Hiperbolik Geometriye Dayalı Çağdaş Mimarinin Ontogenezi: Soumaya Müzesi

Yıl 2021, Cilt: 14 Sayı: 4, 1137 - 1155, 25.12.2021

İlknur Akıner , Melisa Unvan

https://doi.org/10.35674/kent.985041

Öz

Eşsiz uyum yeteneği sayesinde insanlık, değişen çevre koşullarına uyum sağlamış ve dünyanın farklı durumlarında varlığını sürdürebilmiştir. İnsanoğlu, doğanın şekillendirdiği yaşam koşullarını kendi gereksinimlerine göre yeniden düzenlemiş ve geliştirdiği mimarinin tetikleyici etkisiyle değişime daha hızlı uyum sağlayabilmiştir. İklim, malzeme ve teknoloji ile şekillenen mimari evrimsel bir kavramdır ve kalıtsaldır. Mimari, zaman içinde kültür kavramının mihenk taşları olan çevre ve kullanıcıya göre kendini değiştirir ve uyarlar. Kültür, birikimli yapısı nedeniyle uzun zaman aralıklarında değişir ve bu nedenle etkileri geniş ölçekte gözlemlenebilir. Bir toprak, bir ulus, bir terim, kültürüyle kendini gösterir ve mimariyi temellerini iletmek için bir araç olarak kullanır. Mimari yaşayan, devam eden yaratıcı bir süreçtir. Hâlihazırda varolan bio-arkitektonik yapıdan yararlanan ve geride yeni değerler bırakan kültürel bir miras olarak algıladığımız mimarinin biçimlenişi, araştırma kapsamında ödüllü yapı Soumaya Müzesi üzerinden tartışılmaktadır. Çağdaş mimaride yeni dinamik ifade kalıplarının geliştirilmesine katkıda bulunan Meksikalı mimar Fernando Romero’nun mesleki alandaki bireysel başarıları, öklidyen olmayan geometriye sahip müze tasarımı ile modern mimari kompozisyonların cesurluğunu sergilemektedir. Çağdaş mimarinin yaratıcılığı bağlamında önemli bir bilgi ve ilham kaynağı oluşturacağı düşünülen araştırma kapsamında, müze yapısı tasarım ve yapı üretim süreci açısından detaylı bir şekilde analiz edilmektedir. Araştırmanın bu çerçevede bir diğer amacı ise hiperbolik geometriye dayalı çağdaş mimarinin ontogenezini ve evrimsel analojisini Soumaya müzesi aracılığıyla açıklamaktır.

Anahtar Kelimeler

Çağdaş Mimari, Ontogenez, Kültürel Evrim, Hiperbolik Geometri, Soumaya Müzesi.

The Ontogenesis of Contemporary Architecture Based on Hyperbolic Geometry: Soumaya Museum

Öz

Humanity has adapted to shifting environmental circumstances and survived in a variety of settings across the world because to its exceptional adaptability. With the triggering effect of the architecture it has built, mankind has reorganized the natural living circumstances to suit its own requirements and has been able to react to change more swiftly. Climate-influenced architecture is a genetic notion affected by climate, materials, and technology. Architecture evolves and develops through time in response to the environment and the user, which are the foundations of the cultural notion. Culture evolves over extended periods of time due to its cumulative nature, and therefore its impacts may be seen on a wide scale. A region, a nation, or a word expresses itself via its culture and utilizes architecture to communicate its roots. Architecture is a dynamic and ever-evolving creative process. Within the framework of the research, the award-winning Soumaya Museum is used to examine the development of architecture, which we see as a cultural heritage that benefits from the previously existing bio-architectonic system while leaving behind new values. Mexican architect Fernando Romero's own achievements in the professional area illustrate the boldness of modern architectural compositions with museum design using non-Euclidean geometry, contributing to the development of new dynamic expression patterns in contemporary architecture. The museum building is studied in detail in terms of design and construction production process within the scope of the research, which is believed to be an essential source of knowledge and inspiration in the context of modern architecture innovation. Another goal of this research is to illustrate the ontogenesis and evolutionary analogies of modern architecture based on hyperbolic geometry via the Soumaya museum.

Anahtar Kelimeler

Contemporary Architecture, Ontogenesis, Cultural Evolution, Hyperbolic Geometry, Soumaya Museum.

Kaynakça

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