Araştırma Makalesi
BibTex RIS Kaynak Göster

NOSTALJİ ENDÜSTRİSİ OLARAK POPÜLER SİNEMA: YENİDEN BİR ARAYA GELMELER, YENİDEN ÇEVRİMLER VE YENİDEN YAPIMLAR

Yıl 2023, Cilt: 14 Sayı: 1, 7 - 31, 18.04.2023
https://doi.org/10.32001/sinecine.1253910

Öz

Bu makale, popüler sinemanın getirilerinden birisi olan nostaljik deneyime yeni bir bakış açısı geliştirmek için 2021’in sinema ve dijital platformda yayınlanan karakterlerin yeniden bir araya geldikleri yapımları incelemeyi amaçlamaktadır. Bu çalışmada, yeniden bir araya gelmeler, yeniden yapımlar, yeniden çevrimler, devam filmleri, kaynak yapımdan türetilen ayrıksı yapımlar ve öncül filmler yeniden üretilmiş yapımlar olarak ele alınmaktadır. Makalede yer alan tartışma, popüler sinemanın ticari olarak belirli deneyimleri ve kaynak anlatıları yeniden üretme yolunun nostalji temeline bağlı olduğu fikrine dayanmaktadır. 2020’li yılların başında ticari açıdan başarılı olan devam filmleri arasında, yeniden bir araya gelişlerin yer aldığı yapımların çeşitli işlevlerle sahip olduğu görülmektedir. Yeni kurulan üyelik bazlı dijital bir platform olan HBO Max, bir yıl içerisinde önemli yeniden bir araya gelişler üzerine kurulu üç yapım yayınladı. Bu bağlamda, Friends: The Reunion (2021), The Matrix Resurrections (2021), ve Harry Potter 20th Anniversary: Return to Hogwarts (2022) duygu yüklü ve nostaljik yeniden bir araya gelişlere sahne oldu. Sinema seyircisi, 2021’in dünya çapında en çok gişe hasılatı yapan filmi Spider-Man: No Way Home’da yer alan duygu yüklü sekansta, üç farklı on yıl ve ticari anlatı grubundan gelen üç Örümcek Adam’ın birlik olmasına tanık oldu. Bu çalışma, nostalji odaklı yeniden bir araya gelişlerin yer aldığı yapımların yükselen eğilimini ifade etmek için sinemanın nostaljiyle ilişkisini ve yeniden üretim pratikleri üzerine gerçekleştirilen yeni tartışmaları, geniş bir literatür taraması aracılığıyla ortaya koymaktır. Bu sebeple, belirtilen dört yapım nostaljinin popüler sinema ve dijitaldeki işlevine yönelik incelemenin kapsamına dahil edilmiştir. Bu makalenin teorik temeli, yeniden üretilmiş yapımları ve onların çağdaş benzerlerini incelerken, ilgili tartışmaları ve yaklaşım biçimlerini bir araya getirmek için hafıza çalışmalarına dayanmaktadır. Bu sebeple, bu makale birçok yeniden yapım ve yeniden çevrimler arasında, yeniden bir araya gelişleri içeren yapımların işlevlerini inceleyip anlamlandırarak alana katkı sunmaktadır.

