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SİNEMA TARİH YAZIMINA FARKLI BAKMA

Year 2011, Volume: 6 Issue: 24, 4024 - 4040, 01.06.2011

Fatma Okumuş

Abstract

Keywords

-

References

  • AKAY, Ali. (2004). Georges Didi-Huberman ile söyleşi, Georges Didi-Huberman: ‘Sanat Tarihi, Şu Tuhaf Disiplin ’. Çev. Serap Öztürk. Sanat Dünyamız Sayı: 91, Bahar, 2004, İstanbul: Yapı Kredi Yay. ss. 27-31.
  • ALLEN, Robert C. (1980). Historiography and the Teaching of Film History. Film and History. 10(3): 25-131.
  • ALLEN, Robert. C. and GOMERY, Douglas. (1985). Film History Theory and Practise. McGraw-Hill: New York.
  • A, C. F. (1977). Towards a Historiography of American Film. Cinema Journal. 16(2): 1-25.
  • BARRY, Iris. (1945). Motion Pictures As a Field of Research. College Art Journal. 4(4): 206-209.
  • BORDWELL, David. (1994). The Power of a Research Tradition: Prospects for Progress in the Study of Film Style. Film History. 6(1): 59-79.
  • BORDWELL, David and Thompson, Kristin. (2003). Film History: An Introduction. McGraw Hill: New York.
  • BOWSER, ELLİEN. (1974/75). Introduction. Cinema Journal. 14(2): 1-2.
  • BRANIGAN, Edward. (1979). The Color and Cinema: Problems in the Writing of History. Film Reader. 4: 16-33.
  • BUSCOMBE, Edward. (1979). Introduction: Meta-History of Film. Film Reader. 4: 11-15.
  • BUSCOMBE, Edward. (1991). Film History in the 1980s. Velvet Light Trap (not cited).^
  • BÜKER, Seçil. (2008). Sinema Tarihine Bakmak Nasıl Bir Tarih? Sinema Tarih/Kuram/Eleştiri. (der.: S. Büker- Y.Gürhan Topçu. Ankara: Gazi Üniversitesi İletişim Fakültesi, 13-23.
  • CARD, James. (1950). Problems of Film History. Hollywood Quarterly. 4(3): 279-288.
  • CARR, Edward Hallet. (2004). Tarih Nedir. Çev. Misket Gizem Gürtürk. İletişim Yayınları: İstanbul.
  • CHAPMAN, J. Glancy M. and Harper, S. (2007). The New Film History: Sources, Methods, Approaches. Palgrave Macmillan.
  • DERRIDA, Jacques. (1995). Archive Fever: A Freudian Impression. Diacritics. 25(2): 9-63.
  • ELSAESSER, Thomas. (2004). The New Film History as Media Archaeology. Cinémas. 14(2-3): 76-117.
  • HARPER, Sue. (2004). Review Article Film History: Beyond the Archive. Journal of Contemporary History. 39(3): 447-454.
  • KESSLER, Frank. (1996). Ein Gespräch mit Michéle Lagny, ‘... man kann keine Filmgeschichte ohne Filme betreiben '. Matador. 6-22.
  • KUSTERS, Paul. (1996). New Film History Grundzüge einer neunen Filmgeschichtswissenschaft. Matador. 39-60.
  • KUYPER, Eric de. (1994). Anyone for an Aesthetic of Film History. Film History. 6(1): 100-109.
  • LEDOUX, Jacques. (1974/75). Transcript of Discussion. Cinema Journal. 14(2): 47-63.
  • LYONS, Timothy J. (1972). A Short History of the Movies by Gerald Mast. Educational Theatre Journal. 24(1): 101-103.
  • LYONS, Timothy J. (1974). Myth, Methodology, and the Movies. Educational Theatre Journal. 26(2): 265-272.
  • MOTTRAM, Ron. (1974/75). Influences Between National Cinemas: Denmark and United States. Cinema Journal. 14(2): 3-10.
  • MUSSER, Charles. (2004).Historiographic Method and the Study of Early Cinema. Cinema Journal. 44(1): 101- 107.
  • PERRY, Ted. (1974/75). Formal Strategies as an Index to the Evolution of Film History. Cinema Journal. 14(2): 25-36.
  • PETRIC, Vlademir. (1974/75). From a Written Film History to a Visual Film History. Cinema Journal. 14(2): 20-24.
  • ROSS, Steven J. (2004). Jargon and the Crises of Readability: Methodology, Language, and the Future of Film History”. Cinema Journal. Vol. 44, No. 1, pp. 130-133, Fall.
  • RUSSEL, Catherine. (2004).New Media and Film History: Walter Benjamin and the Awakening of Cinema. Cinema Journal. 43(3): 81-85.
  • SKLAR, Robert. (2004). Does Film History Need a Crises? Cinema Journal. 44(1): 134-138.
  • SKLAR, Robert. (1990). Oh Althusser : Historiography and the Rise of Cinema Studies in Ed. Robert Sklar and Charles Musser, Resisting Images Essays on Cinema and History. Temple Unv. Press: Philadelphia.
  • STAIGER, Janet. (2004). The Future of the Past. Cinema Journal. 44(1): 126-129.
  • STRAW, Will. (1980). The Myth of Total Cinema History. Cine-Tracts. 3(1): 8-16.
  • SUNDHOLM, John. (2003). Narrative Machines, or, from ‘Bottom to Top’. Nordikom Review. Nordic Information Center for Media Communication Research. 24(1): 107-114.
  • USAI, Paolo Cherchi. (1994). Editorial: The Philosophy of Film History. Film History. 6(1): 3-5.

