of intersectional feminist theory hold a notion that the oppression, from which women suffer, is the result of intersected social factors combined with the gender identity of women. In other words, gender cannot be the sole reason for tyranny but women’s social status, race, poverty, sexuality, ability, or disability are some of the crucial issues that accompany and reinforce the oppression they experience. In this regard, the purpose of this article is to scrutinize Caryl Churchill’s Vinegar Tom and Cloud Nine by analyzing the female characters’ miserable conditions and their struggles to find their real identities since the female characters suffer from patriarchal dogmas and norms in each play.

Proje Numarası

Yok

Kaynakça

  • Bassnett, S. (1984). Towards a Theory of Women’s Theatre. Linguistic and Literary Studies in Eastern Europe. Vol. 10. The Semiotics of Drama and Theatre. Ed. Herta Schmid and Aloysius Van Kesteren. John Benjamin Publishing Company.
  • Churchill, C. (1985). “Vinegar Tom”. Plays One. Methuen. pp.127-180
  • ----- (1985). “Cloud 9”. Plays One. Methuen. pp.243-321
  • Collins, P. H. (1999). Moving Beyond Gender: Intersectionality and Scientific Knowledge. Sage Publications.
  • Crenshaw, K. (1989). Demarginalizing the Intersection of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory and Antiracist Politics. University of Chicago Legal Forum.
  • Crenshaw, K. (1991). Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color. Stanford Law Review.
  • De Beauvoir, S. (1981). The Second Sex. Penguin Books.
  • Demirkaya, N. (2015). Scapegoating Non-Conforming Identities: Witchcraft Hysteria in Arthur Miller's The Crucible and Caryl Churchill's Vinegar Tom. Tarih Kültür ve Sanat Araştırmaları Dergisi-Journal of Hıstory Culture and Art Research, 4(2).
  • Dworkin, A. (1983). Right-Wing Women: The Politics of Domesticated Females. The Women’s Press.
  • Erdem-Ayyıldız, N. (2018). “Women from Witch Hunting in the Seventeenth-Century to the Twentieth
  • Century: A Socialist Feminist Criticism of Churchill’s Vinegar Tom.” The Journal of International
  • Social Research, 11(61), pp. 110-117.
  • Fırat, S. (2005). Caryl Churchill and Gender Roles: Owners, Cloud Nine, and Top Girls [MA Thesis].
  • Middle East Technical University
  • Garland-Thomson, R. (2005). Feminist Disability Studies. In Sandra Harding and Kathryn Norberg (eds.) Signs: Journal of Women in Culture and Society, 30(2), pp. 1557-1587. Chicago, IL. University of Chicago Press.
  • Goodman, L. (1993). Contemporary Feminist Theatres: To Each Her Own. Routledge.
  • Guidroz, K. and Michele T.B. (2009). The Intersectional Approach: Transforming the Academy Through Race, Class and Gender. University of North Carolina Press.
  • Hourihan, M. (1997). Deconstructing the Hero: Literary Theory and Children’s Literature. London. Routledge.
  • Irigaray, L. (1985). This Sex Which is Not One. Trans. Catherine Porter. Cornell University Press.
  • Joodaki, A. H., & Bakhshi, P. (2013). An Exploration of the Gendered Stylization of the Body in Caryl
  • Churchill’s Cloud Nine. International Journal of Applied Linguistics and English Literature, 2(6), 98-102.
  • Lorde, A. (1984). Sister Outsider: Essays and Speeches by Audre Lorde.Freedom, CA. The Crossing Press.
  • Ognjenović, S. (2020). Vinegar Tom:A Play About Witches With No Witches in It. Journal of Language and Literary Studies, 2(9), 63-81.
  • Ravari, Z. K. (2010). Vinegar Tom: Women's Oppression through Patriarchal-Capitalist Dominations. Rev.
  • Eur. Stud., 2, 153-163
  • Reinelt J. (2000). Caryl Churchill and the Politics of Style. The Cambridge Companion to Modern British Women Playwrights. Eds. Elaine Aston and Janella Reinelt. Cambridge University Press.
  • Rich, A. (1977). Of Women Born: Motherhood as Experience and Institution. Virago.
  • Yilmaz, N. (2012). Gender politics and feminism in Caryl Churchill's Cloud Nine. [Unpublished MA Thesis]. University of Barcelona.
  • Woolf, V. (1989). A Room of One’s Own. Harcourt Brace Jovanovich.
Toplam 29 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Karşılaştırmalı ve Ulusötesi Edebiyat
Bölüm Araştırma Makaleleri
Yazarlar

Samet Guven 0000-0001-6883-5109

Proje Numarası Yok
Erken Görünüm Tarihi 31 Mayıs 2024
Yayımlanma Tarihi 31 Mayıs 2024
Gönderilme Tarihi 16 Şubat 2024
Kabul Tarihi 1 Nisan 2024
Yayımlandığı Sayı Yıl 2024 Sayı: 36

Kaynak Göster

APA Guven, S. (2024). A Comparative Analysis of Intersectional Feminist Identities in Caryl Churchill’s Vinegar Tom and Cloud Nine. Iğdır Üniversitesi Sosyal Bilimler Dergisi(36), 134-145. https://doi.org/10.54600/igdirsosbilder.1438539