Kaynakça

  • Abrams, J. J. (Director). (2015). Star Wars: The Force Awakens [Motion picture]. U.S.A.: Lucas.
  • Babbie, E. (2006). The practice of social research. (11th Edition). Thomson Wadsworth Publications.
  • Bankhurst, A., & Fowler, M. (2022, 29 October). Upcoming New Marvel Movies for 2022: Release Dates for Phase 4, 5, and 6. IGN, retrieved from https://www.ign.com/articles/upcoming-new-next-marvel-movies-2022-tv-shows-release- dates [Accessed on September 27, 2022].
  • Bauman, Z. (2017). Retrotopia. Polity Press.
  • Bazin, A. (2005). What is cinema?. University of California Press.
  • Benjamin, W. (1968). The work of art in the age of mechanical reproduction. H. Arendt (Ed.), Illuminations. Schocken Books.
  • Bettinelli-Olpin, M., & Gillett, T. (Directors). (2022). Scream [Motion picture]. U.S.A.: Spyglass Media Group.
  • Box Office Mojo. (n.d.). 2021 Worldwide Box Office. Box Office Mojo, retrieved from https://www.boxofficemojo.com/year/world/2021/ [Accessed on January 1, 2023].
  • Box Office Mojo. (n.d.). 2022 Worldwide Box Office. Box Office Mojo, retrieved from https://www.boxofficemojo.com/year/world/2022/ [Accessed on January 1, 2023].
  • Box Office Mojo. (n.d.). Top Lifetime Grosses. Box Office Mojo, retrieved from https://www.boxofficemojo.com/charts/overall/?area=XWW [Accessed on January 1, 2023].
  • Bradshaw, P. (2022, 12 January). Scream Review – Irony-Laden Horror ‘Requel’ Is Starting to Creak with Age. The Guardian, retrieved from https://www.theguardian.com/film/2022/jan/12/scream-review-irony-laden-horror-requel-is-starting-to-creak-with-age [Accessed on October 5, 2022].
  • Boym, S. (2001). The future of nostalgia. Basic Books.
  • Cameron, J. (Director). (1997). Titanic [Motion picture]. U.S.A.: 20th Century Fox.
  • Cameron, J. (Director). (2009). Avatar [Motion picture]. U.S.A.: 20th Century Fox.
  • Cameron, J. (Director). (2022). Avatar: The Way of Water [Motion picture]. U.S.A.: 20th Century Fox.
  • Carpenter, J. (Director). (1978). Halloween [Motion picture]. U.S.A.: Compass International.
  • Cohen, R. (Director). (2001). The Fast and the Furious [Motion picture]. U.S.A.: Universal.
  • Columbus, C. (Director). (2001). Harry Potter and the Sorcerer’s Stone [Motion picture]. U.S.A.: Warner.
  • Cook, P. (2005). Screening the past: Memory and nostalgia in cinema. London and New York: Routledge.
  • Crane, D., & Kauffman, M. (Creators). (1997-2004). Friends [Sitcom]. U.S.A.: Warner.
  • Creswell, W. J. (2007). Qualitative inquiry & research design: Choosing among five approaches. (2nd Edition). Sage Publications.
  • Creswell, W. J., & Creswell, D. J. (2018). Research design: Qualitative, quantitative, and mixed methods approaches. (5th Edition). Sage Publications.
  • Cretton, D. D. (Director). (2025). Avengers: The Kang Dynasty [Motion picture]. U.S.A.: Marvel.
  • Cross, G. (2015). Consumed nostalgia: Memory in the age of fast capitalism. New York: Columbia University Press.
  • DaCosta, N. (Director). (2021). Candyman [Motion picture]. U.S.A.: Metro-Goldwyn-Mayer.
  • Devore, B. (2021, 22 November). ‘The Matrix’ Is Coming to IMAX Screens Just in Time for ‘Resurrections.’ Collider, retrieved from https://collider.com/the-matrix-imax-screening-resurrections/ [Accessed on September 17, 2022].
  • Duffer, M., & Duffer, R. (Creators). (2016-). Stranger Things [Television series]. U.S.A.: 21 Laps Entertainment.
  • Favreau, J. (Director). (2019). The Lion King [Motion picture]. U.S.A.: Walt Disney.
  • Flynn, S., & Mackay, A. (2021). Introduction: Nostalgia, an enduring lens. S. Flynn and A. Mackay (Ed.), Screening American nostalgia: Essays on pop culture constructions of past times (pp: 1-12). McFarland & Company Inc. Publishers.
  • Forrest, J., & Koos, R. L. (2002). Reviewing remakes: An introduction. J. Forrest & L. R. Koos (Ed.), Dead ringers: The remake in the theory and practice (pp: 1-36). State University of New York Press.
  • Garcia, B. D. (Director). (2022). Texas Chainsaw Massacre [Motion picture]. U.S.A.: Legendary.
  • Gondry, M. (Director). (2004). Eternal Sunshine of the Spotless Mind [Motion picture]. U.S.A.: Anonymous Content.
  • Green, G. D. (Director). (2022). Halloween Ends [Motion picture]. U.S.A.: Universal Pictures.
  • Higson, A. (2014). Nostalgia is not what it used to be: Heritage films, nostalgia websites and contemporary consumers. Consumption Markets & Culture, 17(2), 120-142.
  • IMDb. (2022, December). IMDb Statistics, Press Room. IMDb, retrieved from https://www.imdb.com/pressroom/stats/ [Accessed on September 17, 2022].
  • Jameson, F. (1984). Postmodernism, or the cultural logic of late capitalism. New Left Review, 146, 53-92.
  • Jenkins, H. (1992). Textual poachers: Television fans and participatory culture. London and Routledge.
  • Liman, D. (Director). (2002). The Bourne Identity [Motion picture]. U.S.A.: Universal Pictures.
  • Little, H. D. (Director). (1988). Halloween 4: The Return of Michael Myers [Motion picture]. U.S.A.: Trancas International.
  • Loock, K. (2016). Retro-remaking: The 1980s film cycle in contemporary Hollywood cinema. A. A. Klein & B. Palmer (Ed.), Cycles, sequels, spin-offs, remakes, and reboots: Multiplicities in film and television (pp: 277-298). University of Texas Press.