SİNEMA TARİHYAZIMINA FARKLI BAKMAK

Year 2011, Volume: 6 Issue: 24, 4024 - 4040, 01.06.2011

Fatma Okumuş

Abstract

Sinema çalışmalarının başlangıcında ‘film kuramı’ ve ‘film eleştirisi’ baskındır. Bu nedenle geciken sinema tarihi çalışmaları, bugün, ‘Yeni Sinema Tarihi’ başlığı altında önem kazanmaya başlamıştır. Çalışma, sinema tarihyazımının başlangıcından bugüne kadar yaşanan değişimlerin izini sürmektedir. Saptanan değişimlerden hareketle, sinema tarihyazımının kapsamının ve özelliklerinin belirlenmesi amaçlanmaktadır. Çalışmanın sonuç bölümünde, sinema tarihyazımının genel özellikleri göz önünde bulundurularak konuyla ilgili genel bir değerlendirmeye gidilmiştir

Keywords

sinema tarihyazımı yeni sinema tarihi

References

  • AKAY, Ali. (2004). Georges Didi-Huberman ile söyleşi, Georges Didi-Huberman: ‘Sanat Tarihi, Şu Tuhaf Disiplin ’. Çev. Serap Öztürk. Sanat Dünyamız Sayı: 91, Bahar, 2004, İstanbul: Yapı Kredi Yay. ss. 27-31.
  • ALLEN, Robert C. (1980). Historiography and the Teaching of Film History. Film and History. 10(3): 25-131.
  • ALLEN, Robert. C. and GOMERY, Douglas. (1985). Film History Theory and Practise. McGraw-Hill: New York.
  • A, C. F. (1977). Towards a Historiography of American Film. Cinema Journal. 16(2): 1-25.
  • BARRY, Iris. (1945). Motion Pictures As a Field of Research. College Art Journal. 4(4): 206-209.
  • BORDWELL, David. (1994). The Power of a Research Tradition: Prospects for Progress in the Study of Film Style. Film History. 6(1): 59-79.
  • BORDWELL, David and Thompson, Kristin. (2003). Film History: An Introduction. McGraw Hill: New York.
  • BOWSER, ELLİEN. (1974/75). Introduction. Cinema Journal. 14(2): 1-2.
  • BRANIGAN, Edward. (1979). The Color and Cinema: Problems in the Writing of History. Film Reader. 4: 16-33.
  • BUSCOMBE, Edward. (1979). Introduction: Meta-History of Film. Film Reader. 4: 11-15.
  • BUSCOMBE, Edward. (1991). Film History in the 1980s. Velvet Light Trap (not cited).^
  • BÜKER, Seçil. (2008). Sinema Tarihine Bakmak Nasıl Bir Tarih? Sinema Tarih/Kuram/Eleştiri. (der.: S. Büker- Y.Gürhan Topçu. Ankara: Gazi Üniversitesi İletişim Fakültesi, 13-23.
  • CARD, James. (1950). Problems of Film History. Hollywood Quarterly. 4(3): 279-288.
  • CARR, Edward Hallet. (2004). Tarih Nedir. Çev. Misket Gizem Gürtürk. İletişim Yayınları: İstanbul.
  • CHAPMAN, J. Glancy M. and Harper, S. (2007). The New Film History: Sources, Methods, Approaches. Palgrave Macmillan.
  • DERRIDA, Jacques. (1995). Archive Fever: A Freudian Impression. Diacritics. 25(2): 9-63.
  • ELSAESSER, Thomas. (2004). The New Film History as Media Archaeology. Cinémas. 14(2-3): 76-117.
  • HARPER, Sue. (2004). Review Article Film History: Beyond the Archive. Journal of Contemporary History. 39(3): 447-454.
  • KESSLER, Frank. (1996). Ein Gespräch mit Michéle Lagny, ‘... man kann keine Filmgeschichte ohne Filme betreiben '. Matador. 6-22.
  • KUSTERS, Paul. (1996). New Film History Grundzüge einer neunen Filmgeschichtswissenschaft. Matador. 39-60.
  • KUYPER, Eric de. (1994). Anyone for an Aesthetic of Film History. Film History. 6(1): 100-109.
  • LEDOUX, Jacques. (1974/75). Transcript of Discussion. Cinema Journal. 14(2): 47-63.
  • LYONS, Timothy J. (1972). A Short History of the Movies by Gerald Mast. Educational Theatre Journal. 24(1): 101-103.
  • LYONS, Timothy J. (1974). Myth, Methodology, and the Movies. Educational Theatre Journal. 26(2): 265-272.
  • MOTTRAM, Ron. (1974/75). Influences Between National Cinemas: Denmark and United States. Cinema Journal. 14(2): 3-10.
  • MUSSER, Charles. (2004).Historiographic Method and the Study of Early Cinema. Cinema Journal. 44(1): 101- 107.
  • PERRY, Ted. (1974/75). Formal Strategies as an Index to the Evolution of Film History. Cinema Journal. 14(2): 25-36.
  • PETRIC, Vlademir. (1974/75). From a Written Film History to a Visual Film History. Cinema Journal. 14(2): 20-24.
  • ROSS, Steven J. (2004). Jargon and the Crises of Readability: Methodology, Language, and the Future of Film History”. Cinema Journal. Vol. 44, No. 1, pp. 130-133, Fall.
  • RUSSEL, Catherine. (2004).New Media and Film History: Walter Benjamin and the Awakening of Cinema. Cinema Journal. 43(3): 81-85.
  • SKLAR, Robert. (2004). Does Film History Need a Crises? Cinema Journal. 44(1): 134-138.
  • SKLAR, Robert. (1990). Oh Althusser : Historiography and the Rise of Cinema Studies in Ed. Robert Sklar and Charles Musser, Resisting Images Essays on Cinema and History. Temple Unv. Press: Philadelphia.
  • STAIGER, Janet. (2004). The Future of the Past. Cinema Journal. 44(1): 126-129.
  • STRAW, Will. (1980). The Myth of Total Cinema History. Cine-Tracts. 3(1): 8-16.
  • SUNDHOLM, John. (2003). Narrative Machines, or, from ‘Bottom to Top’. Nordikom Review. Nordic Information Center for Media Communication Research. 24(1): 107-114.
  • USAI, Paolo Cherchi. (1994). Editorial: The Philosophy of Film History. Film History. 6(1): 3-5.
There are 36 citations in total.

