Charlotte Brontë’nin Jane Eyre Adlı Romanının Postkolonyal-Oryantalist ve Feminist Okuması: “Ötekiler”

Yıl 2019, Sayı: 41, 31 - 48, 19.06.2019

Filiz Barın Akman

https://doi.org/10.21497/sefad.586536

Cited By: 1

Öz

Bu makale ondokuzuncu yüzyıl
Viktorya Dönemi İngiliz Edebiyatı’nın önemli isimlerinden Charlotte Brontë’nin Jane Eyre isimli romanında “öteki” ve
“ötekileştirme” konusunu inceler. Bu amaç doğrultusunda, sınıf ve cinsiyet
konularını irdelemede kullanınılan Feminist teori romanın ana karakteri olan
Jane’in toplumdaki ötekileştirilmiş konumunun incelenmesinde kullanılırken;
romandaki Bertha karakterinin çözümlemesinde ise Postcolonyal-Orientalist
teoriden yararlanılmıştır. Bu iki kadın karakterin karşılaştırmalı bir “öteki”
okumasının yapıldığı bu makalenin ulaştığı sonuç ise yazarın dönemin İngiliz
toplumunda yerleşmiş bulunan cinsiyet ve sınıf ayrımcılığına karşıt—zayıf olsa
da—eleştirel bir tutum geliştirmesine rağmen, benzer bir serbestleştirici ve
teskin edici tutum ırksal öteki olarak konumlandırılan İngiliz kolonisinden
gelen Bertha için gösterilmemiştir. Bu da Edward Said’in iddia ettiği üzere,
İngiliz emperyalizminin doruk noktasını yaşadığı ondokuzuncu yüzyılda,
edebiyatın baskın politik inanışlar ve olgular çerçevesinde şekillenmiş
olabileceğine örnek teşkil etmesi bakımından önemlidir.

Anahtar Kelimeler

Jane Eyre, sömürgecilik-oryantalizm, öteki, sınıf ve cinsiyet, feminist eleştiri

The Others in Charlotte Brontë’s Jane Eyre: A Postcolonial-Orientalist and Feminist Reading

Öz

There are different forms of
othering in Charlotte Brontë’s Jane Eyre:  one which results from Jane’s ambiguous
position in terms of class hierarchies and another generated by Bertha’s
presence as a colonized subject. In both cases, femininity amplifies gender-specific
repercussions in these othering processes. However, while Brontë creates a
female character in Jane who triumphs over the challenges posed by Victorian
society’s class and gender hierarchies, i.e., the status as other of
governesses and women, problematic as it is in its final solidification of the
status quo, Bertha reflects the dominant, Eurocentric ideologies of nineteenth
century England concerning race and the racial other. She is the colonized and
racial other, a madwoman who threatens British men as embodied in Mr.
Rochester, and women embodied as in Jane, and her final self-destruction for
Jane’s sake are poignant plot devices to this end.  This paper offers a comparative reading of
two female characters’ othered status in Victorian British society in relation
to the dominant ideologies of the era concerning gender, class and race. I
argue that whereas Brontë, following a feminist reading of her novel, fictively
assuages the othered status of British women in the characterization of Jane,
who triumphs in resisting society’s rigid class boundaries and women’s
subordinate position in terms of legal and financial matters, does not grant a
similarly fictive emancipatory view to Bertha as the colonized and racial
other. This is an obvious and clear indication of Brontë’s limitations
concerning feminist activism and inclusiveness as her implication in advancing
the dominant, imperialist discourse.

Anahtar Kelimeler

Jane Eyre, post-colonialism-orientalism, the other, class and gender, feminist criticism

Kaynakça

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• Watson, R. (2001). Images of blackness in the works of Charlotte and Emily Brontë. CLA Journal, 44(4), 451-70.