  • Mackay, A. (2021). Stranger Things in strange times: Nostalgia, surveillance and temporality. S. Flynn and A. Mackay (Ed.), Screening American nostalgia: Essays on pop culture constructions of past times (pp: 66-79). McFarland & Company Inc. Publishers.
  • Miller, T. (Director). (2019). Terminator: Dark Fate [Motion picture]. U.S.A.: 20th Century Fox.
  • Miner, S. (Director). (1998). Halloween H20: 20 Years Later [Motion picture]. U.S.A.: Dimension.
  • Minkoff, R., & Allers, R. (Directors). (1994). The Lion King [Feature-length animation]. U.S.A.: Walt Disney.
  • Muschietti, A. (Director). (2023). The Flash [Motion picture]. U.S.A.: Warner.
  • Nolan, C. (Director). (2000). Memento [Motion picture]. U.S.A.: Summit Entertainment.
  • Othenin-Girard, D. (Director). (1989). Halloween 5: The Revenge of Michael Myers [Motion picture]. U.S.A.: Magnum.
  • Pallister, K. (2019). Introduction. K. Pallister (Ed.), Netflix nostalgia streaming the past on demand (pp: 1-8). Lexington Books.
  • Patterson, C., Pearlman, J., Testi, G., & Creevy, E. (Directors). (2022). Harry Potter 20th Anniversary: Return to Hogwarts [Television special]. U.S.A.: Warner.
  • Radstone, S. (2010). Cinema and memory. S. Radstone and B. Schwarz (Ed.), Memory: Histories, theories, debates (pp: 325-342). Fordham University Press.
  • Reitman, J. (Director). (2021). Ghostbusters: Afterlife [Motion picture]. U.S.A.: Columbia.
  • Rooney, D. (Director). (1998). The Lion King II: Simba’s Pride [Feature-length animation]. U.S.A.: Walt Disney.
  • Rosen, P. (2001). Change mummified: Cinema, historicity, theory. University of Minnesota Press.
  • Rosenthal, R. (Director). (1981). Halloween II [Motion picture]. U.S.A.: Dino De Laurentiis Corporation.
  • Rosenthal, R. (Director). (2002). Halloween: Resurrection [Motion picture]. U.S.A.: Dimension.
  • Rosewarne, L. (2020). Why we remake: The politics, economics and emotions of film and tv. Routledge.
  • Routledge, C. (2016). Nostalgia: A psychological resource. Routledge.
  • Rudaitytė, R. (2018). History, memory and nostalgia in literature and culture. Cambridge Scholars Publishing.
  • Russo, A., & Russo, J. (Directors). (2018). Avengers: Infinity War [Motion picture]. U.S.A.: Marvel.
  • Russo, A., & Russo, J. (Directors). (2019). Avengers: Endgame [Motion picture]. U.S.A.: Marvel.
  • Shaw, C., & Chase, M. (1989). The imagined past: History and nostalgia. Manchester University Press.
  • Sperb, J. (2016). Flicker of film: Nostalgia in the time of digital cinema. Rutgers University Press.
  • Spielberg, S. (Director). (1993). Jurrasic Park [Motion picture]. U.S.A.: Universal.
  • Spierig, M., & Spierig, P. (Directors). (2017). Jigsaw [Motion picture]. U.S.A.: Twisted.
  • Star, D. (Creator). (1998-2004). Sex and the City [Television series]. U.S.A.: Darren Star.
  • Star, D. (Creator). (2021-). And Just Like That... [Television series]. U.S.A.: Michael Patrick King.
  • Stephan, M. (2019). Branding Netflix with nostalgia: Totemic nostalgia, adaptation, and the postmodern turn. K. Pallister (Ed.), Netflix nostalgia streaming the past on demand (pp: 25-40). Lexington Books.
  • Taurino, G. (2019). Crossing eras: Exploring nostalgic reconfigurations in media franchises. K. Pallister (Ed.), Netflix nostalgia streaming the past on demand (pp: 9-24). Lexington Books.
  • The Wachowskis. (Directors). (1999). Matrix [Motion picture]. U.S.A.: Warner.
  • Trank, J. (Director). (2015). Fant4stic [Motion picture]. U.S.A.: Marvel.
  • Trevorrow, C. (Director). (2015). Jurassic World [Motion picture]. U.S.A.: Amblin.
  • Wachowski, L. (Director). (2021). The Matrix Resurrections [Motion picture]. U.S.A.: Warner.
  • Waldron, M. (Director). (2026). Avengers: Secret Wars [Motion picture]. U.S.A.: Marvel.
  • Wallace, L. T. (Director). (1982). Halloween III: Season of the Witch [Motion picture]. U.S.A.: Dino De Laurentiis.
  • Wan, J. (Director). (2004). Saw [Motion picture]. U.S.A.: Twisted Pictures.
  • Watts, J. (Director). (2021). Spider-Man: No Way Home [Motion picture]. U.S.A.: Marvel Studios.
  • Webb, M. (Director). (2014). The Amazing Spider-Man 2 [Motion picture]. U.S.A.: Columbia.
  • Whale, J. (Director). (1935). Bride of Frankenstein [Motion picture]. U.S.A.: Universal.
  • Whedon, J. (Director). (2012). The Avengers [Motion picture]. U.S.A.: Marvel.
  • White, T. C. (2022). Scream 5 the Requel, The Current, retrieved from https://www.thecurrent-online.net/post/scream-5-the-requel [Accessed on October 5, 2022].
  • Winston, B. (Director). (2021). Friends: The Reunion [Television special]. U.S.A.: Warner.
  • Wolfe, T. (1940). You can’t go home again. Harper and Row.
  • Wyatt, J. (2021). On the limits of nostalgia understanding the marketplace for remaking and rebooting the Hollywood musical. M. Leggatt (Ed.), Was it yesterday?: Nostalgia in contemporary film and television (pp. 121-136). Sunny Press.
  • Zombie, R. (Director). (2007). Halloween [Motion picture]. Dimension.
  • Zombie, R. (Director). (2009). Halloween II [H2] [Motion picture]. U.S.A.: Dimension.