Details

Primary Language Turkish
Journal Section Articles
Authors

Fatma Okumuş

Publication Date June 1, 2011
Published in Issue Year 2011 Volume: 6 Issue: 24

Cite

APA Okumuş, F. (2011). SİNEMA TARİHYAZIMINA FARKLI BAKMAK. Yaşar Üniversitesi E-Dergisi, 6(24), 4024-4040. https://doi.org/10.19168/jyu.98984
AMA Okumuş F. SİNEMA TARİHYAZIMINA FARKLI BAKMAK. Yaşar Üniversitesi E-Dergisi. June 2011;6(24):4024-4040. doi:10.19168/jyu.98984
Chicago Okumuş, Fatma. “SİNEMA TARİHYAZIMINA FARKLI BAKMAK”. Yaşar Üniversitesi E-Dergisi 6, no. 24 (June 2011): 4024-40. https://doi.org/10.19168/jyu.98984.
EndNote Okumuş F (June 1, 2011) SİNEMA TARİHYAZIMINA FARKLI BAKMAK. Yaşar Üniversitesi E-Dergisi 6 24 4024–4040.
IEEE F. Okumuş, “SİNEMA TARİHYAZIMINA FARKLI BAKMAK”, Yaşar Üniversitesi E-Dergisi, vol. 6, no. 24, pp. 4024–4040, 2011, doi: 10.19168/jyu.98984.
ISNAD Okumuş, Fatma. “SİNEMA TARİHYAZIMINA FARKLI BAKMAK”. Yaşar Üniversitesi E-Dergisi 6/24 (June 2011), 4024-4040. https://doi.org/10.19168/jyu.98984.
JAMA Okumuş F. SİNEMA TARİHYAZIMINA FARKLI BAKMAK. Yaşar Üniversitesi E-Dergisi. 2011;6:4024–4040.
MLA Okumuş, Fatma. “SİNEMA TARİHYAZIMINA FARKLI BAKMAK”. Yaşar Üniversitesi E-Dergisi, vol. 6, no. 24, 2011, pp. 4024-40, doi:10.19168/jyu.98984.
Vancouver Okumuş F. SİNEMA TARİHYAZIMINA FARKLI BAKMAK. Yaşar Üniversitesi E-Dergisi. 2011;6(24):4024-40.