POPULAR CINEMA AS NOSTALGIA INDUSTRY: REUNIONS, REMAKES, AND REQUELS

Yıl 2023, Cilt: 14 Sayı: 1, 7 - 31, 18.04.2023
https://doi.org/10.32001/sinecine.1253910

Öz

This article seeks to address 2021’s cathartic reunions on digital and in cinema in order to broaden a new perspective on popular cinema’s one of the offers, the nostalgic experience. This study approaches remakes, reboots, requels, sequels, prequels, spin-offs, and adaptations as reproduced works. The discussion is grounded on the idea that popular cinema’s commercial way of reproducing certain experiences and canonical narratives is dependent on proposing nostalgia. Among the commercially successful sequels in the early-2020s, reunions are observed with several functions. As a newly launched subscription video-on-demand platform, HBO Max aired three major reunions in a single year. In this context, Friends: The Reunion (2021), The Matrix Resurrections (2021), and Harry Potter 20th Anniversary: Return to Hogwarts (2022) stage cathartic and nostalgic reunions. The moviegoers witnessed the ensemble of three Spider-Men from three different decades and franchises in a cathartic sequence of the worldwide highest-grossing movie of 2021, Spider-Man: No Way Home. The purpose of the study is to reveal the uptrend of nostalgia-oriented reunions to offer new discussions in cinema’s relation to nostalgia and debates on reproduction practices through a wide range of literature review collection. Therefore, these four productions are included in the scope to discuss nostalgia’s function in popular cinema, even on digital streaming platforms. While the study scans these reproduced works and their contemporary counterparts, the theoretical background is centered on memory studies to combine related discussions and ways of approaching them. Thus, this article proposes a contribution to the field by investigating the functions of reunions among sequels, requels, remakes, reboots, spin-offs, and adaptations in terms of their nostalgic qualities and commercial potential.

Kaynakça

  • Abrams, J. J. (Director). (2015). Star Wars: The Force Awakens [Motion picture]. U.S.A.: Lucas.
  • Babbie, E. (2006). The practice of social research. (11th Edition). Thomson Wadsworth Publications.
  • Bankhurst, A., & Fowler, M. (2022, 29 October). Upcoming New Marvel Movies for 2022: Release Dates for Phase 4, 5, and 6. IGN, retrieved from https://www.ign.com/articles/upcoming-new-next-marvel-movies-2022-tv-shows-release- dates [Accessed on September 27, 2022].
  • Bauman, Z. (2017). Retrotopia. Polity Press.
  • Bazin, A. (2005). What is cinema?. University of California Press.
  • Benjamin, W. (1968). The work of art in the age of mechanical reproduction. H. Arendt (Ed.), Illuminations. Schocken Books.
  • Bettinelli-Olpin, M., & Gillett, T. (Directors). (2022). Scream [Motion picture]. U.S.A.: Spyglass Media Group.
  • Box Office Mojo. (n.d.). 2021 Worldwide Box Office. Box Office Mojo, retrieved from https://www.boxofficemojo.com/year/world/2021/ [Accessed on January 1, 2023].
  • Box Office Mojo. (n.d.). 2022 Worldwide Box Office. Box Office Mojo, retrieved from https://www.boxofficemojo.com/year/world/2022/ [Accessed on January 1, 2023].
  • Box Office Mojo. (n.d.). Top Lifetime Grosses. Box Office Mojo, retrieved from https://www.boxofficemojo.com/charts/overall/?area=XWW [Accessed on January 1, 2023].
  • Bradshaw, P. (2022, 12 January). Scream Review – Irony-Laden Horror ‘Requel’ Is Starting to Creak with Age. The Guardian, retrieved from https://www.theguardian.com/film/2022/jan/12/scream-review-irony-laden-horror-requel-is-starting-to-creak-with-age [Accessed on October 5, 2022].
  • Boym, S. (2001). The future of nostalgia. Basic Books.
  • Cameron, J. (Director). (1997). Titanic [Motion picture]. U.S.A.: 20th Century Fox.
  • Cameron, J. (Director). (2009). Avatar [Motion picture]. U.S.A.: 20th Century Fox.
  • Cameron, J. (Director). (2022). Avatar: The Way of Water [Motion picture]. U.S.A.: 20th Century Fox.
  • Carpenter, J. (Director). (1978). Halloween [Motion picture]. U.S.A.: Compass International.
  • Cohen, R. (Director). (2001). The Fast and the Furious [Motion picture]. U.S.A.: Universal.
  • Columbus, C. (Director). (2001). Harry Potter and the Sorcerer’s Stone [Motion picture]. U.S.A.: Warner.
  • Cook, P. (2005). Screening the past: Memory and nostalgia in cinema. London and New York: Routledge.
  • Crane, D., & Kauffman, M. (Creators). (1997-2004). Friends [Sitcom]. U.S.A.: Warner.
  • Creswell, W. J. (2007). Qualitative inquiry & research design: Choosing among five approaches. (2nd Edition). Sage Publications.
  • Creswell, W. J., & Creswell, D. J. (2018). Research design: Qualitative, quantitative, and mixed methods approaches. (5th Edition). Sage Publications.
  • Cretton, D. D. (Director). (2025). Avengers: The Kang Dynasty [Motion picture]. U.S.A.: Marvel.
  • Cross, G. (2015). Consumed nostalgia: Memory in the age of fast capitalism. New York: Columbia University Press.
  • DaCosta, N. (Director). (2021). Candyman [Motion picture]. U.S.A.: Metro-Goldwyn-Mayer.
  • Devore, B. (2021, 22 November). ‘The Matrix’ Is Coming to IMAX Screens Just in Time for ‘Resurrections.’ Collider, retrieved from https://collider.com/the-matrix-imax-screening-resurrections/ [Accessed on September 17, 2022].
  • Duffer, M., & Duffer, R. (Creators). (2016-). Stranger Things [Television series]. U.S.A.: 21 Laps Entertainment.
  • Favreau, J. (Director). (2019). The Lion King [Motion picture]. U.S.A.: Walt Disney.
  • Flynn, S., & Mackay, A. (2021). Introduction: Nostalgia, an enduring lens. S. Flynn and A. Mackay (Ed.), Screening American nostalgia: Essays on pop culture constructions of past times (pp: 1-12). McFarland & Company Inc. Publishers.
  • Forrest, J., & Koos, R. L. (2002). Reviewing remakes: An introduction. J. Forrest & L. R. Koos (Ed.), Dead ringers: The remake in the theory and practice (pp: 1-36). State University of New York Press.
  • Garcia, B. D. (Director). (2022). Texas Chainsaw Massacre [Motion picture]. U.S.A.: Legendary.
  • Gondry, M. (Director). (2004). Eternal Sunshine of the Spotless Mind [Motion picture]. U.S.A.: Anonymous Content.
  • Green, G. D. (Director). (2022). Halloween Ends [Motion picture]. U.S.A.: Universal Pictures.
  • Higson, A. (2014). Nostalgia is not what it used to be: Heritage films, nostalgia websites and contemporary consumers. Consumption Markets & Culture, 17(2), 120-142.
  • IMDb. (2022, December). IMDb Statistics, Press Room. IMDb, retrieved from https://www.imdb.com/pressroom/stats/ [Accessed on September 17, 2022].
  • Jameson, F. (1984). Postmodernism, or the cultural logic of late capitalism. New Left Review, 146, 53-92.
  • Jenkins, H. (1992). Textual poachers: Television fans and participatory culture. London and Routledge.
  • Liman, D. (Director). (2002). The Bourne Identity [Motion picture]. U.S.A.: Universal Pictures.
  • Little, H. D. (Director). (1988). Halloween 4: The Return of Michael Myers [Motion picture]. U.S.A.: Trancas International.
  • Loock, K. (2016). Retro-remaking: The 1980s film cycle in contemporary Hollywood cinema. A. A. Klein & B. Palmer (Ed.), Cycles, sequels, spin-offs, remakes, and reboots: Multiplicities in film and television (pp: 277-298). University of Texas Press.
  • Mackay, A. (2021). Stranger Things in strange times: Nostalgia, surveillance and temporality. S. Flynn and A. Mackay (Ed.), Screening American nostalgia: Essays on pop culture constructions of past times (pp: 66-79). McFarland & Company Inc. Publishers.
  • Miller, T. (Director). (2019). Terminator: Dark Fate [Motion picture]. U.S.A.: 20th Century Fox.
  • Miner, S. (Director). (1998). Halloween H20: 20 Years Later [Motion picture]. U.S.A.: Dimension.
  • Minkoff, R., & Allers, R. (Directors). (1994). The Lion King [Feature-length animation]. U.S.A.: Walt Disney.
  • Muschietti, A. (Director). (2023). The Flash [Motion picture]. U.S.A.: Warner.
  • Nolan, C. (Director). (2000). Memento [Motion picture]. U.S.A.: Summit Entertainment.
  • Othenin-Girard, D. (Director). (1989). Halloween 5: The Revenge of Michael Myers [Motion picture]. U.S.A.: Magnum.
  • Pallister, K. (2019). Introduction. K. Pallister (Ed.), Netflix nostalgia streaming the past on demand (pp: 1-8). Lexington Books.
  • Patterson, C., Pearlman, J., Testi, G., & Creevy, E. (Directors). (2022). Harry Potter 20th Anniversary: Return to Hogwarts [Television special]. U.S.A.: Warner.
  • Radstone, S. (2010). Cinema and memory. S. Radstone and B. Schwarz (Ed.), Memory: Histories, theories, debates (pp: 325-342). Fordham University Press.
  • Reitman, J. (Director). (2021). Ghostbusters: Afterlife [Motion picture]. U.S.A.: Columbia.
  • Rooney, D. (Director). (1998). The Lion King II: Simba’s Pride [Feature-length animation]. U.S.A.: Walt Disney.
  • Rosen, P. (2001). Change mummified: Cinema, historicity, theory. University of Minnesota Press.
  • Rosenthal, R. (Director). (1981). Halloween II [Motion picture]. U.S.A.: Dino De Laurentiis Corporation.
  • Rosenthal, R. (Director). (2002). Halloween: Resurrection [Motion picture]. U.S.A.: Dimension.
  • Rosewarne, L. (2020). Why we remake: The politics, economics and emotions of film and tv. Routledge.
  • Routledge, C. (2016). Nostalgia: A psychological resource. Routledge.
  • Rudaitytė, R. (2018). History, memory and nostalgia in literature and culture. Cambridge Scholars Publishing.
  • Russo, A., & Russo, J. (Directors). (2018). Avengers: Infinity War [Motion picture]. U.S.A.: Marvel.
  • Russo, A., & Russo, J. (Directors). (2019). Avengers: Endgame [Motion picture]. U.S.A.: Marvel.
  • Shaw, C., & Chase, M. (1989). The imagined past: History and nostalgia. Manchester University Press.
  • Sperb, J. (2016). Flicker of film: Nostalgia in the time of digital cinema. Rutgers University Press.
  • Spielberg, S. (Director). (1993). Jurrasic Park [Motion picture]. U.S.A.: Universal.
  • Spierig, M., & Spierig, P. (Directors). (2017). Jigsaw [Motion picture]. U.S.A.: Twisted.
  • Star, D. (Creator). (1998-2004). Sex and the City [Television series]. U.S.A.: Darren Star.
  • Star, D. (Creator). (2021-). And Just Like That... [Television series]. U.S.A.: Michael Patrick King.
  • Stephan, M. (2019). Branding Netflix with nostalgia: Totemic nostalgia, adaptation, and the postmodern turn. K. Pallister (Ed.), Netflix nostalgia streaming the past on demand (pp: 25-40). Lexington Books.
  • Taurino, G. (2019). Crossing eras: Exploring nostalgic reconfigurations in media franchises. K. Pallister (Ed.), Netflix nostalgia streaming the past on demand (pp: 9-24). Lexington Books.
  • The Wachowskis. (Directors). (1999). Matrix [Motion picture]. U.S.A.: Warner.
  • Trank, J. (Director). (2015). Fant4stic [Motion picture]. U.S.A.: Marvel.
  • Trevorrow, C. (Director). (2015). Jurassic World [Motion picture]. U.S.A.: Amblin.
  • Wachowski, L. (Director). (2021). The Matrix Resurrections [Motion picture]. U.S.A.: Warner.
  • Waldron, M. (Director). (2026). Avengers: Secret Wars [Motion picture]. U.S.A.: Marvel.
  • Wallace, L. T. (Director). (1982). Halloween III: Season of the Witch [Motion picture]. U.S.A.: Dino De Laurentiis.
  • Wan, J. (Director). (2004). Saw [Motion picture]. U.S.A.: Twisted Pictures.
  • Watts, J. (Director). (2021). Spider-Man: No Way Home [Motion picture]. U.S.A.: Marvel Studios.
  • Webb, M. (Director). (2014). The Amazing Spider-Man 2 [Motion picture]. U.S.A.: Columbia.
  • Whale, J. (Director). (1935). Bride of Frankenstein [Motion picture]. U.S.A.: Universal.
  • Whedon, J. (Director). (2012). The Avengers [Motion picture]. U.S.A.: Marvel.
  • White, T. C. (2022). Scream 5 the Requel, The Current, retrieved from https://www.thecurrent-online.net/post/scream-5-the-requel [Accessed on October 5, 2022].
  • Winston, B. (Director). (2021). Friends: The Reunion [Television special]. U.S.A.: Warner.
  • Wolfe, T. (1940). You can’t go home again. Harper and Row.
  • Wyatt, J. (2021). On the limits of nostalgia understanding the marketplace for remaking and rebooting the Hollywood musical. M. Leggatt (Ed.), Was it yesterday?: Nostalgia in contemporary film and television (pp. 121-136). Sunny Press.
  • Zombie, R. (Director). (2007). Halloween [Motion picture]. Dimension.
  • Zombie, R. (Director). (2009). Halloween II [H2] [Motion picture]. U.S.A.: Dimension.
Toplam 85 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular İletişim ve Medya Çalışmaları
Bölüm Makale
Yazarlar

Tuna Tetik 0000-0002-5135-957X

Öykü Türkeli 0000-0002-4674-4676

Yayımlanma Tarihi 18 Nisan 2023
Yayımlandığı Sayı Yıl 2023 Cilt: 14 Sayı: 1

Kaynak Göster

APA Tetik, T., & Türkeli, Ö. (2023). POPULAR CINEMA AS NOSTALGIA INDUSTRY: REUNIONS, REMAKES, AND REQUELS. Sinecine: Sinema Araştırmaları Dergisi, 14(1), 7-31. https://doi.org/10.32001/sinecine.1253910

sinecine TR DİZİN ve FIAF tarafından taranmaktadır.